Por uma visualidade do ballet clássico: entrecruzamentos entre os sentidos das imagens do corpo na historiografia e na prática do ballet clássico
Autor(a) principal: | |
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Data de Publicação: | 2018 |
Tipo de documento: | Dissertação |
Idioma: | por |
Título da fonte: | Repositório Institucional da UFG |
dARK ID: | ark:/38995/0013000008tdz |
Texto Completo: | http://repositorio.bc.ufg.br/tede/handle/tede/8252 |
Resumo: | The present dissertation is a research project carried out through the Graduate Program in Art and Visual Culture, master's level, of the Faculty of Visual Arts (FAV) of the Federal University of Goiás (UFG), in order to analyze and reflect the visualities and the senses constructed by the images of the classical ballet dancers with the emphasis on the work sur la pointe performed by the female classical dancers. I propose to go through an imagery historiography of classical ballet reflecting on the main female figures, from its emergence in the Renaissance to the romantic period where the use of the pointe shoes was established. To present the complex systematization, bodily elitism and devices involved in the practice of classical ballet in order to construct so-called "perfect" bodies and attain the usefulness necessary to erect "beautiful" images. In this sense I use the theoretical conceptions of the French philosopher Michel Foucault as the genealogy and archeology of power and their perception of the docile bodies followed by several of the dispositive used for the training of the bodies of the classical ballet dancers. Among the various dispositives that make up this training I come to realize a deepening in the artifact pointe shoes that emerged realizing the longed for classic ballet, the weightlessness. The artifact that impresses the classical female ballet dancer with the sense of great pregnance, the lightness, has turned into a dispositive by also requiring correct dressage and training and by disguising pains and injuries to convey such visibility. Expose field research conducted at non-formal classical ballet school with a focal group consisting of practitioners of this art during of choreographic process until the final performance. All steps were illustrated through panels based on the mnemosyne atlas of Warburg and various narratives were constructed to contemplate the discussions inserted here about the possibility of presenting "beautiful" images and emerging senses even with people who do not have a so-called "ideal body". |
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Silva, Thiago Fernando Sant’Anna ehttp://lattes.cnpq.br/9735682996647548Silva, Thiago Fernando Sant’Anna eMartins, RaimundoFigueiredo, Valéria Maria Chaves dehttp://lattes.cnpq.br/6737875585351644Camargo, Henrique2018-03-23T14:53:15Z2018-03-06CAMARGO, H. Por uma visualidade do ballet clássico: entrecruzamentos entre os sentidos das imagens do corpo na historiografia e na prática do ballet clássico. 2018. 181 f. Dissertação (Mestrado em Arte e Cultura Visual) - Universidade Federal de Goiás, Goiânia, 2018.http://repositorio.bc.ufg.br/tede/handle/tede/8252ark:/38995/0013000008tdzThe present dissertation is a research project carried out through the Graduate Program in Art and Visual Culture, master's level, of the Faculty of Visual Arts (FAV) of the Federal University of Goiás (UFG), in order to analyze and reflect the visualities and the senses constructed by the images of the classical ballet dancers with the emphasis on the work sur la pointe performed by the female classical dancers. I propose to go through an imagery historiography of classical ballet reflecting on the main female figures, from its emergence in the Renaissance to the romantic period where the use of the pointe shoes was established. To present the complex systematization, bodily elitism and devices involved in the practice of classical ballet in order to construct so-called "perfect" bodies and attain the usefulness necessary to erect "beautiful" images. In this sense I use the theoretical conceptions of the French philosopher Michel Foucault as the genealogy and archeology of power and their perception of the docile bodies followed by several of the dispositive used for the training of the bodies of the classical ballet dancers. Among the various dispositives that make up this training I come to realize a deepening in the artifact pointe shoes that emerged realizing the longed for classic ballet, the weightlessness. The artifact that impresses the classical female ballet dancer with the sense of great pregnance, the lightness, has turned into a dispositive by also requiring correct dressage and training and by disguising pains and injuries to convey such visibility. Expose field research conducted at non-formal classical ballet school with a focal group consisting of practitioners of this art during of choreographic process until the final performance. All steps were illustrated through panels based on the mnemosyne atlas of Warburg and various narratives were constructed to contemplate the discussions inserted here about