As performances do circo na rua: escolhas, expectativas e aprendizado do saltimbanco contemporâneo

Detalhes bibliográficos
Autor(a) principal: Barreto, Mônica Alves
Data de Publicação: 2017
Tipo de documento: Dissertação
Idioma: por
Título da fonte: Repositório Institucional da UFG
Texto Completo: http://repositorio.bc.ufg.br/tede/handle/tede/9751
Resumo: This research seeks to see street circus artists, here called contemporary saltimbancos, through the eyes of Cultural Performances. For two years the street artist from Goiânia was observed in his rituals, in order to understand the choices he makes in his daily life. Street art is often undervalued, however it can be seen that the influx of artists from different states and countries has grown in the streets of the capital of Goiás in the last decade. The present research was to search in the own artists' speeches a way to better understand this growth through semi-structured interviews. The street circus artist's learning style has been observed since local weekly meetings to Festivals and Conventions that bring together artists from all over Brazil and Latin America, bringing to the forefront a network of organization and relationships. By following the events of the street performers it was revealed a collective movement, mentioned by many as an aggregating factor and, in large part, responsible for the dissemination of circus art in the state. This research brings indicative of how this movement developed and what it brought to the circus art of the Midwest. The research also revealed tensions experienced by circus street artists. Internal relations, the relations between the street artist and society and between the various segments of the area are full of conflicts, inevitably revealed by the coexistence. The conclusions point to the urgency of a discussion about legislation concerning street art and the relevance of circus schools in the development of the circus artist who perform on the street.
id UFG-2_7b47d616d59fb591883bc4830d95f7a9
oai_identifier_str oai:repositorio.bc.ufg.br:tede/9751
network_acronym_str UFG-2
network_name_str Repositório Institucional da UFG
repository_id_str
spelling Oliveira, Vânia Dolores Estevam dehttp://lattes.cnpq.br/1883361659918132Bortoleto, Marco Antônio CoelhoReal, Márcio Penna CorteOliveira, Vânia Dolores Estevam dehttp://lattes.cnpq.br/9310357985990510Barreto, Mônica Alves2019-06-27T13:06:28Z2017-05-04BARRETO, Mônica Alves. As performances do circo na rua: escolhas, expectativas e aprendizado do saltimbanco contemporâneo. 2017. 215 f. Dissertação (Mestrado em Performances Culturais) - Universidade Federal de Goiás, Goiânia, 2017.http://repositorio.bc.ufg.br/tede/handle/tede/9751This research seeks to see street circus artists, here called contemporary saltimbancos, through the eyes of Cultural Performances. For two years the street artist from Goiânia was observed in his rituals, in order to understand the choices he makes in his daily life. Street art is often undervalued, however it can be seen that the influx of artists from different states and countries has grown in the streets of the capital of Goiás in the last decade. The present research was to search in the own artists' speeches a way to better understand this growth through