Zé Pereira: a performance carnavalesca em Itaberaí-GO
Autor(a) principal: | |
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Data de Publicação: | 2015 |
Tipo de documento: | Dissertação |
Idioma: | por |
Título da fonte: | Repositório Institucional da UFG |
Texto Completo: | http://repositorio.bc.ufg.br/tede/handle/tede/5464 |
Resumo: | This dissertation deals with the carnival manifestation "Zé Pereira" in Itaberai- GO, analyzing it as a cultural performance adopting some concepts present in studies of cultural performances to understand how is the relationship and involvement that are coming and characteristic of performative action, linking the liminality concepts of Victor Turner, the theory of performance of Richard Schechner, Bakhtin and DaMata Carnival. The focus of the analysis are the events that take place 15-17 days before the national carnival, being a predecessor activity the carnival period, the performance is formed by a group of masked young people wearing horrifying masks, accompanied by a drumming group with several instruments percussion and prepared by a committee of support organization, all these characters are surrounded by an audience that accompanies the demonstration during ALL the days passing through different streets of the city gaining attention from citizens who are in their homes. This work aims to demonstrate that while performance “Zé Pereira” produces historical, social and cultural repercussions on people directly or indirectly involved. This context was accompanied by ethnographic experience and observation of the process of formation and constitution of the current “Zé Pereira” in Itaberaí. |
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Tamaso, Izabela Mariahttp://lattes.cnpq.br/3452984712174788Tamaso, Izabela MariaCorrea, Paulo PetronilioOsório, Patrícia Silvahttp://lattes.cnpq.br/4478639123064337Faria, Marcelo Fecunde de2016-04-06T13:35:18Z2015-11-06FARIA, Marcelo Fecunde. Zé Pereira: a performance carnavalesca em Itaberaí-GO. 2015. 176 f. Dissertação (Mestrado em Performance Cultural) - Universidade Federal de Goiás, Goiânia, 2015.http://repositorio.bc.ufg.br/tede/handle/tede/5464This dissertation deals with the carnival manifestation "Zé Pereira" in Itaberai- GO, analyzing it as a cultural performance adopting some concepts present in studies of cultural performances to understand how is the relationship and involvement that are coming and characteristic of performative action, linking the liminality concepts of Victor Turner, the theory of performance of Richard Schechner, Bakhtin and DaMata Carnival. The focus of the analysis are the events that take place 15-17 days before the national carnival, being a predecessor activity the carnival period, the performance is formed by a group of masked young people wearing horrifying masks, accompanied by a drumming group with several instruments percussion and prepared by a committee of support organization, all these characters are surrounded by an audience that accompanies the demonstration during ALL the days passing through different streets of the city gaining attention from citizens who are in their homes. This work aims to demonstrate that while performance “Zé Pereira” produces historical, social and cultural repercussions on people directly or indirectly involved. This context was accompanied by ethnographic experience and observation of the process of formation and constitution of the current “Zé Pereira” in Itaberaí.Esta dissertação aborda a manifestação carnavalesca Zé Pereira no município de Itaberaí –GO, analisando-o enquanto performance cultural. Adotando alguns conceitos presentes nos estudos das performances culturais para compreender como se dá as relações e envolvimentos que são oriundos e característicos da ação performativa, interligando os conceitos de liminaridade de Victor Turner, da teoria da performance de Richard Schechner e do Carnaval de Baktin e DaMatta. O foco da analise são os eventos que acontecem de 15 a 17 dias que antecedem o carnaval nacional, sendo uma atividade antecessora ao período carnavalesco, a performance é formada por um grupo de jovens mascarados com máscaras horripilantes, acompanhada de uma batucada formada por vários instrumentos de percussão e preparada por uma comissão de organização de apoio, todos estes personagens estão envoltos de um público que acompanha a manifestação durante os dias de saída em que passa pelas diferenciadas ruas do município ganhando atenção dos moradores que estão em suas casas. Procura-se demonstrar que enquanto performance o Zé Pereira produz ressonâncias históricas, sociais e culturais nas pessoas envolvidas direta ou indiretamente. Este contexto foi acompanhado por meio da vivência etnográfica e observação do processo de formação e constituição do atual Zé Pereira em ItaberaíSubmitted by Marlene Santos (marlene.bc.ufg@gmail.com) on 2016-04-05T20:11:44Z No. of bitstreams: 2 Dissertação - Marcelo Fecunde de Faria - 2015.pdf: 6260416 bytes, checksum: 4dca3bb231aec3c8aa9c7a16ecbdcd74 (MD5) license_rdf: 19874 bytes, checksum: 38cb62ef53e6f513db2fb7e337df6485 (MD5)Approved for entry into archive by Luciana Ferreira (lucgeral@gmail.com) on 2016-04-06T13:35:18Z (GMT) No. of bitstreams: 2 Dissertação - Marcelo Fecunde de Faria - 2015.pdf: 6260416 bytes, checksum: 4dca3bb231aec3c8aa9c7a16ecbdcd74 (MD5) license_rdf: 19874 bytes, checksum: 38cb62ef53e6f513db2fb7e337df6485 (MD5)Made available in DSpace on 2016-04-06T13:35:18Z (GMT). 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dc.title.por.fl_str_mv |
