Aimless roam : the worker as a permanent intruder in brazilian cinema

Detalhes bibliográficos
Autor(a) principal: Suppia, Alfredo Luiz Paes de Oliveira, 1975-
Data de Publicação: 2013
Tipo de documento: Artigo
Idioma: eng
Título da fonte: Repositório da Produção Científica e Intelectual da Unicamp
Texto Completo: https://hdl.handle.net/20.500.12733/9967
Resumo: Abstract: The aim of this brief overview is to investigate representations of the worker and the working class in Brazilian cinema. Three feature-length fiction films in particular will emerge as key texts in this analysis: Luís Sérgio Person's São Paulo S.A. (1965), Leon Hirszman's They Don't Wear Black-Tie (Eles Não Usam Black-Tie, 1981), and Beto Brant's The Trespasser (O Invasor, 2001). These films provide useful paradigms for our analysis of possible ruptures and continuities in terms of a film production with a focus on work. Contemporary cinema will also be examined in order to discuss the role of the worker as a constant "intruder." As a whole, this study seeks to demonstrate that the worker, the working class, and labor issues have emerged as recurring motifs that lurk beneath a number of film narratives, even though in an oblique or collateral way
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spelling Aimless roam : the worker as a permanent intruder in brazilian cinemaTrabalho no cinemaCinema brasileiroMotion pictures, BrazilianWork in the cinemaArtigo originalAbstract: The aim of this brief overview is to investigate representations of the worker and the working class in Brazilian cinema. Three feature-length fiction films in particular will emerge as key texts in this analysis: Luís Sérgio Person's São Paulo S.A. (1965), Leon Hirszman's They Don't Wear Black-Tie (Eles Não Usam Black-Tie, 1981), and Beto Brant's The Trespasser (O Invasor, 2001). These films provide useful paradigms for our analysis of possible ruptures and continuities in terms of a film production with a focus on work. Contemporary cinema will also be examined in order to discuss the role of the worker as a constant "intruder." As a whole, this study seeks to demonstrate that the worker, the working class, and labor issues have emerged as recurring motifs that lurk beneath a number of film narratives, even though in an oblique or collateral wayFechadoUNIVERSIDADE ESTADUAL DE CAMPINASSuppia, Alfredo Luiz Paes de Oliveira, 1975-2013info:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/articleapplication/pdfhttps://hdl.handle.net/20.500.12733/9967SUPPIA, Alfredo Luiz Paes de Oliveira. Aimless roam: the worker as a permanent intruder in brazilian cinema. Journal of Labor and Society. Netherlands: Immanuel Ness; Brill, 2013. Vol. 16 ( Dec., 2013), p. 471-486. Disponível em: https://hdl.handle.net/20.500.12733/9967. Acesso em: 7 mai. 2024.Inglêsenghttps://repositorio.unicamp.br/acervo/detalhe/1310820reponame:Repositório da Produção Científica e Intelectual da Unicampinstname:Universidade Estadual de Campinas (UNICAMP)instacron:UNICAMPinfo:eu-repo/semantics/openAccess2023-05-30T16:59:51Zoai:https://www.repositorio.unicamp.br/:1310820Repositório InstitucionalPUBhttp://repositorio.unicamp.br/oai/requestreposip@unicamp.bropendoar:2023-05-30T16:59:51Repositório da Produção Científica e Intelectual da Unicamp - Universidade Estadual de Campinas (UNICAMP)false
dc.title.none.fl_str_mv Aimless roam : the worker as a permanent intruder in brazilian cinema
title Aimless roam : the worker as a permanent intruder in brazilian cinema
spellingShingle Aimless roam : the worker as a permanent intruder in brazilian cinema
Suppia, Alfredo Luiz Paes de Oliveira, 1975-
Trabalho no cinema
Cinema brasileiro
Motion pictures, Brazilian
Work in the cinema
Artigo original
title_short Aimless roam : the worker as a permanent intruder in brazilian cinema
title_full Aimless roam : the worker as a permanent intruder in brazilian cinema
title_fullStr Aimless roam : the worker as a permanent intruder in brazilian cinema
title_full_unstemmed Aimless roam : the worker as a permanent intruder in brazilian cinema
title_sort Aimless roam : the worker as a permanent intruder in brazilian cinema
author Suppia, Alfredo Luiz Paes de Oliveira, 1975-
author_facet Suppia, Alfredo Luiz Paes de Oliveira, 1975-
author_role author
dc.contributor.none.fl_str_mv UNIVERSIDADE ESTADUAL DE CAMPINAS
dc.contributor.author.fl_str_mv Suppia, Alfredo Luiz Paes de Oliveira, 1975-
dc.subject.por.fl_str_mv Trabalho no cinema
Cinema brasileiro
Motion pictures, Brazilian
Work in the cinema
Artigo original
topic Trabalho no cinema
Cinema brasileiro
Motion pictures, Brazilian
Work in the cinema
Artigo original
description Abstract: The aim of this brief overview is to investigate representations of the worker and the working class in Brazilian cinema. Three feature-length fiction films in particular will emerge as key texts in this analysis: Luís Sérgio Person's São Paulo S.A. (1965), Leon Hirszman's They Don't Wear Black-Tie (Eles Não Usam Black-Tie, 1981), and Beto Brant's The Trespasser (O Invasor, 2001). These films provide useful paradigms for our analysis of possible ruptures and continuities in terms of a film production with a focus on work. Contemporary cinema will also be examined in order to discuss the role of the worker as a constant "intruder." As a whole, this study seeks to demonstrate that the worker, the working class, and labor issues have emerged as recurring motifs that lurk beneath a number of film narratives, even though in an oblique or collateral way
publishDate 2013
dc.date.none.fl_str_mv 2013
dc.type.status.fl_str_mv info:eu-repo/semantics/publishedVersion
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://hdl.handle.net/20.500.12733/9967
SUPPIA, Alfredo Luiz Paes de Oliveira. Aimless roam: the worker as a permanent intruder in brazilian cinema. Journal of Labor and Society. Netherlands: Immanuel Ness; Brill, 2013. Vol. 16 ( Dec., 2013), p. 471-486. Disponível em: https://hdl.handle.net/20.500.12733/9967. Acesso em: 7 mai. 2024.
url https://hdl.handle.net/20.500.12733/9967
identifier_str_mv SUPPIA, Alfredo Luiz Paes de Oliveira. Aimless roam: the worker as a permanent intruder in brazilian cinema. Journal of Labor and Society. Netherlands: Immanuel Ness; Brill, 2013. Vol. 16 ( Dec., 2013), p. 471-486. Disponível em: https://hdl.handle.net/20.500.12733/9967. Acesso em: 7 mai. 2024.
dc.language.iso.fl_str_mv Inglês
eng
language_invalid_str_mv Inglês
language eng
dc.relation.none.fl_str_mv https://repositorio.unicamp.br/acervo/detalhe/1310820
dc.rights.driver.fl_str_mv info:eu-repo/semantics/openAccess
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.source.none.fl_str_mv reponame:Repositório da Produção Científica e Intelectual da Unicamp
instname:Universidade Estadual de Campinas (UNICAMP)
instacron:UNICAMP
instname_str Universidade Estadual de Campinas (UNICAMP)
instacron_str UNICAMP
institution UNICAMP
reponame_str Repositório da Produção Científica e Intelectual da Unicamp
collection Repositório da Produção Científica e Intelectual da Unicamp
repository.name.fl_str_mv Repositório da Produção Científica e Intelectual da Unicamp - Universidade Estadual de Campinas (UNICAMP)
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