semi-structured interviews. The street circus artist's learning style has been observed since local weekly meetings to Festivals and Conventions that bring together artists from all over Brazil and Latin America, bringing to the forefront a network of organization and relationships. By following the events of the street performers it was revealed a collective movement, mentioned by many as an aggregating factor and, in large part, responsible for the dissemination of circus art in the state. This research brings indicative of how this movement developed and what it brought to the circus art of the Midwest. The research also revealed tensions experienced by circus street artists. Internal relations, the relations between the street artist and society and between the various segments of the area are full of conflicts, inevitably revealed by the coexistence. The conclusions point to the urgency of a discussion about legislation concerning street art and the relevance of circus schools in the development of the circus artist who perform on the street.Este trabalho procura enxergar os artistas de circo de rua, aqui chamados de saltimbancos contemporâneos, através do olhar das Performances Culturais. Por dois anos o artista de rua de Goiânia foi observado em seus rituais, com a finalidade de compreender as escolhas que ele faz no seu dia-a-dia. A arte de rua costuma ser pouco valorizada, no entanto pode-se perceber que a afluência de artistas de estados e países diferentes tem crescido nas ruas da capital de Goiás na última década. A presente pesquisa foi buscar nas falas dos próprios artistas uma forma de melhor compreender este crescimento, através de entrevistas semi-estruturadas. O modo de aprendizado do artista circense de rua foi observado desde em encontros semanais locais até Festivais e Convenções que reúnem artistas de todo o Brasil e América Latina, trazendo à tona uma rede de organização e relacionamentos. Ao acompanhar os eventos realizados pelos artistas de rua revelou-se um movimento coletivo, citado por muitos como um fator agregador e, em grande parte, responsável pela disseminação da arte circense no estado. Este trabalho traz indicativos de como se desenvolveu este movimento e o que ele trouxe à arte circense do Centro-Oeste. A pesquisa revelou também tensões vividas pelos artistas circenses de rua. As relações internas, as relações entre o artista de rua e a sociedade e entre os diversos segmentos da área estão repletas de conflitos, inevitavelmente revelados pela convivência. As conclusões apontam para a urgência de uma discussão acerca da legislação que diz respeito à arte de rua e à relevância das escolas de circo no desenvolvimento do artista de circo que atua na rua.Submitted by Marlene Santos (marlene.bc.ufg@gmail.com) on 2019-06-24T17:37:06Z No. of bitstreams: 2 Dissertação - Mônica Alves Barreto - 2017.pdf: 5561704 bytes, checksum: d7f66598e87663c605c5fff0df0bb62a (MD5) license_rdf: 0 bytes, checksum: d41d8cd98f00b204e9800998ecf8427e (MD5)Rejected by Luciana Ferreira (lucgeral@gmail.com), reason: Fiquei confusa, pois no início escolheu EMAC, já na tela do nome do programa selecionou nome do programa localizado na FCS on 2019-06-25T12:38:10Z (GMT)Submitted by Marlene Santos (marlene.bc.ufg@gmail.com) on 2019-06-26T17:37:06Z