Era preciso cola para unir os cacos

Detalhes bibliográficos
Autor(a) principal: Flores, Michel Machado
Data de Publicação: 2018
Tipo de documento: Dissertação
Idioma: por
Título da fonte: Biblioteca Digital de Teses e Dissertações da PUC_RS
Texto Completo: http://tede2.pucrs.br/tede2/handle/tede/8022
Resumo: This dissertation proposes a reading about Opisanie ?wiata, a book by the Brazilian writer Veronica Stigger, using theories of art and literature. In its first part, I deal with the displacement of words and images from other forms and sources into the interior of a fictional narrative. In this part, the displacement is seen as an operation of artistic and literary creation, capable of overcoming these and other barriers. For this, I use texts of the author herself and critics that elucidate this gesture in the works of Marcel Duchamp, Kurt Schwitters and Veronica Stigger. Then, in the second part of this work, I turn to a story from the narrative, derived from the thought of Walter Benjamin, to think of it from the various forms of narration that are experimented by Stigger in her prose. In this way, it worthy nothing that all the displacements observed in this narrative and the different forms of narration experienced by the writer are seen, in the company of works by other narrators, as pieces assembled in a collage. Finally, the last chapter presents a conversation with the author in which I look for information that deals with her work as a whole and that corroborates the discussion presented in the previous chapters.
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spelling Barberena, Ricardo Ara?johttp://lattes.cnpq.br/4713324061573064http://lattes.cnpq.br/9346135238987174Flores, Michel Machado2018-05-11T15:02:45Z2018-02-28http://tede2.pucrs.br/tede2/handle/tede/8022This dissertation proposes a reading about Opisanie ?wiata, a book by the Brazilian writer Veronica Stigger, using theories of art and literature. In its first part, I deal with the displacement of words and images from other forms and sources into the interior of a fictional narrative. In this part, the displacement is seen as an operation of artistic and literary creation, capable of overcoming these and other barriers. For this, I use texts of the author herself and critics that elucidate this gesture in the works of Marcel Duchamp, Kurt Schwitters and Veronica Stigger. Then, in the second part of this work, I turn to a story from the narrative, derived from the thought of Walter Benjamin, to think of it from the various forms of narration that are experimented by Stigger in her prose. In this way, it worthy nothing that all the displacements observed in this narrative and the different forms of narration experienced by the writer are seen, in the company of works by other narrators, as pieces assembled in a collage. Finally, the last chapter presents a conversation with the author in which I look for information that deals with her work as a whole and that corroborates the discussion presented in the previous chapters.Esta disserta??o prop?e uma leitura acerca de Opisanie ?wiata, livro da escritora brasileira Veronica Stigger, recorrendo a teorias da arte e da literatura. Em sua primeira parte, trato do deslocamento de palavras e imagens oriundas de outras formas e fontes para o interior de uma narrativa ficcional. Nessa parte, o deslocamento ? visto como uma opera??o de cria??o art?stica e liter?ria, capaz de ultrapassar essas e outras barreiras. Para isso, me valho de textos da pr?pria autora e de cr?ticos que elucidam esse gesto nas obras de Marcel Duchamp, Kurt Schwitters e Veronica Stigger. Ap?s, na segunda parte deste trabalho, recorro a uma hist?ria da narrativa, oriunda do pensamento de Walter Benjamin, para pens?