"Amante de selvagem rebelião": a figuração satânica nas profecias continentais de William Blake
Autor(a) principal: | |
---|---|
Data de Publicação: | 2015 |
Tipo de documento: | Dissertação |
Idioma: | por |
Título da fonte: | Biblioteca Digital de Teses e Dissertações do UFSM |
Texto Completo: | http://repositorio.ufsm.br/handle/1/9949 |
Resumo: | In this study, I analyze the thematic development of William Blake s satanic figure, the character Orc. To this end, I approach the illuminated poems called ―Continental Prophecies‖, which are composed by the books America A Prophecy (1793), Europe A Prophecy (1794) and The Song of Los (1795), that is divided into two parts, ―Africa‖ and ―Asia‖. In these works, Blake articulates themes such as apocalypse, energy, imagination and revolution in a relation to the French and the American Revolution and criticizes the political, religious and artistic thinking of the period. Of the matter of methodology, this work presents four chapters. In the first, I discuss the problems about the Devil s theme, from the Middle Ages to the Romanticism, starting by a mythical-religious approach of this figure, and then investigating the demon as a literary myth. In the second, I present a discussion about the characterization of Orc and his opponent, Urizen. I also analyze the poem America, focused on questions about desire, revolution and liberty. In he third, I discuss about Europe and proceed with the mapping of the satanic theme in Blake s prophecies. I also approach the question of the repression of desire, represented by the character Enitharmon, and discuss the subversions undertaken by Blake on religious dogma. In the fourth, I approach The Song of Los and argue about the blakean mythology, his ideal of Satanism, and also confront critical reading and interpretive perspectives of Blake s work. My discussion is developed in a constant dialogue between three instances: religious, social and artistic. This conception was thought by Peter Schock (2003), treated as a ―Cultural Matrix‖. This study explores how Blake s art dialogues with eighteenth century revolutions, it discuss its religious, political and artistic influences, and offers a conception of Blake s satanic ideal in his prophecies. The character Orc, in these poems, presents an amalgam of his artistic, religious and social thinking, an instance of confrontation through which Blake conceive metaphysical ideals, as the philosophy of contraries or the sensual enjoyment. Through the development of the Devil s theme, the artist tries to signify conflicting thoughts as sin and sensual delight, heaven and hell, body and soul, subverting these issues by a infernal ideal. |
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2016-07-052016-07-052015-12-16SANTOS, Andrio de Jesus Rosa dos. "LOVER OF WILD REBELLION": THE SATANIC FIGURATION IN WILLIAM BLAKE'S CONTINENTAL PROPHECIES. 2015. 201 f. Dissertação (Mestrado em Letras) - Universidade Federal de Santa Maria, Santa Maria, 2015.http://repositorio.ufsm.br/handle/1/9949In this study, I analyze the thematic development of William Blake s satanic figure, the character Orc. To this end, I approach the illuminated poems called ―Continental Prophecies‖, which are composed by the books America A Prophecy (1793), Europe A Prophecy (1794) and The Song of Los (1795), that is divided into two parts, ―Africa‖ and ―Asia‖. In these works, Blake articulates themes such as apocalypse, energy, imagination and revolution in a relation to the French and the American Revolution and criticizes the political, religious and artistic thinking of the period. Of the matter of methodology, this work presents four chapters. In the first, I discuss the problems about the Devil s theme, from the Middle Ages to the Romanticism, starting by a mythical-religious approach of this figure, and then investigating the demon as a literary myth. In the second, I present a discussion about the characterization of