No. of bitstreams: 2 license_rdf: 0 bytes, checksum: d41d8cd98f00b204e9800998ecf8427e (MD5) Dissertação - Mônica Alves Barreto - 2017.pdf: 5561704 bytes, checksum: d7f66598e87663c605c5fff0df0bb62a (MD5)Approved for entry into archive by Luciana Ferreira (lucgeral@gmail.com) on 2019-06-27T13:06:28Z (GMT) No. of bitstreams: 2 license_rdf: 0 bytes, checksum: d41d8cd98f00b204e9800998ecf8427e (MD5) Dissertação - Mônica Alves Barreto - 2017.pdf: 5561704 bytes, checksum: d7f66598e87663c605c5fff0df0bb62a (MD5)Made available in DSpace on 2019-06-27T13:06:28Z (GMT). No. of bitstreams: 2 license_rdf: 0 bytes, checksum: d41d8cd98f00b204e9800998ecf8427e (MD5) Dissertação - Mônica Alves Barreto - 2017.pdf: 5561704 bytes, checksum: d7f66598e87663c605c5fff0df0bb62a (MD5) Previous issue date: 2017-05-04application/pdfporUniversidade Federal de GoiásPrograma de Pós-graduação em Performances Culturais (EMAC)UFGBrasilEscola de Música e Artes Cênicas - EMAC (RG)http://creativecommons.org/licenses/by-nc-nd/4.0/info:eu-repo/semantics/openAccessCircoArte circenseArte de ruaPerformance culturalEnsino/aprendizagemSaltimbancoCircusCircus arttreet artCultural performanceTeaching / learningARTES::MUSICAAs performances do circo na rua: escolhas, expectativas e aprendizado do saltimbanco contemporâneoThe performances of the circus in the street: choices, expectations and learning of the contemporary saltimbancoinfo:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/masterThesis8351223036971023501600600600-1800367251745901470-3756787875205786831reponame:Repositório Institucional da UFGinstname:Universidade Federal de Goiás (UFG)instacron:UFGORIGINALDissertação - Mônica Alves Barreto - 2017.pdfDissertação - Mônica Alves Barreto - 2017.pdfapplication/pdf5561704http://repositorio.bc.ufg.br/tede/bitstreams/fd443382-dc20-4f31-b71c-c30579a60aef/downloadd7f66598e87663c605c5fff0df0bb62aMD55LICENSElicense.txtlicense.txttext/plain; charset=utf-82165http://repositorio.bc.ufg.br/tede/bitstreams/33097da8-5367-4db8-b797-f9afc62c8b76/downloadbd3efa91386c1718a7f26a329fdcb468MD56CC-LICENSElicense_urllicense_urltext/plain; charset=utf-849http://repositorio.bc.ufg.br/tede/bitstreams/65749214-a49f-47d6-bb83-2bf6992980da/download4afdbb8c545fd630ea7db775da747b2fMD57license_textlicense_texttext/html; charset=utf-80http://repositorio.bc.ufg.br/tede/bitstreams/c85192c5-5b65-44c9-aa74-329bd1140c8c/downloadd41d8cd98f00b204e9800998ecf8427eMD58license_rdflicense_rdfapplication/rdf+xml; charset=utf-80http://repositorio.bc.ufg.br/tede/bitstreams/c2ed8d95-df9e-466f-beb1-eb3407e91c02/downloadd41d8cd98f00b204e9800998ecf8427eMD59tede/97512019-06-27 10:06:28.605http://creativecommons.org/licenses/by-nc-nd/4.0/Acesso Abertoopen.accessoai:repositorio.bc.ufg.br:tede/9751http://repositorio.bc.ufg.br/tedeRepositório InstitucionalPUBhttp://repositorio.bc.ufg.br/oai/requesttasesdissertacoes.bc@ufg.bropendoar:2019-06-27T13:06:28Repositório Institucional da UFG - Universidade Federal de Goiás (UFG)falseTk9UQTogQ09MT1FVRSBBUVVJIEEgU1VBIFBSw5NQUklBIExJQ0VOw4dBCkVzdGEgbGljZW7Dp2EgZGUgZXhlbXBsbyDDqSBmb3JuZWNpZGEgYXBlbmFzIHBhcmEgZmlucyBpbmZvcm1hdGl2b3MuCgpMSUNFTsOHQSBERSBESVNUUklCVUnDh8ODTyBOw4NPLUVYQ0xVU0lWQQoKQ29tIGEgYXByZXNlbnRhw6fDo28gZGVzdGEgbGljZW7Dp2EsIHZvY8OqIChvIGF1dG9yIChlcykgb3UgbyB0aXR1bGFyIGRvcyBkaXJlaXRvcyBkZSBhdXRvcikgY29uY2VkZSDDoCBVbml2ZXJzaWRhZGUgClhYWCAoU2lnbGEgZGEgVW5pdmVyc2lkYWRlKSBvIGRpcmVpdG8gbsOjby1leGNsdXNpdm8gZGUgcmVwcm9kdXppciwgIHRyYWR1emlyIChjb25mb3JtZSBkZWZpbmlkbyBhYmFpeG8pLCBlL291IApkaXN0cmlidWlyIGEgc3VhIHRlc2Ugb3UgZGlzc2VydGHDp8OjbyAoaW5jbHVpbmRvIG8gcmVzdW1vKSBwb3IgdG9kbyBvIG11bmRvIG5vIGZvcm1hdG8gaW1wcmVzc28gZSBlbGV0csO0bmljbyBlIAplbSBxdWFscXVlciBtZWlvLCBpbmNsdWluZG8gb3MgZm9ybWF0b3Mgw6F1ZGlvIG91IHbDrWRlby4KClZvY8OqIGNvbmNvcmRhIHF1ZSBhIFNpZ2xhIGRlIFVuaXZlcnNpZGFkZSBwb2RlLCBzZW0gYWx0ZXJhciBvIGNvbnRlw7pkbywgdHJhbnNwb3IgYSBzdWEgdGVzZSBvdSBkaXNzZXJ0YcOnw6NvIApwYXJhIHF1YWxxdWVyIG1laW8gb3UgZm9ybWF0byBwYXJhIGZpbnMgZGUgcHJlc2VydmHDp8Ojby4KClZvY8OqIHRhbWLDqW0gY29uY29yZGEgcXVlIGEgU2lnbGEgZGUgVW5pdmVyc2lkYWRlIHBvZGUgbWFudGVyIG1haXMgZGUgdW1hIGPDs3BpYSBhIHN1YSB0ZXNlIG91IApkaXNzZXJ0YcOnw6NvIHBhcmEgZmlucyBkZSBzZWd1cmFuw6dhLCBiYWNrLXVwIGUgcHJlc2VydmHDp8Ojby4KClZvY8OqIGRlY2xhcmEgcXVlIGEgc3VhIHRlc2Ugb3UgZGlzc2VydGHDp8OjbyDDqSBvcmlnaW5hbCBlIHF1ZSB2b2PDqiB0ZW0gbyBwb2RlciBkZSBjb25jZWRlciBvcyBkaXJlaXRvcyBjb250aWRvcyAKbmVzdGEgbGljZW7Dp2EuIFZvY8OqIHRhbWLDqW0gZGVjbGFyYSBxdWUgbyBkZXDDs3NpdG8gZGEgc3VhIHRlc2Ugb3UgZGlzc2VydGHDp8OjbyBuw6NvLCBxdWUgc2VqYSBkZSBzZXUgCmNvbmhlY2ltZW50bywgaW5mcmluZ2UgZGlyZWl0b3MgYXV0b3JhaXMgZGUgbmluZ3XDqW0uCgpDYXNvIGEgc3VhIHRlc2Ugb3UgZGlzc2VydGHDp8OjbyBjb250ZW5oYSBtYXRlcmlhbCBxdWUgdm9jw6ogbsOjbyBwb3NzdWkgYSB0aXR1bGFyaWRhZGUgZG9zIGRpcmVpdG9zIGF1dG9yYWlzLCB2b2PDqiAKZGVjbGFyYSBxdWUgb2J0ZXZlIGEgcGVybWlzc8OjbyBpcnJlc3RyaXRhIGRvIGRldGVudG9yIGRvcyBkaXJlaXRvcyBhdXRvcmFpcyBwYXJhIGNvbmNlZGVyIMOgIFNpZ2xhIGRlIFVuaXZlcnNpZGFkZSAKb3MgZGlyZWl0b3MgYXByZXNlbnRhZG9zIG5lc3RhIGxpY2Vuw6dhLCBlIHF1ZSBlc3NlIG1hdGVyaWFsIGRlIHByb3ByaWVkYWRlIGRlIHRlcmNlaXJvcyBlc3TDoSBjbGFyYW1lbnRlIAppZGVudGlmaWNhZG8gZSByZWNvbmhlY2lkbyBubyB0ZXh0byBvdSBubyBjb250ZcO6ZG8gZGEgdGVzZSBvdSBkaXNzZXJ0YcOnw6NvIG9yYSBkZXBvc2l0YWRhLgoKQ0FTTyBBIFRFU0UgT1UgRElTU0VSVEHDh8ODTyBPUkEgREVQT1NJVEFEQSBURU5IQSBTSURPIFJFU1VMVEFETyBERSBVTSBQQVRST0PDjU5JTyBPVSAKQVBPSU8gREUgVU1BIEFHw4pOQ0lBIERFIEZPTUVOVE8gT1UgT1VUUk8gT1JHQU5JU01PIFFVRSBOw4NPIFNFSkEgQSBTSUdMQSBERSAKVU5JVkVSU0lEQURFLCBWT0PDiiBERUNMQVJBIFFVRSBSRVNQRUlUT1UgVE9ET1MgRSBRVUFJU1FVRVIgRElSRUlUT1MgREUgUkVWSVPDg08gQ09NTyAKVEFNQsOJTSBBUyBERU1BSVMgT0JSSUdBw4fDlUVTIEVYSUdJREFTIFBPUiBDT05UUkFUTyBPVSBBQ09SRE8uCgpBIFNpZ2xhIGRlIFVuaXZlcnNpZGFkZSBzZSBjb21wcm9tZXRlIGEgaWRlbnRpZmljYXIgY2xhcmFtZW50ZSBvIHNldSBub21lIChzKSBvdSBvKHMpIG5vbWUocykgZG8ocykgCmRldGVudG9yKGVzKSBkb3MgZGlyZWl0b3MgYXV0b3JhaXMgZGEgdGVzZSBvdSBkaXNzZXJ0YcOnw6NvLCBlIG7Do28gZmFyw6EgcXVhbHF1ZXIgYWx0ZXJhw6fDo28sIGFsw6ltIGRhcXVlbGFzIApjb25jZWRpZGFzIHBvciBlc3RhIGxpY2Vuw6dhLgo=
dc.title.eng.fl_str_mv As performances do circo na rua: escolhas, expectativas e aprendizado do saltimbanco contemporâneo
dc.title.alternative.eng.fl_str_mv The performances of the circus in the street: choices, expectations and learning of the contemporary saltimbanco
title As performances do circo na rua: escolhas, expectativas e aprendizado do saltimbanco contemporâneo
spellingShingle As performances do circo na rua: escolhas, expectativas e aprendizado do saltimbanco contemporâneo
Barreto, Mônica Alves
Circo
Arte circense
Arte de rua
Performance cultural
Ensino/aprendizagem
Saltimbanco
Circus
Circus art
treet art
Cultural performance
Teaching / learning
ARTES::MUSICA