Zé Pereira: a performance carnavalesca em Itaberaí-GO |
dc.title.alternative.eng.fl_str_mv |
Zé Pereira: the carnival performance in Itaberaí - GO |
title |
Zé Pereira: a performance carnavalesca em Itaberaí-GO |
spellingShingle |
Zé Pereira: a performance carnavalesca em Itaberaí-GO Faria, Marcelo Fecunde de Zé Pereira Performance cultural Carnaval Liminaridade Cultural performances Carnival Liminality ARTES::DANCA |
title_short |
Zé Pereira: a performance carnavalesca em Itaberaí-GO |
title_full |
Zé Pereira: a performance carnavalesca em Itaberaí-GO |
title_fullStr |
Zé Pereira: a performance carnavalesca em Itaberaí-GO |
title_full_unstemmed |
Zé Pereira: a performance carnavalesca em Itaberaí-GO |
title_sort |
Zé Pereira: a performance carnavalesca em Itaberaí-GO |
author |
Faria, Marcelo Fecunde de |
author_facet |
Faria, Marcelo Fecunde de |
author_role |
author |
dc.contributor.advisor1.fl_str_mv |
Tamaso, Izabela Maria |
dc.contributor.advisor1Lattes.fl_str_mv |
http://lattes.cnpq.br/3452984712174788 |
dc.contributor.referee1.fl_str_mv |
Tamaso, Izabela Maria |
dc.contributor.referee2.fl_str_mv |
Correa, Paulo Petronilio |
dc.contributor.referee3.fl_str_mv |
Osório, Patrícia Silva |
dc.contributor.authorLattes.fl_str_mv |
http://lattes.cnpq.br/4478639123064337 |
dc.contributor.author.fl_str_mv |
Faria, Marcelo Fecunde de |
contributor_str_mv |
Tamaso, Izabela Maria Tamaso, Izabela Maria Correa, Paulo Petronilio Osório, Patrícia Silva |
dc.subject.por.fl_str_mv |
Zé Pereira Performance cultural Carnaval Liminaridade Cultural performances Carnival Liminality |
topic |
Zé Pereira Performance cultural Carnaval Liminaridade Cultural performances Carnival Liminality ARTES::DANCA |
dc.subject.cnpq.fl_str_mv |
ARTES::DANCA |
description |
This dissertation deals with the carnival manifestation "Zé Pereira" in Itaberai- GO, analyzing it as a cultural performance adopting some concepts present in studies of cultural performances to understand how is the relationship and involvement that are coming and characteristic of performative action, linking the liminality concepts of Victor Turner, the theory of performance of Richard Schechner, Bakhtin and DaMata Carnival. The focus of the analysis are the events that take place 15-17 days before the national carnival, being a predecessor activity the carnival period, the performance is formed by a group of masked young people wearing horrifying masks, accompanied by a drumming group with several instruments percussion and prepared by a committee of support organization, all these characters are surrounded by an audience that accompanies the demonstration during ALL the days passing through different streets of the city gaining attention from citizens who are in their homes. This work aims to demonstrate that while performance “Zé Pereira” produces historical, social and cultural repercussions on people directly or indirectly involved. This context was accompanied by ethnographic experience and observation of the process of formation and constitution of the current “Zé Pereira” in Itaberaí. |
publishDate |
2015 |
dc.date.issued.fl_str_mv |
2015-11-06 |
dc.date.accessioned.fl_str_mv |
2016-04-06T13:35:18Z |
dc.type.status.fl_str_mv |
info:eu-repo/semantics/publishedVersion |
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info:eu-repo/semantics/masterThesis |
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masterThesis |
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publishedVersion |
dc.identifier.citation.fl_str_mv |
FARIA, Marcelo Fecunde. Zé Pereira: a performance carnavalesca em Itaberaí-GO. 2015. 176 f. Dissertação (Mestrado em Performance Cultural) - Universidade Federal de Goiás, Goiânia, 2015. |
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http://repositorio.bc.ufg.br/tede/handle/tede/5464 |
identifier_str_mv |
FARIA, Marcelo Fecunde. Zé Pereira: a performance carnavalesca em Itaberaí-GO. 2015. 176 f. Dissertação (Mestrado em Performance Cultural) - Universidade Federal de Goiás, Goiânia, 2015. |
url |
http://repositorio.bc.ufg.br/tede/handle/tede/5464 |
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Universidade Federal de Goiás |
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UFG |
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Universidade Federal de Goiás |
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