A representa??o do mal-estar l?quido no cinema de Michael Haneke

Detalhes bibliográficos
Autor(a) principal: Cassales, Lucas Pereira
Data de Publicação: 2015
Tipo de documento: Dissertação
Idioma: por
Título da fonte: Biblioteca Digital de Teses e Dissertações da PUC_RS
Texto Completo: http://tede2.pucrs.br/tede2/handle/tede/6016
Resumo: This dissertation analises the work of the austrian director Michael Haneke, placing it as a cinematographic representation of the liquid discomfort. To do so, first, it makes a historical and social survey about the elements that compose the liquid discomfort. Then, it studies is forming concepts, through the work of Jean Braudillard and, mainly, through the liquid theory of Zygmunt Bauman, characterizing the liquid discomfort from those theories. From that point, it brings Haneke as an author, to allow the use of his cinematography in terms of filmic representation of the liquid discomfort. As a methodological model of analysis, it bases in Aumont and Dubois to create an hybrid method of a more fluid and essay-like way: the narrative analysis. Supported in this progression, it analyses Haneke's first two feature films comercially distributed in screening rooms, The seventh continent (1989), and Benny?s video (1992), with the intent of showing its hipothesis.
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spelling Gerbase, Carlos368.600.930-72http://buscatextual.cnpq.br/buscatextual/visualizacv.do?id=K4779717A8003.770.960-75http://buscatextual.cnpq.br/buscatextual/visualizacv.do?id=K4906803T7Cassales, Lucas Pereira2015-05-15T17:48:35Z2015-03-26http://tede2.pucrs.br/tede2/handle/tede/6016This dissertation analises the work of the austrian director Michael Haneke, placing it as a cinematographic representation of the liquid discomfort. To do so, first, it makes a historical and social survey about the elements that compose the liquid discomfort. Then, it studies is forming concepts, through the work of Jean Braudillard and, mainly, through the liquid theory of Zygmunt Bauman, characterizing the liquid discomfort from those theories. From that point, it brings Haneke as an author, to allow the use of his cinematography in terms of filmic representation of the liquid discomfort. As a methodological model of analysis, it bases in Aumont and Dubois to create an hybrid method of a more fluid and essay-like way: the narrative analysis. Supported in this progression, it analyses Haneke's first two feature films comercially distributed in screening rooms, The seventh continent (1989), and Benny?s video (1992), with the intent of showing its hipothesis.Esta disserta??o analisa a obra do diretor austr?aco Michael Haneke, posicionando-a como uma representa??o cinematogr?fica do mal-estar l?quido. Para isso, em um primeiro momento, faz um levantamento hist?rico e social a respeito dos elementos que comp?em o mal-estar l?quido. Posteriormente, estuda seus conceitos formadores, atrav?s do trabalho de Jean Baudrillard e, principalmente, da teoria l?quida de Zygmunt Bauman, caracterizando o mal-estar l?quido a partir dessas teorias. Em seguida, traz a figura de Haneke como autor, para possibilitar a utiliza??o de sua cinematografia em termos de representa??o filmogr?fica do mal-estar l?quido. Como um modelo metodol?gico de an?lise, se baseia em Aumont e Dubois para criar um m?todo h?brido de an?lise mais ensa?stica e fluida: a an?lise narrativa. Apoiada nesta progress?o, parte para a an?lise dos dois primeiros longas-metragens de Haneke lan?ados comercialmente em salas de exibi??o, sendo eles O s?timo continente (1989) e O v?deo de Benny (1992), com o intuito de demonstrar suas hip?tesesSubmitted by Setor de Tratamento da Informa??o - BC/PUCRS (tede2@pucrs.br) on 2015-05-15T17:48:35Z No. of bitstreams: 1 468692 - Texto Completo.pdf: 27638414 bytes, checksum: a053973c7f82bd9ac613bafb3e6fe00a (MD5)Made available in DSpace on 2015-05-15T17:48:35Z (GMT). No. of bitstreams: 1 468692 - Texto Completo.pdf: 27638414 bytes, checksum: a053973c7f82bd9ac613bafb3e6fe00a (MD5) Previous issue date: 2015-03-26application/pdfhttp://tede2.pucrs.br:80/tede2/retrieve/162779/468692%20-%20Texto%20Completo.pdf.jpgporPontif?cia Universidade Cat?lica do Rio Grande do SulPrograma de P?s-Gradua??o em Comunica??o SocialPUCRSBrasilFaculdade de Comunica??o SocialCINEMACR?TICA CINEMATOGR?FICABAUMAN, ZYGMUNT - CR?TICA E INTERPRETA??OHANEKE MICHAEL - CR?TICA E INTERPRETA??OCINEASTAS - CR?TICA E INTERPRETA??OCIENCIAS SOCIAIS APLICADAS::COMUNICACAOA representa??o do mal-estar l?quido no cinema de Michael Hanekeinfo:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/masterThesis-12272408519215184826006006007651647212179642901-4056021055502874573info:eu-repo/semantics/openAccessreponame:Biblioteca