Arpilleras: o bordado como performance cultural chilena, em favor do drama social

Detalhes bibliográficos
Autor(a) principal: Lima, Maria do Socorro Pereira
Data de Publicação: 2018
Tipo de documento: Dissertação
Idioma: por
Título da fonte: Repositório Institucional da UFG
Texto Completo: http://repositorio.bc.ufg.br/tede/handle/tede/8440
Resumo: The emphasis of this study relies on the arpillerista women`s movement and their arpilleras, an embroidery technique that served as a tool to speak out against the the military dictatorship of Augusto Pinochet (1915-2016). The movement characterized itself by political resistance, the denouncing and the defense of human rights, inspired by various groups in Chile and in other countries, such as Brazil. The experience of arpilleristas consists in what the British anthropologist Victor Turner would call a “social drama” (TURNER, 2005a, p.182). The goal of this research is to identify the possibilities of artistic practices in the arpilleras as events of cultural performativity in that we can observe the occurrence of a “social drama” according to the authors who have written in this field. The methodology chosen for this study was the cartographic method and the investigation tools we used were: observation, semi-structured interviews with the representatives of the movement of Brazilian arpilleristas (arpilleras do MAB) and of Chilean arpilleristas (Memorarte) as well with as the curator of current expositions in Northern Ireland, Roberta Bacic, and the curator and facilitator of expositions and workshops of arpilleras, Esther Conti; my participation in workshops of production of this technique, as well as photographs taken to register the process. We understand that the importance of this study to the interdisciplinary field of Cultural Performances is valuable because it delves into the social, political and artistic experiences which deals with significant transformations yet to be explored by the academic world at large as well as in our country.
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spelling Veloso, Sainy Coelho Borgeshttp://lattes.cnpq.br/8715733169225465Oliveira, Vânia Dolores Estevam deBarroso, Eloísa PereiraMartins, Raimundohttp://lattes.cnpq.br/0395741486142987Lima, Maria do Socorro Pereira2018-05-07T12:57:40Z2018-04-09LIMA, M. S. P. Arpilleras: o bordado como performance cultural chilena, em favor do drama social. 2018. 134 f. Dissertação (Mestrado em Performance Cultural) - Universidade Federal de Goiás, Goiânia, 2018.http://repositorio.bc.ufg.br/tede/handle/tede/8440The emphasis of this study relies on the arpillerista women`s movement and their arpilleras, an embroidery technique that served as a tool to speak out against the the military dictatorship of Augusto Pinochet (1915-2016). The movement characterized itself by political resistance, the denouncing and the defense of human rights, inspired by various groups in Chile and in other countries, such as Brazil. The experience of arpilleristas consists in what the British anthropologist Victor Turner would call a “social drama” (TURNER, 2005a, p.182). The goal of this research is to identify the possibilities of artistic practices in the arpilleras as events of cultural performativity in that we can observe the occurrence of a “social drama” according to the authors who have written in this field. The methodology chosen for this study was the cartographic method and the investigation tools we used were: observation, semi-structured interviews with the representatives of the movement of Brazilian arpilleristas (arpilleras do MAB) and of Chilean arpilleristas (Memorarte) as well with as the curator of current expositions in Northern Ireland, Roberta Bacic, and the curator and facilitator of expositions and workshops of arpilleras, Esther Conti; my participation in workshops of production of this technique, as well as photographs taken to register the process. We understand that the importance of this study to the interdisciplinary field of Cultural Performances is valuable because it delves into the social, political and artistic experiences which deals with significant transformations yet to be explored by the academic world at large as well as in our country.A ênfase deste estudo recai no movimento de mulheres arpilleristas e suas arpilleras, técnica de bordado tradicional que serviu de instrumento de denúncia durante a ditadura militar do general Augusto Pinochet (1915-2006). O movimento se caracterizou pela resistência política, denúncia e defesa dos direitos humanos, inspirando vários grupos no Chile e em outros países como no Brasil. A experiência das arpilleristas se configura no que o antropólogo britânico Victor Turner denomina de “drama social”? (TURNER, 2005a, p.182). O objetivo desta pesquisa foi identificar as possibilidades das práticas artísticas nas arpilleras como eventos liminares de performances culturais, em que se pode observar a ocorrência do “drama social” conforme definem autores do campo. A metodologia transcorreu pelo método cartográfico e os instrumentos de investigação foram: a observação, entrevistas semiestruturadas com representantes de movimentos de arpilleristas brasileiras (arpilleras do MAB) e do Chile (Memorarte), além da curadora de exposições que atua na Irlanda do Norte, Roberta Bacic, e a curadora e facilitadora de exposições e oficinas de arpilleras Esther Conti; minha participação em oficinas de produção da técnica, além de fotografias para registrar o processo. Entendemos que a