Orc and his opponent, Urizen. I also analyze the poem America, focused on questions about desire, revolution and liberty. In he third, I discuss about Europe and proceed with the mapping of the satanic theme in Blake s prophecies. I also approach the question of the repression of desire, represented by the character Enitharmon, and discuss the subversions undertaken by Blake on religious dogma. In the fourth, I approach The Song of Los and argue about the blakean mythology, his ideal of Satanism, and also confront critical reading and interpretive perspectives of Blake s work. My discussion is developed in a constant dialogue between three instances: religious, social and artistic. This conception was thought by Peter Schock (2003), treated as a ―Cultural Matrix‖. This study explores how Blake s art dialogues with eighteenth century revolutions, it discuss its religious, political and artistic influences, and offers a conception of Blake s satanic ideal in his prophecies. The character Orc, in these poems, presents an amalgam of his artistic, religious and social thinking, an instance of confrontation through which Blake conceive metaphysical ideals, as the philosophy of contraries or the sensual enjoyment. Through the development of the Devil s theme, the artist tries to signify conflicting thoughts as sin and sensual delight, heaven and hell, body and soul, subverting these issues by a infernal ideal.Neste estudo, analiso o desenvolvimento temático da figura satânica na obra de William Blake, a personagem Orc. Para tal, trabalho com os poemas iluminados denominados de ―Continental Prophecies‖, compostos pelas obras America A Prophecy (1793), Europe A Prophecy (1794) e The Song of Los (1795), este dividido em duas partes, ―Africa‖ e ―Asia‖. Nessas obras, Blake articula temas como apocalipse, energia, imaginação e revolução em relação à Revolução Francesa e à Americana e tece críticas ao pensamento político, religioso e artístico do período. Este trabalho apresenta quatro capítulos. No primeiro, discuto os problemas acerca do tema do Diabo, desde o medievo até o Romantismo, partindo de uma abordagem mítico-religiosa para então abordar o demônio como mito literário. No segundo, apresento uma discussão sobre a caracterização da personagem Orc e sua relação com seu opositor, Urizen. Construo também uma análise do poema America, centrada em questões sobre desejo, revolução e liberdade. No terceiro, trato de Europe e prossigo com o mapeamento da temática satânica nas profecias de Blake. Abordo também a questão da repressão do desejo, representada pela personagem Enitharmon, e as subversões empreendidas por Blake acerca de dogmas religiosos. No quarto, abordo The Song of Los e discorro sobre a mitologia blakeana, seu ideal de satanismo, além de confrontar vieses críticos de leitura e interpretação da obra de Blake. Minha discussão é desenvolvida em um constante diálogo entre três instâncias: religiosa, social e artística. Tal concepção é abordada por Peter Schock (2003), tratada como ―Matriz Cultural‖. Este estudo explora como a arte de Blake dialoga com as revoluções do século XVIII, discute suas influências religiosas, políticas e artísticas, além de oferecer uma concepção acerca do ideal satânico de Blake em suas profecias. A personagem Orc, nesses poemas, apresenta um amálgama do pensamento artístico, religioso e social do artista, uma instância de confronto através da qual Blake concebeu ideais metafísicos, como a filosofia dos contrários ou o deleite dos sentidos. Através do desenvolvimento do tema do diabo, o artista tenta significar pensamentos conflitantes, como pecado e deleite sensual, céu e inferno, corpo e alma, subvertendo tais questões a partir de um ideal infernal.Coordenação de Aperfeiçoamento de Pessoal de Nível Superiorapplication/pdfporUniversidade Federal de Santa MariaPrograma de Pós-Graduação em LetrasUFSMBRLetrasSatanismoApocalipseRevoluçãoOrcSatanismApocalypseRevolutionOrcCNPQ::LINGUISTICA, LETRAS