Digital de Teses e Dissertações da PUC_RSinstname:Pontifícia Universidade Católica do Rio Grande do Sul (PUCRS)instacron:PUC_RSTHUMBNAIL468692 - Texto Completo.pdf.jpg468692 - Texto Completo.pdf.jpgimage/jpeg3198http://tede2.pucrs.br/tede2/bitstream/tede/6016/4/468692+-+Texto+Completo.pdf.jpg83f7e32a864ecffe761022bce9e45a7eMD54TEXT468692 - Texto Completo.pdf.txt468692 - Texto Completo.pdf.txttext/plain307047http://tede2.pucrs.br/tede2/bitstream/tede/6016/3/468692+-+Texto+Completo.pdf.txt688a376f9019ca9034bd16eb2eb62968MD53ORIGINAL468692 - Texto Completo.pdf468692 - Texto Completo.pdfapplication/pdf27638414http://tede2.pucrs.br/tede2/bitstream/tede/6016/2/468692+-+Texto+Completo.pdfa053973c7f82bd9ac613bafb3e6fe00aMD52LICENSElicense.txtlicense.txttext/plain; charset=utf-8610http://tede2.pucrs.br/tede2/bitstream/tede/6016/1/license.txt5a9d6006225b368ef605ba16b4f6d1beMD51tede/60162015-09-29 08:22:26.721oai:tede2.pucrs.br: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Biblioteca Digital de Teses e Dissertaçõeshttp://tede2.pucrs.br/tede2/PRIhttps://tede2.pucrs.br/oai/requestbiblioteca.central@pucrs.br||opendoar:2015-09-29T11:22:26Biblioteca Digital de Teses e Dissertações da PUC_RS - Pontifícia Universidade Católica do Rio Grande do Sul (PUCRS)false
dc.title.por.fl_str_mv A representa??o do mal-estar l?quido no cinema de Michael Haneke
title A representa??o do mal-estar l?quido no cinema de Michael Haneke
spellingShingle A representa??o do mal-estar l?quido no cinema de Michael Haneke
Cassales, Lucas Pereira
CINEMA
CR?TICA CINEMATOGR?FICA
BAUMAN, ZYGMUNT - CR?TICA E INTERPRETA??O
HANEKE MICHAEL - CR?TICA E INTERPRETA??O
CINEASTAS - CR?TICA E INTERPRETA??O
CIENCIAS SOCIAIS APLICADAS::COMUNICACAO
title_short A representa??o do mal-estar l?quido no cinema de Michael Haneke
title_full A representa??o do mal-estar l?quido no cinema de Michael Haneke
title_fullStr A representa??o do mal-estar l?quido no cinema de Michael Haneke
title_full_unstemmed A representa??o do mal-estar l?quido no cinema de Michael Haneke
title_sort A representa??o do mal-estar l?quido no cinema de Michael Haneke
author Cassales, Lucas Pereira
author_facet Cassales, Lucas Pereira
author_role author
dc.contributor.advisor1.fl_str_mv Gerbase, Carlos
dc.contributor.advisor1ID.fl_str_mv 368.600.930-72
dc.contributor.advisor1Lattes.fl_str_mv http://buscatextual.cnpq.br/buscatextual/visualizacv.do?id=K4779717A8
dc.contributor.authorID.fl_str_mv 003.770.960-75
dc.contributor.authorLattes.fl_str_mv http://buscatextual.cnpq.br/buscatextual/visualizacv.do?id=K4906803T7
dc.contributor.author.fl_str_mv Cassales, Lucas Pereira
contributor_str_mv Gerbase, Carlos
dc.subject.por.fl_str_mv CINEMA
CR?TICA CINEMATOGR?FICA
BAUMAN, ZYGMUNT - CR?TICA E INTERPRETA??O
HANEKE MICHAEL - CR?TICA E INTERPRETA??O
CINEASTAS - CR?TICA E INTERPRETA??O
topic CINEMA
CR?TICA CINEMATOGR?FICA
BAUMAN, ZYGMUNT - CR?TICA E INTERPRETA??O
HANEKE MICHAEL - CR?TICA E INTERPRETA??O
CINEASTAS - CR?TICA E INTERPRETA??O
CIENCIAS SOCIAIS APLICADAS::COMUNICACAO
dc.subject.cnpq.fl_str_mv CIENCIAS SOCIAIS APLICADAS::COMUNICACAO
description This dissertation analises the work of the austrian director Michael Haneke, placing it as a cinematographic representation of the liquid discomfort. To do so, first, it makes a historical and social survey about the elements that compose the liquid discomfort. Then, it studies is forming concepts, through the work of Jean Braudillard and, mainly, through the liquid theory of Zygmunt Bauman, characterizing the liquid discomfort from those theories. From that point, it brings Haneke as an author, to allow the use of his cinematography in terms of filmic representation of the liquid discomfort. As a methodological model of analysis, it bases in Aumont and Dubois to create an hybrid method of a more fluid and essay-like way: the narrative analysis. Supported in this progression, it analyses Haneke's first two feature films comercially distributed in screening rooms, The seventh continent (1989), and Benny?s video (1992), with the intent of showing its hipothesis.
publishDate 2015
dc.date.accessioned.fl_str_mv 2015-05-15T17:48:35Z
dc.date.issued.fl_str_mv 2015-03-26
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dc.publisher.none.fl_str_mv Pontif?cia Universidade Cat?lica do Rio Grande do Sul
dc.publisher.program.fl_str_mv Programa de P?s-Gradua??o em Comunica??o Social
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dc.publisher.country.fl_str_mv Brasil
dc.publisher.department.fl_str_mv Faculdade de Comunica??o Social
publisher.none.fl_str_mv Pontif?cia Universidade Cat?lica do Rio Grande do Sul
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