title_short As performances do circo na rua: escolhas, expectativas e aprendizado do saltimbanco contemporâneo
title_full As performances do circo na rua: escolhas, expectativas e aprendizado do saltimbanco contemporâneo
title_fullStr As performances do circo na rua: escolhas, expectativas e aprendizado do saltimbanco contemporâneo
title_full_unstemmed As performances do circo na rua: escolhas, expectativas e aprendizado do saltimbanco contemporâneo
title_sort As performances do circo na rua: escolhas, expectativas e aprendizado do saltimbanco contemporâneo
author Barreto, Mônica Alves
author_facet Barreto, Mônica Alves
author_role author
dc.contributor.advisor1.fl_str_mv Oliveira, Vânia Dolores Estevam de
dc.contributor.advisor1Lattes.fl_str_mv http://lattes.cnpq.br/1883361659918132
dc.contributor.referee1.fl_str_mv Bortoleto, Marco Antônio Coelho
dc.contributor.referee2.fl_str_mv Real, Márcio Penna Corte
dc.contributor.referee3.fl_str_mv Oliveira, Vânia Dolores Estevam de
dc.contributor.authorLattes.fl_str_mv http://lattes.cnpq.br/9310357985990510
dc.contributor.author.fl_str_mv Barreto, Mônica Alves
contributor_str_mv Oliveira, Vânia Dolores Estevam de
Bortoleto, Marco Antônio Coelho
Real, Márcio Penna Corte
Oliveira, Vânia Dolores Estevam de
dc.subject.por.fl_str_mv Circo
Arte circense
Arte de rua
Performance cultural
Ensino/aprendizagem
Saltimbanco
topic Circo
Arte circense
Arte de rua
Performance cultural
Ensino/aprendizagem
Saltimbanco
Circus
Circus art
treet art
Cultural performance
Teaching / learning
ARTES::MUSICA
dc.subject.eng.fl_str_mv Circus
Circus art
treet art
Cultural performance
Teaching / learning
dc.subject.cnpq.fl_str_mv ARTES::MUSICA
description This research seeks to see street circus artists, here called contemporary saltimbancos, through the eyes of Cultural Performances. For two years the street artist from Goiânia was observed in his rituals, in order to understand the choices he makes in his daily life. Street art is often undervalued, however it can be seen that the influx of artists from different states and countries has grown in the streets of the capital of Goiás in the last decade. The present research was to search in the own artists' speeches a way to better understand this growth through semi-structured interviews. The street circus artist's learning style has been observed since local weekly meetings to Festivals and Conventions that bring together artists from all over Brazil and Latin America, bringing to the forefront a network of organization and relationships. By following the events of the street performers it was revealed a collective movement, mentioned by many as an aggregating factor and, in large part, responsible for the dissemination of circus art in the state. This research brings indicative of how this movement developed and what it brought to the circus art of the Midwest. The research also revealed tensions experienced by circus street artists. Internal relations, the relations between the street artist and society and between the various segments of the area are full of conflicts, inevitably revealed by the coexistence. The conclusions point to the urgency of a discussion about legislation concerning street art and the relevance of circus schools in the development of the circus artist who perform on the street.