importância deste estudo para o campo interdisciplinar das Performances Culturais é valiosa por tratar de uma experiência social, política, e artística que envolve transformações significativas, ainda pouco exploradas no meio acadêmico e em nosso país.Submitted by Luciana Ferreira (lucgeral@gmail.com) on 2018-05-07T12:10:17Z No. of bitstreams: 2 Dissertação - Maria do Socorro Pereira Lima - 2018.pdf: 8884808 bytes, checksum: 9db5d7bd63960f7488937a887cf325c0 (MD5) license_rdf: 0 bytes, checksum: d41d8cd98f00b204e9800998ecf8427e (MD5)Approved for entry into archive by Luciana Ferreira (lucgeral@gmail.com) on 2018-05-07T12:57:40Z (GMT) No. of bitstreams: 2 Dissertação - Maria do Socorro Pereira Lima - 2018.pdf: 8884808 bytes, checksum: 9db5d7bd63960f7488937a887cf325c0 (MD5) license_rdf: 0 bytes, checksum: d41d8cd98f00b204e9800998ecf8427e (MD5)Made available in DSpace on 2018-05-07T12:57:40Z (GMT). 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dc.title.eng.fl_str_mv Arpilleras: o bordado como performance cultural chilena, em favor do drama social
dc.title.alternative.eng.fl_str_mv Arpilleras: the embroidery as chilean cultural performance, in favor of social drama
title Arpilleras: o bordado como performance cultural chilena, em favor do drama social
spellingShingle Arpilleras: o bordado como performance cultural chilena, em favor do drama social
Lima, Maria do Socorro Pereira
Arpilleras
Performances culturais
Drama social
Memória arpilleras
Cultural performances
Social drama
Memory
OUTROS::CIENCIAS SOCIAIS
title_short Arpilleras: o bordado como performance cultural chilena, em favor do drama social
title_full Arpilleras: o bordado como performance cultural chilena, em favor do drama social
title_fullStr Arpilleras: o bordado como performance cultural chilena, em favor do drama social
title_full_unstemmed Arpilleras: o bordado como performance cultural chilena, em favor do drama social
title_sort Arpilleras: o bordado como performance cultural chilena, em favor do drama social
author Lima, Maria do Socorro Pereira
author_facet Lima, Maria do Socorro Pereira
author_role author
dc.contributor.advisor1.fl_str_mv Veloso, Sainy Coelho Borges
dc.contributor.advisor1Lattes.fl_str_mv http://lattes.cnpq.br/8715733169225465
dc.contributor.referee1.fl_str_mv Oliveira, Vânia Dolores Estevam de
dc.contributor.referee2.fl_str_mv Barroso, Eloísa Pereira
dc.contributor.referee3.fl_str_mv Martins, Raimundo
dc.contributor.authorLattes.fl_str_mv http://lattes.cnpq.br/0395741486142987
dc.contributor.author.fl_str_mv Lima, Maria do Socorro Pereira
contributor_str_mv Veloso, Sainy Coelho Borges
Oliveira, Vânia Dolores Estevam de
Barroso, Eloísa Pereira
Martins, Raimundo
dc.subject.por.fl_str_mv Arpilleras
Performances culturais
Drama social
Memória arpilleras
topic Arpilleras
Performances culturais
Drama social
Memória arpilleras
Cultural performances
Social drama
Memory
OUTROS::CIENCIAS SOCIAIS
dc.subject.eng.fl_str_mv Cultural performances
Social drama
Memory
dc.subject.cnpq.fl_str_mv OUTROS::CIENCIAS SOCIAIS
description The emphasis of this study relies on the arpillerista women`s movement and their arpilleras, an embroidery technique that served as a tool to speak out against the the military dictatorship of Augusto Pinochet (1915-2016). The movement characterized itself by political resistance, the denouncing and the defense of human rights, inspired by various groups in Chile and in other countries, such as Brazil. The experience of arpilleristas consists in what the British anthropologist Victor Turner would call a “social drama” (TURNER, 2005a, p.182). The goal of this research is to identify the possibilities of artistic practices in the arpilleras as events of cultural performativity in that we can observe the occurrence of a “social drama” according to the authors who have written in this field. The methodology chosen for this study was the cartographic method and the investigation tools we used were: observation, semi-structured interviews with the representatives of the movement of Brazilian arpilleristas (arpilleras do MAB) and of Chilean arpilleristas (Memorarte) as well with as the curator of current expositions in Northern Ireland, Roberta Bacic, and the curator and facilitator of expositions and workshops of arpilleras, Esther Conti; my participation in workshops of production of this technique, as well as photographs taken to register the process. We understand that the importance of this study to the interdisciplinary field of Cultural Performances is valuable because it delves into the social, political and artistic experiences which deals with significant transformations yet to be explored by the academic world at large as well as in our country.
publishDate 2018
dc.date.accessioned.fl_str_mv 2018-05-07T12:57:40Z
dc.date.issued.fl_str_mv 2018-04-09
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dc.identifier.citation.fl_str_mv LIMA, M. S. P. Arpilleras: o bordado como performance cultural chilena, em favor do drama social. 2018. 134 f. Dissertação (Mestrado em Performance Cultural) - Universidade Federal de Goiás, Goiânia, 2018.
dc.identifier.uri.fl_str_mv http://repositorio.bc.ufg.br/tede/handle/tede/8440
identifier_str_mv LIMA, M. S. P. Arpilleras: o bordado como performance cultural chilena, em favor do drama social. 2018. 134 f. Dissertação (Mestrado em Performance Cultural) - Universidade Federal de Goiás, Goiânia, 2018.
url http://repositorio.bc.ufg.br/tede/handle/tede/8440
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