-la a partir das diversas formas de narrar que s?o experimentadas por Stigger em sua prosa. Dessa forma, ? poss?vel notar que todos os deslocamentos observados nessa narrativa e as diferentes formas de narrar experimentadas pela escritora s?o vistas, na companhia de obras de outros narradores, como cacos reunidos em uma colagem. Por fim, o ?ltimo cap?tulo apresenta uma conversa com a autora na qual busco informa??es que tratem do trabalho dela como um todo e que corroborem para a discuss?o apresentada nos cap?tulos anteriores.Submitted by PPG Letras (letraspg@pucrs.br) on 2018-05-02T18:39:27Z No. of bitstreams: 1 Disserta??o_Michel M. Flores_Definitiva.pdf: 1308030 bytes, checksum: f7501df370aa6b8e51b35b076642bef5 (MD5)Approved for entry into archive by Sheila Dias (sheila.dias@pucrs.br) on 2018-05-11T14:47:53Z (GMT) No. of bitstreams: 1 Disserta??o_Michel M. Flores_Definitiva.pdf: 1308030 bytes, checksum: f7501df370aa6b8e51b35b076642bef5 (MD5)Made available in DSpace on 2018-05-11T15:02:45Z (GMT). No. of bitstreams: 1 Disserta??o_Michel M. Flores_Definitiva.pdf: 1308030 bytes, checksum: f7501df370aa6b8e51b35b076642bef5 (MD5) Previous issue date: 2018-02-28Conselho Nacional de Pesquisa e Desenvolvimento Cient?fico e Tecnol?gico - CNPqapplication/pdfhttp://tede2.pucrs.br:80/tede2/retrieve/171912/Disserta%c3%a7%c3%a3o_Michel%20M.%20Flores_Definitiva.pdf.jpgporPontif?cia Universidade Cat?lica do Rio Grande do SulPrograma de P?s-Gradua??o em LetrasPUCRSBrasilEscola de HumanidadesLiteratura Brasileira Contempor?neaVeronica StiggerDeslocamentoNarrativaArtes VisuaisLINGUISTICA, LETRAS E ARTES::LETRASEra preciso cola para unir os cacosinfo:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/masterThesisTrabalho n?o apresenta restri??o para publica??o8447345070736321569500500500600-6557531471218110192-5409419262886498088-2555911436985713659info:eu-repo/semantics/openAccessreponame:Biblioteca Digital de Teses e Dissertações da PUC_RSinstname:Pontifícia Universidade Católica do Rio Grande do Sul (PUCRS)instacron:PUC_RSTHUMBNAILDisserta??o_Michel M. 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dc.title.por.fl_str_mv Era preciso cola para unir os cacos
title Era preciso cola para unir os cacos
spellingShingle Era preciso cola para unir os cacos
Flores, Michel Machado
Literatura Brasileira Contempor?nea
Veronica Stigger
Deslocamento
Narrativa
Artes Visuais
LINGUISTICA, LETRAS E ARTES::LETRAS
title_short Era preciso cola para unir os cacos
title_full Era preciso cola para unir os cacos
title_fullStr Era preciso cola para unir os cacos
title_full_unstemmed Era preciso cola para unir os cacos
title_sort Era preciso cola para unir os cacos
author Flores, Michel Machado
author_facet Flores, Michel Machado
author_role author
dc.contributor.advisor1.fl_str_mv Barberena, Ricardo Ara?jo
dc.contributor.advisor1Lattes.fl_str_mv http://lattes.cnpq.br/4713324061573064
dc.contributor.authorLattes.fl_str_mv http://lattes.cnpq.br/9346135238987174
dc.contributor.author.fl_str_mv Flores, Michel Machado
contributor_str_mv Barberena, Ricardo Ara?jo
dc.subject.por.fl_str_mv Literatura Brasileira Contempor?nea
Veronica Stigger
Deslocamento
Narrativa
Artes Visuais
topic Literatura Brasileira Contempor?nea
Veronica Stigger
Deslocamento
Narrativa
Artes Visuais
LINGUISTICA, LETRAS E ARTES::LETRAS
dc.subject.cnpq.fl_str_mv LINGUISTICA, LETRAS E ARTES::LETRAS
description This dissertation proposes a reading about Opisanie ?wiata, a book by the Brazilian writer Veronica Stigger, using theories of art and literature. In its first part, I deal with the displacement of words and images from other forms and sources into the interior of a fictional narrative. In this part, the displacement is seen as an operation of artistic and literary creation, capable of overcoming these and other barriers. For this, I use texts of the author herself and critics that elucidate this gesture in the works of Marcel Duchamp, Kurt Schwitters and Veronica Stigger. Then, in the second part of this work, I turn to a story from the narrative, derived from the thought of Walter Benjamin, to think of it from the various forms of narration that are experimented by Stigger in her prose. In this way, it worthy nothing that all the displacements observed in this narrative and the different forms of narration experienced by the writer are seen, in the company of works by other narrators, as pieces assembled in a collage. Finally, the last chapter presents a conversation with the author in which I look for information that deals with her work as a whole and that corroborates the discussion presented in the previous chapters.
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