publishDate 2017
dc.date.issued.fl_str_mv 2017-05-04
dc.date.accessioned.fl_str_mv 2019-06-27T13:06:28Z
dc.type.status.fl_str_mv info:eu-repo/semantics/publishedVersion
dc.type.driver.fl_str_mv info:eu-repo/semantics/masterThesis
format masterThesis
status_str publishedVersion
dc.identifier.citation.fl_str_mv BARRETO, Mônica Alves. As performances do circo na rua: escolhas, expectativas e aprendizado do saltimbanco contemporâneo. 2017. 215 f. Dissertação (Mestrado em Performances Culturais) - Universidade Federal de Goiás, Goiânia, 2017.
dc.identifier.uri.fl_str_mv http://repositorio.bc.ufg.br/tede/handle/tede/9751
identifier_str_mv BARRETO, Mônica Alves. As performances do circo na rua: escolhas, expectativas e aprendizado do saltimbanco contemporâneo. 2017. 215 f. Dissertação (Mestrado em Performances Culturais) - Universidade Federal de Goiás, Goiânia, 2017.
url http://repositorio.bc.ufg.br/tede/handle/tede/9751
dc.language.iso.fl_str_mv por
language por
dc.relation.program.fl_str_mv 8351223036971023501
dc.relation.confidence.fl_str_mv 600
600
600
dc.relation.department.fl_str_mv -1800367251745901470
dc.relation.cnpq.fl_str_mv -3756787875205786831
dc.rights.driver.fl_str_mv http://creativecommons.org/licenses/by-nc-nd/4.0/
info:eu-repo/semantics/openAccess
rights_invalid_str_mv http://creativecommons.org/licenses/by-nc-nd/4.0/
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv Universidade Federal de Goiás
dc.publisher.program.fl_str_mv Programa de Pós-graduação em Performances Culturais (EMAC)
dc.publisher.initials.fl_str_mv UFG
dc.publisher.country.fl_str_mv Brasil
dc.publisher.department.fl_str_mv Escola de Música e Artes Cênicas - EMAC (RG)
publisher.none.fl_str_mv Universidade Federal de Goiás
dc.source.none.fl_str_mv reponame:Repositório Institucional da UFG
instname:Universidade Federal de Goiás (UFG)
instacron:UFG
instname_str Universidade Federal de Goiás (UFG)
instacron_str UFG
institution UFG
reponame_str Repositório Institucional da UFG
collection Repositório Institucional da UFG
bitstream.url.fl_str_mv http://repositorio.bc.ufg.br/tede/bitstreams/fd443382-dc20-4f31-b71c-c30579a60aef/download
http://repositorio.bc.ufg.br/tede/bitstreams/33097da8-5367-4db8-b797-f9afc62c8b76/download
http://repositorio.bc.ufg.br/tede/bitstreams/65749214-a49f-47d6-bb83-2bf6992980da/download
http://repositorio.bc.ufg.br/tede/bitstreams/c85192c5-5b65-44c9-aa74-329bd1140c8c/download
http://repositorio.bc.ufg.br/tede/bitstreams/c2ed8d95-df9e-466f-beb1-eb3407e91c02/download
bitstream.checksum.fl_str_mv d7f66598e87663c605c5fff0df0bb62a
bd3efa91386c1718a7f26a329fdcb468
4afdbb8c545fd630ea7db775da747b2f
d41d8cd98f00b204e9800998ecf8427e
d41d8cd98f00b204e9800998ecf8427e
bitstream.checksumAlgorithm.fl_str_mv MD5
MD5
MD5
MD5
MD5
repository.name.fl_str_mv Repositório Institucional da UFG - Universidade Federal de Goiás (UFG)
repository.mail.fl_str_mv tasesdissertacoes.bc@ufg.br
_version_ 1793965460584136704