Arpilleras: o bordado como performance cultural chilena, em favor do drama social
Autor(a) principal: | |
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Data de Publicação: | 2018 |
Tipo de documento: | Dissertação |
Idioma: | por |
Título da fonte: | Repositório Institucional da UFG |
Texto Completo: | http://repositorio.bc.ufg.br/tede/handle/tede/8440 |
Resumo: | The emphasis of this study relies on the arpillerista women`s movement and their arpilleras, an embroidery technique that served as a tool to speak out against the the military dictatorship of Augusto Pinochet (1915-2016). The movement characterized itself by political resistance, the denouncing and the defense of human rights, inspired by various groups in Chile and in other countries, such as Brazil. The experience of arpilleristas consists in what the British anthropologist Victor Turner would call a “social drama” (TURNER, 2005a, p.182). The goal of this research is to identify the possibilities of artistic practices in the arpilleras as events of cultural performativity in that we can observe the occurrence of a “social drama” according to the authors who have written in this field. The methodology chosen for this study was the cartographic method and the investigation tools we used were: observation, semi-structured interviews with the representatives of the movement of Brazilian arpilleristas (arpilleras do MAB) and of Chilean arpilleristas (Memorarte) as well with as the curator of current expositions in Northern Ireland, Roberta Bacic, and the curator and facilitator of expositions and workshops of arpilleras, Esther Conti; my participation in workshops of production of this technique, as well as photographs taken to register the process. We understand that the importance of this study to the interdisciplinary field of Cultural Performances is valuable because it delves into the social, political and artistic experiences which deals with significant transformations yet to be explored by the academic world at large as well as in our country. |
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Veloso, Sainy Coelho Borgeshttp://lattes.cnpq.br/8715733169225465Oliveira, Vânia Dolores Estevam deBarroso, Eloísa PereiraMartins, Raimundohttp://lattes.cnpq.br/0395741486142987Lima, Maria do Socorro Pereira2018-05-07T12:57:40Z2018-04-09LIMA, M. S. P. Arpilleras: o bordado como performance cultural chilena, em favor do drama social. 2018. 134 f. Dissertação (Mestrado em Performance Cultural) - Universidade Federal de Goiás, Goiânia, 2018.http://repositorio.bc.ufg.br/tede/handle/tede/8440The emphasis of this study relies on the arpillerista women`s movement and their arpilleras, an embroidery technique that served as a tool to speak out against the the military dictatorship of Augusto Pinochet (1915-2016). The movement characterized itself by political resistance, the denouncing and the defense of human rights, inspired by various groups in Chile and in other countries, such as Brazil. The experience of arpilleristas consists in what the British anthropologist Victor Turner would call a “social drama” (TURNER, 2005a, p.182). The goal of this research is to identify the possibilities of artistic practices in the arpilleras as events of cultural performativity in that we can observe the occurrence of a “social drama” according to the authors who have written in this field. The methodology chosen for this study was the cartographic method and the investigation tools we used were: observation, semi-structured interviews with the representatives of the movement of Brazilian arpilleristas (arpilleras do MAB) and of Chilean arpilleristas (Memorarte) as well with as the curator of current expositions in Northern Ireland, Roberta Bacic, and the curator and facilitator of expositions and workshops of arpilleras, Esther Conti; my participation in workshops of production of this technique, as well as photographs taken to register the process. We understand that the importance of this study to the interdisciplinary field of Cultural Performances is valuable because it delves into the social, political and artistic experiences which deals with significant transformations