E ARTES::LETRAS"Amante de selvagem rebelião": a figuração satânica nas profecias continentais de William Blake"Lover of wild rebellion": the satanic figuration in William Blake's continental propheciesinfo:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/masterThesisTavares, Enéias Fariashttp://buscatextual.cnpq.br/buscatextual/visualizacv.do?id=K4757364Z2Steil, Julianahttp://lattes.cnpq.br/5586916987453183Alós, Anselmo Pereshttp://lattes.cnpq.br/4335387854670599http://lattes.cnpq.br/1658820044789871Santos, Andrio de Jesus Rosa dos800200000001400300300300300ffe6b618-bb29-458f-9a5a-ef9b45150f6021a9829d-731a-41e8-9255-887f2a3668e1d3e43215-557f-4f09-a8a3-7c6108e7401d1ae572a4-3c05-44c4-a744-db6795219101info:eu-repo/semantics/openAccessreponame:Biblioteca Digital de Teses e Dissertações do UFSMinstname:Universidade Federal de Santa Maria (UFSM)instacron:UFSMORIGINALDIS_PPGLETRAS_2015_SANTOS_ANDRIO.pdfDissertação de Mestradoapplication/pdf5643582http://repositorio.ufsm.br/bitstream/1/9949/1/DIS_PPGLETRAS_2015_SANTOS_ANDRIO.pdfc161b3525869c961c3d7bb1c5e4d1f65MD51TEXTSANTOS, ANDRIO DE JESUS ROSA DOS.pdf.txtSANTOS, ANDRIO DE JESUS ROSA DOS.pdf.txtExtracted texttext/plain467721http://repositorio.ufsm.br/bitstream/1/9949/2/SANTOS%2c%20ANDRIO%20DE%20%20JESUS%20ROSA%20DOS.pdf.txt691534d3a656a7614ad6dbbde0db5476MD52DIS_PPGLETRAS_2015_SANTOS_ANDRIO.pdf.txtDIS_PPGLETRAS_2015_SANTOS_ANDRIO.pdf.txtExtracted texttext/plain467721http://repositorio.ufsm.br/bitstream/1/9949/4/DIS_PPGLETRAS_2015_SANTOS_ANDRIO.pdf.txt691534d3a656a7614ad6dbbde0db5476MD54THUMBNAILSANTOS, ANDRIO DE JESUS ROSA DOS.pdf.jpgSANTOS, ANDRIO DE JESUS ROSA DOS.pdf.jpgIM Thumbnailimage/jpeg4380http://repositorio.ufsm.br/bitstream/1/9949/3/SANTOS%2c%20ANDRIO%20DE%20%20JESUS%20ROSA%20DOS.pdf.jpg7fc7a5db8e832b6c293452c4ca3c10f7MD53DIS_PPGLETRAS_2015_SANTOS_ANDRIO.pdf.jpgDIS_PPGLETRAS_2015_SANTOS_ANDRIO.pdf.jpgIM Thumbnailimage/jpeg4380http://repositorio.ufsm.br/bitstream/1/9949/5/DIS_PPGLETRAS_2015_SANTOS_ANDRIO.pdf.jpg7fc7a5db8e832b6c293452c4ca3c10f7MD551/99492020-06-17 03:02:31.033oai:repositorio.ufsm.br:1/9949Biblioteca Digital de Teses e Dissertaçõeshttps://repositorio.ufsm.br/ONGhttps://repositorio.ufsm.br/oai/requestatendimento.sib@ufsm.br||tedebc@gmail.comopendoar:2020-06-17T06:02:31Biblioteca Digital de Teses e Dissertações do UFSM - Universidade Federal de Santa Maria (UFSM)false |
dc.title.por.fl_str_mv |
"Amante de selvagem rebelião": a figuração satânica nas profecias continentais de William Blake |
dc.title.alternative.eng.fl_str_mv |
"Lover of wild rebellion": the satanic figuration in William Blake's continental prophecies |
title |
"Amante de selvagem rebelião": a figuração satânica nas profecias continentais de William Blake |
spellingShingle |
"Amante de selvagem rebelião": a figuração satânica nas profecias continentais de William Blake Santos, Andrio de Jesus Rosa dos Satanismo Apocalipse Revolução Orc Satanism Apocalypse Revolution Orc CNPQ::LINGUISTICA, LETRAS E ARTES::LETRAS |
title_short |
"Amante de selvagem rebelião": a figuração satânica nas profecias continentais de William Blake |
title_full |
"Amante de selvagem rebelião": a figuração satânica nas profecias continentais de William Blake |
title_fullStr |
"Amante de selvagem rebelião": a figuração satânica nas profecias continentais de William Blake |
title_full_unstemmed |
"Amante de selvagem rebelião": a figuração satânica nas profecias continentais de William Blake |
title_sort |
"Amante de selvagem rebelião": a figuração satânica nas profecias continentais de William Blake |
author |
Santos, Andrio de Jesus Rosa dos |
author_facet |
Santos, Andrio de Jesus Rosa dos |
author_role |
author |
dc.contributor.advisor1.fl_str_mv |
Tavares, Enéias Farias |
dc.contributor.advisor1Lattes.fl_str_mv |
http://buscatextual.cnpq.br/buscatextual/visualizacv.do?id=K4757364Z2 |
dc.contributor.referee1.fl_str_mv |
Steil, Juliana |
dc.contributor.referee1Lattes.fl_str_mv |