the possibility of presenting "beautiful" images and emerging senses even with people who do not have a so-called "ideal body".A presente dissertação, projeto de pesquisa realizado através do Programa de Pós-graduação em Arte e Cultura Visual, nível mestrado, da Faculdade de Artes Visuais (FAV) da Universidade Federal de Goiás (UFG), tem como objetivo analisar as visualidades e os sentidos construídos pelas imagens dos (as) bailarinos (as) clássicos (as) com ênfase nas bailarinas clássicas. Proponho percorrer através de uma historiografia imagética do ballet clássico refletindo sobre as principais figuras femininas, do seu surgimento no renascimento até o período romântico onde se estabeleceu o uso das sapatilhas de ponta. Apresentar a complexa sistematização, elitização corpórea e os dispositivos envolvidos na prática do ballet clássico afim de construir corpos ditos “perfeitos” e atingir a utilidade necessária para erigir “belas” imagens. Neste sentido utilizo as concepções teóricas do filósofo francês Michel Foucault como a genealogia e a arqueologia do poder e sua percepção dos corpos dóceis seguido de vários dos dispositivos utilizados para o adestramento dos corpos dos (as) bailarinos (as) clássicos (as). Entre os diversos dispositivos que compõem este adestramento venho a realizar um aprofundamento no artefato sapatilha de ponta que surgiu realizando a almejada aspiração do ballet clássico, a imponderabilidade. O artefato que imprime à imagem da bailarina clássica o sentido de maior pregnância, a leveza, se transformou em um dispositivo ao exigir um correto adestramento e treinamento e ao dissimular dores e lesões sobrepujadas para transmitir tal visibilidade. Expor pesquisa de campo realizada em escola de ensino não formal de ballet clássico com um grupo focal constituído de praticantes desta arte, desde o processo coreográfico até performance final. Todas etapas foram ilustradas através de pranchas baseadas no atlas mnemosyne de Warburg e diversas narrativas foram construídas para que viessem a contemplar as discussões aqui inseridas sobre a possiblidade de se apresentar “belas” imagens e emergir sentidos mesmo com pessoas que não possuem um dito “corpo ideal”.Submitted by Liliane Ferreira (ljuvencia30@gmail.com) on 2018-03-22T13:49:04Z No. of bitstreams: 2 Dissertação - Henrique Camargo - 2018.pdf: 44952537 bytes, checksum: fbe8c21bfd5e240c09b647c3e816a1bf (MD5) license_rdf: 0 bytes, checksum: d41d8cd98f00b204e9800998ecf8427e (MD5)Approved for entry into archive by Luciana Ferreira (lucgeral@gmail.com) on 2018-03-23T14:53:15Z (GMT) No. of bitstreams: 2 Dissertação - Henrique Camargo - 2018.pdf: 44952537 bytes, checksum: fbe8c21bfd5e240c09b647c3e816a1bf (MD5) license_rdf: 0 bytes, checksum: d41d8cd98f00b204e9800998ecf8427e (MD5)Made available in DSpace on 2018-03-23T14:53:15Z (GMT). No. of bitstreams: 2 Dissertação - Henrique Camargo - 2018.pdf: 44952537 bytes, checksum: fbe8c21bfd5e240c09b647c3e816a1bf (MD5) license_rdf: 0 bytes, checksum: d41d8cd98f00b204e9800998ecf8427e (MD5) Previous issue date: 2018-03-06Coordenação de Aperfeiçoamento de Pessoal de Nível Superior - CAPESapplication/pdfporUniversidade Federal de GoiásPrograma de Pós-graduação em Arte e Cultura Visual (FAV)UFGBrasilFaculdade de Artes Visuais - FAV (RG)http://creativecommons.org/licenses/by-nc-nd/4.0/info:eu-repo/semantics/openAccessCultura visualBallet-clássicoSentidosImagensVisual cultureClassical balletSensesImagesARTES::ARTES PLASTICASPor uma visualidade do ballet clássico: entrecruzamentos entre os sentidos das imagens do corpo na historiografia e na prática do ballet clássicoinfo:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/masterThesis5419363139851951878600600600600-584909615874636909656392262342947370842075167498588264571reponame:Repositório Institucional da UFGinstname:Universidade Federal de Goiás (UFG)instacron:UFGLICENSElicense.txtlicense.txttext/plain; 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dc.title.eng.fl_str_mv |
Por uma visualidade do ballet clássico: entrecruzamentos entre os sentidos das imagens do corpo na historiografia e na prática do ballet clássico |
title |
Por uma visualidade do ballet clássico: entrecruzamentos entre os sentidos das imagens do corpo na historiografia e na prática do ballet clássico |
spellingShingle |
Por uma visualidade do ballet clássico: entrecruzamentos entre os sentidos das imagens do corpo na historiografia e na prática do ballet clássico Camargo, Henrique Cultura visual Ballet-clássico Sentidos Imagens Visual culture Classical ballet Senses Images ARTES::ARTES PLASTICAS |
title_short |
Por uma visualidade do ballet clássico: entrecruzamentos entre os sentidos das imagens do corpo na historiografia e na prática do ballet clássico |
title_full |
Por uma visualidade do ballet clássico: entrecruzamentos entre os sentidos das imagens do corpo na historiografia e na prática do ballet clássico |
title_fullStr |
Por uma visualidade do ballet clássico: entrecruzamentos entre os sentidos das imagens do corpo na historiografia e na prática do ballet clássico |
title_full_unstemmed |