yet to be explored by the academic world at large as well as in our country.A ênfase deste estudo recai no movimento de mulheres arpilleristas e suas arpilleras, técnica de bordado tradicional que serviu de instrumento de denúncia durante a ditadura militar do general Augusto Pinochet (1915-2006). O movimento se caracterizou pela resistência política, denúncia e defesa dos direitos humanos, inspirando vários grupos no Chile e em outros países como no Brasil. A experiência das arpilleristas se configura no que o antropólogo britânico Victor Turner denomina de “drama social”? (TURNER, 2005a, p.182). O objetivo desta pesquisa foi identificar as possibilidades das práticas artísticas nas arpilleras como eventos liminares de performances culturais, em que se pode observar a ocorrência do “drama social” conforme definem autores do campo. A metodologia transcorreu pelo método cartográfico e os instrumentos de investigação foram: a observação, entrevistas semiestruturadas com representantes de movimentos de arpilleristas brasileiras (arpilleras do MAB) e do Chile (Memorarte), além da curadora de exposições que atua na Irlanda do Norte, Roberta Bacic, e a curadora e facilitadora de exposições e oficinas de arpilleras Esther Conti; minha participação em oficinas de produção da técnica, além de fotografias para registrar o processo. Entendemos que a importância deste estudo para o campo interdisciplinar das Performances Culturais é valiosa por tratar de uma experiência social, política, e artística que envolve transformações significativas, ainda pouco exploradas no meio acadêmico e em nosso país.Submitted by Luciana Ferreira (lucgeral@gmail.com) on 2018-05-07T12:10:17Z No. of bitstreams: 2 Dissertação - Maria do Socorro Pereira Lima - 2018.pdf: 8884808 bytes, checksum: 9db5d7bd63960f7488937a887cf325c0 (MD5) license_rdf: 0 bytes, checksum: d41d8cd98f00b204e9800998ecf8427e (MD5)Approved for entry into archive by Luciana Ferreira (lucgeral@gmail.com) on 2018-05-07T12:57:40Z (GMT) No. of bitstreams: 2 Dissertação - Maria do Socorro Pereira Lima - 2018.pdf: 8884808 bytes, checksum: 9db5d7bd63960f7488937a887cf325c0 (MD5) license_rdf: 0 bytes, checksum: d41d8cd98f00b204e9800998ecf8427e (MD5)Made available in DSpace on 2018-05-07T12:57:40Z (GMT). No. of bitstreams: 2 Dissertação - Maria do Socorro Pereira Lima - 2018.pdf: 8884808 bytes, checksum: 9db5d7bd63960f7488937a887cf325c0 (MD5) license_rdf: 0 bytes, checksum: d41d8cd98f00b204e9800998ecf8427e (MD5) Previous issue date: 2018-04-09Coordenação de Aperfeiçoamento de Pessoal de Nível Superior - CAPESapplication/pdfporUniversidade Federal de GoiásPrograma de Pós-graduação em Performance Cultural (EMAC)UFGBrasilFaculdade de Ciências Sociais - FCS (RG)http://creativecommons.org/licenses/by-nc-nd/4.0/info:eu-repo/semantics/openAccessArpillerasPerformances culturaisDrama socialMemória arpillerasCultural performancesSocial dramaMemoryOUTROS::CIENCIAS SOCIAISArpilleras: o bordado como performance cultural chilena, em favor do drama socialArpilleras: the embroidery as chilean cultural performance, in favor of social dramainfo:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/masterThesis630093844374387306600600600600-6965107611713429420-76509933492755696782075167498588264571reponame:Repositório Institucional da UFGinstname:Universidade Federal de Goiás (UFG)instacron:UFGLICENSElicense.txtlicense.txttext/plain; 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dc.title.eng.fl_str_mv |
Arpilleras: o bordado como performance cultural chilena, em favor do drama social |
dc.title.alternative.eng.fl_str_mv |
Arpilleras: the embroidery as chilean cultural performance, in favor of social drama |
title |
Arpilleras: o bordado como performance cultural chilena, em favor do drama social |
spellingShingle |
Arpilleras: o bordado como performance cultural chilena, em favor do drama social Lima, Maria do Socorro Pereira Arpilleras Performances culturais Drama social Memória arpilleras Cultural performances Social drama Memory OUTROS::CIENCIAS SOCIAIS |
title_short |
Arpilleras: o bordado como performance cultural chilena, em favor do drama social |
title_full |
Arpilleras: o bordado como performance cultural chilena, em favor do drama social |