http://lattes.cnpq.br/5586916987453183 |
dc.contributor.referee2.fl_str_mv |
Alós, Anselmo Peres |
dc.contributor.referee2Lattes.fl_str_mv |
http://lattes.cnpq.br/4335387854670599 |
dc.contributor.authorLattes.fl_str_mv |
http://lattes.cnpq.br/1658820044789871 |
dc.contributor.author.fl_str_mv |
Santos, Andrio de Jesus Rosa dos |
contributor_str_mv |
Tavares, Enéias Farias Steil, Juliana Alós, Anselmo Peres |
dc.subject.por.fl_str_mv |
Satanismo Apocalipse Revolução Orc |
topic |
Satanismo Apocalipse Revolução Orc Satanism Apocalypse Revolution Orc CNPQ::LINGUISTICA, LETRAS E ARTES::LETRAS |
dc.subject.eng.fl_str_mv |
Satanism Apocalypse Revolution Orc |
dc.subject.cnpq.fl_str_mv |
CNPQ::LINGUISTICA, LETRAS E ARTES::LETRAS |
description |
In this study, I analyze the thematic development of William Blake s satanic figure, the character Orc. To this end, I approach the illuminated poems called ―Continental Prophecies‖, which are composed by the books America A Prophecy (1793), Europe A Prophecy (1794) and The Song of Los (1795), that is divided into two parts, ―Africa‖ and ―Asia‖. In these works, Blake articulates themes such as apocalypse, energy, imagination and revolution in a relation to the French and the American Revolution and criticizes the political, religious and artistic thinking of the period. Of the matter of methodology, this work presents four chapters. In the first, I discuss the problems about the Devil s theme, from the Middle Ages to the Romanticism, starting by a mythical-religious approach of this figure, and then investigating the demon as a literary myth. In the second, I present a discussion about the characterization of Orc and his opponent, Urizen. I also analyze the poem America, focused on questions about desire, revolution and liberty. In he third, I discuss about Europe and proceed with the mapping of the satanic theme in Blake s prophecies. I also approach the question of the repression of desire, represented by the character Enitharmon, and discuss the subversions undertaken by Blake on religious dogma. In the fourth, I approach The Song of Los and argue about the blakean mythology, his ideal of Satanism, and also confront critical reading and interpretive perspectives of Blake s work. My discussion is developed in a constant dialogue between three instances: religious, social and artistic. This conception was thought by Peter Schock (2003), treated as a ―Cultural Matrix‖. This study explores how Blake s art dialogues with eighteenth century revolutions, it discuss its religious, political and artistic influences, and offers a conception of Blake s satanic ideal in his prophecies. The character Orc, in these poems, presents an amalgam of his artistic, religious and social thinking, an instance of confrontation through which Blake conceive metaphysical ideals, as the philosophy of contraries or the sensual enjoyment. Through the development of the Devil s theme, the artist tries to signify conflicting thoughts as sin and sensual delight, heaven and hell, body and soul, subverting these issues by a infernal ideal. |
publishDate |
2015 |
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2015-12-16 |
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2016-07-05 |
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2016-07-05 |
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SANTOS, Andrio de Jesus Rosa dos. "LOVER OF WILD REBELLION": THE SATANIC FIGURATION IN WILLIAM BLAKE'S CONTINENTAL PROPHECIES. 2015. 201 f. Dissertação (Mestrado em Letras) - Universidade Federal de Santa Maria, Santa Maria, 2015. |
dc.identifier.uri.fl_str_mv |
http://repositorio.ufsm.br/handle/1/9949 |
identifier_str_mv |
SANTOS, Andrio de Jesus Rosa dos. "LOVER OF WILD REBELLION": THE SATANIC FIGURATION IN WILLIAM BLAKE'S CONTINENTAL PROPHECIES. 2015. 201 f. Dissertação (Mestrado em Letras) - Universidade Federal de Santa Maria, Santa Maria, 2015. |
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