Por uma visualidade do ballet clássico: entrecruzamentos entre os sentidos das imagens do corpo na historiografia e na prática do ballet clássico |
title_sort |
Por uma visualidade do ballet clássico: entrecruzamentos entre os sentidos das imagens do corpo na historiografia e na prática do ballet clássico |
author |
Camargo, Henrique |
author_facet |
Camargo, Henrique |
author_role |
author |
dc.contributor.advisor1.fl_str_mv |
Silva, Thiago Fernando Sant’Anna e |
dc.contributor.advisor1Lattes.fl_str_mv |
http://lattes.cnpq.br/9735682996647548 |
dc.contributor.referee1.fl_str_mv |
Silva, Thiago Fernando Sant’Anna e |
dc.contributor.referee2.fl_str_mv |
Martins, Raimundo |
dc.contributor.referee3.fl_str_mv |
Figueiredo, Valéria Maria Chaves de |
dc.contributor.authorLattes.fl_str_mv |
http://lattes.cnpq.br/6737875585351644 |
dc.contributor.author.fl_str_mv |
Camargo, Henrique |
contributor_str_mv |
Silva, Thiago Fernando Sant’Anna e Silva, Thiago Fernando Sant’Anna e Martins, Raimundo Figueiredo, Valéria Maria Chaves de |
dc.subject.por.fl_str_mv |
Cultura visual Ballet-clássico Sentidos Imagens |
topic |
Cultura visual Ballet-clássico Sentidos Imagens Visual culture Classical ballet Senses Images ARTES::ARTES PLASTICAS |
dc.subject.eng.fl_str_mv |
Visual culture Classical ballet Senses Images |
dc.subject.cnpq.fl_str_mv |
ARTES::ARTES PLASTICAS |
description |
The present dissertation is a research project carried out through the Graduate Program in Art and Visual Culture, master's level, of the Faculty of Visual Arts (FAV) of the Federal University of Goiás (UFG), in order to analyze and reflect the visualities and the senses constructed by the images of the classical ballet dancers with the emphasis on the work sur la pointe performed by the female classical dancers. I propose to go through an imagery historiography of classical ballet reflecting on the main female figures, from its emergence in the Renaissance to the romantic period where the use of the pointe shoes was established. To present the complex systematization, bodily elitism and devices involved in the practice of classical ballet in order to construct so-called "perfect" bodies and attain the usefulness necessary to erect "beautiful" images. In this sense I use the theoretical conceptions of the French philosopher Michel Foucault as the genealogy and archeology of power and their perception of the docile bodies followed by several of the dispositive used for the training of the bodies of the classical ballet dancers. Among the various dispositives that make up this training I come to realize a deepening in the artifact pointe shoes that emerged realizing the longed for classic ballet, the weightlessness. The artifact that impresses the classical female ballet dancer with the sense of great pregnance, the lightness, has turned into a dispositive by also requiring correct dressage and training and by disguising pains and injuries to convey such visibility. Expose field research conducted at non-formal classical ballet school with a focal group consisting of practitioners of this art during of choreographic process until the final performance. All steps were illustrated through panels based on the mnemosyne atlas of Warburg and various narratives were constructed to contemplate the discussions inserted here about the possibility of presenting "beautiful" images and emerging senses even with people who do not have a so-called "ideal body". |
publishDate |
2018 |
dc.date.accessioned.fl_str_mv |
2018-03-23T14:53:15Z |
dc.date.issued.fl_str_mv |
2018-03-06 |
dc.type.status.fl_str_mv |
info:eu-repo/semantics/publishedVersion |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/masterThesis |
format |
masterThesis |
status_str |
publishedVersion |
dc.identifier.citation.fl_str_mv |
CAMARGO, H. Por uma visualidade do ballet clássico: entrecruzamentos entre os sentidos das imagens do corpo na historiografia e na prática do ballet clássico. 2018. 181 f. Dissertação (Mestrado em Arte e Cultura Visual) - Universidade Federal de Goiás, Goiânia, 2018. |
dc.identifier.uri.fl_str_mv |
http://repositorio.bc.ufg.br/tede/handle/tede/8252 |
dc.identifier.dark.fl_str_mv |
ark:/38995/0013000008tdz |
identifier_str_mv |
CAMARGO, H. Por uma visualidade do ballet clássico: entrecruzamentos entre os sentidos das imagens do corpo na historiografia e na prática do ballet clássico. 2018. 181 f. Dissertação (Mestrado em Arte e Cultura Visual) - Universidade Federal de Goiás, Goiânia, 2018. ark:/38995/0013000008tdz |
url |
http://repositorio.bc.ufg.br/tede/handle/tede/8252 |
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por |
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por |
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5639226234294737084 |
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Universidade Federal de Goiás |
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UFG |
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Brasil |
dc.publisher.department.fl_str_mv |
Faculdade de Artes Visuais - FAV (RG) |
publisher.none.fl_str_mv |
Universidade Federal de Goiás |
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