title_fullStr |
Arpilleras: o bordado como performance cultural chilena, em favor do drama social |
title_full_unstemmed |
Arpilleras: o bordado como performance cultural chilena, em favor do drama social |
title_sort |
Arpilleras: o bordado como performance cultural chilena, em favor do drama social |
author |
Lima, Maria do Socorro Pereira |
author_facet |
Lima, Maria do Socorro Pereira |
author_role |
author |
dc.contributor.advisor1.fl_str_mv |
Veloso, Sainy Coelho Borges |
dc.contributor.advisor1Lattes.fl_str_mv |
http://lattes.cnpq.br/8715733169225465 |
dc.contributor.referee1.fl_str_mv |
Oliveira, Vânia Dolores Estevam de |
dc.contributor.referee2.fl_str_mv |
Barroso, Eloísa Pereira |
dc.contributor.referee3.fl_str_mv |
Martins, Raimundo |
dc.contributor.authorLattes.fl_str_mv |
http://lattes.cnpq.br/0395741486142987 |
dc.contributor.author.fl_str_mv |
Lima, Maria do Socorro Pereira |
contributor_str_mv |
Veloso, Sainy Coelho Borges Oliveira, Vânia Dolores Estevam de Barroso, Eloísa Pereira Martins, Raimundo |
dc.subject.por.fl_str_mv |
Arpilleras Performances culturais Drama social Memória arpilleras |
topic |
Arpilleras Performances culturais Drama social Memória arpilleras Cultural performances Social drama Memory OUTROS::CIENCIAS SOCIAIS |
dc.subject.eng.fl_str_mv |
Cultural performances Social drama Memory |
dc.subject.cnpq.fl_str_mv |
OUTROS::CIENCIAS SOCIAIS |
description |
The emphasis of this study relies on the arpillerista women`s movement and their arpilleras, an embroidery technique that served as a tool to speak out against the the military dictatorship of Augusto Pinochet (1915-2016). The movement characterized itself by political resistance, the denouncing and the defense of human rights, inspired by various groups in Chile and in other countries, such as Brazil. The experience of arpilleristas consists in what the British anthropologist Victor Turner would call a “social drama” (TURNER, 2005a, p.182). The goal of this research is to identify the possibilities of artistic practices in the arpilleras as events of cultural performativity in that we can observe the occurrence of a “social drama” according to the authors who have written in this field. The methodology chosen for this study was the cartographic method and the investigation tools we used were: observation, semi-structured interviews with the representatives of the movement of Brazilian arpilleristas (arpilleras do MAB) and of Chilean arpilleristas (Memorarte) as well with as the curator of current expositions in Northern Ireland, Roberta Bacic, and the curator and facilitator of expositions and workshops of arpilleras, Esther Conti; my participation in workshops of production of this technique, as well as photographs taken to register the process. We understand that the importance of this study to the interdisciplinary field of Cultural Performances is valuable because it delves into the social, political and artistic experiences which deals with significant transformations yet to be explored by the academic world at large as well as in our country. |
publishDate |
2018 |
dc.date.accessioned.fl_str_mv |
2018-05-07T12:57:40Z |
dc.date.issued.fl_str_mv |
2018-04-09 |
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info:eu-repo/semantics/publishedVersion |
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info:eu-repo/semantics/masterThesis |
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dc.identifier.citation.fl_str_mv |
LIMA, M. S. P. Arpilleras: o bordado como performance cultural chilena, em favor do drama social. 2018. 134 f. Dissertação (Mestrado em Performance Cultural) - Universidade Federal de Goiás, Goiânia, 2018. |
dc.identifier.uri.fl_str_mv |
http://repositorio.bc.ufg.br/tede/handle/tede/8440 |
identifier_str_mv |
LIMA, M. S. P. Arpilleras: o bordado como performance cultural chilena, em favor do drama social. 2018. 134 f. Dissertação (Mestrado em Performance Cultural) - Universidade Federal de Goiás, Goiânia, 2018. |
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http://repositorio.bc.ufg.br/tede/handle/tede/8440 |
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