Entrevista com David Robinson

Detalhes bibliográficos
Autor(a) principal: Carvalho, Danielle Crepaldi
Data de Publicação: 2018
Tipo de documento: Artigo
Idioma: por
eng
Título da fonte: Significação (Online)
Texto Completo: https://www.revistas.usp.br/significacao/article/view/143079
Resumo: David Robinson (1930) is an inescapable character in the historiography of cinema, especially silent cinema. Besides being film critic and author of a vast bibliography – which includes books such as Hollywood in the Twenties (1968), The History of World Cinema (1973), and the official biography of Charlie Chaplin, Chaplin: His Life and Art (originally published in 1985) – Robinson also plays an active role in Giornate del Cinema Muto (or Pordenone Silent Film Festival), an annual event that takes place in October in the small town of Pordenone, in northern Italy. Throughout the interview, which took place in the last Giornate, Robinson discusses extensively about the filmic object, from the materiality of the film to the historical senses linked to the works, highlighting the fundamental importance of archival research, cataloging, preservation, restoration and diffusion of the audiovisual work produced during the vogue of silent cinema.
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spelling Entrevista com David RobinsonInterview with David Robinsoncinema silenciosocinema e históriahistória do cinemasilent cinemacinema and historycinema’s historyDavid Robinson (1930) is an inescapable character in the historiography of cinema, especially silent cinema. Besides being film critic and author of a vast bibliography – which includes books such as Hollywood in the Twenties (1968), The History of World Cinema (1973), and the official biography of Charlie Chaplin, Chaplin: His Life and Art (originally published in 1985) – Robinson also plays an active role in Giornate del Cinema Muto (or Pordenone Silent Film Festival), an annual event that takes place in October in the small town of Pordenone, in northern Italy. Throughout the interview, which took place in the last Giornate, Robinson discusses extensively about the filmic object, from the materiality of the film to the historical senses linked to the works, highlighting the fundamental importance of archival research, cataloging, preservation, restoration and diffusion of the audiovisual work produced during the vogue of silent cinema.David Robinson (1930) é personagem incontornável na historiografia do cinema, em especial do cinema silencioso. Além de crítico e autor de uma vasta bibliografia – que inclui obras como Hollywood in the Twenties (1968), The History of World Cinema (1973) e a biografia oficial de Charlie Chaplin, Chaplin: His Life and Art (publicada originalmente em 1985) –, Robinson também desempenha papel ativo na Giornate del Cinema Muto (ou Jornada do Cinema Silencioso de Pordenone), um evento anual que ocorre em outubro, na cidadezinha de Pordenone, ao norte da Itália. Ao longo da entrevista, que se deu na última Giornate, Robinson discorre extensivamente sobre o objeto fílmico, desde a materialidade da película aos sentidos históricos atrelados às obras, destacando a fundamental importância da pesquisa arquivística, catalogação, preservação, restauração e difusão da obra audiovisual produzida durante a voga do cinema silencioso.Universidade de São Paulo. Escola de Comunicações e Artes2018-04-27info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfapplication/pdfhttps://www.revistas.usp.br/significacao/article/view/14307910.11606/issn.2316-7114.sig.2018.143079Significação: Journal of Audiovisual Culture; Vol. 45 No. 49 (2018): Dossiê: "Arte cinematográfica e contextos culturais"; 252-264Significação: Revista de Cultura Audiovisual; v. 45 n. 49 (2018): Dossiê: "Arte cinematográfica e contextos culturais"; 252-2642316-71141516-4330reponame:Significação (Online)instname:Universidade de São Paulo (USP)instacron:USPporenghttps://www.revistas.usp.br/significacao/article/view/143079/139621https://www.revistas.usp.br/significacao/article/view/143079/139622Copyright (c) 2018 Danielle Crepaldi Carvalhohttp://creativecommons.org/licenses/by-nc/4.0info:eu-repo/semantics/openAccessCarvalho, Danielle Crepaldi2019-03-28T02:14:42Zoai:revistas.usp.br:article/143079Revistahttp://www.usp.br/significacao/PUBhttp://www.revistas.usp.br/significacao/oai||significacao@usp.br2316-71141516-4330opendoar:2019-03-28T02:14:42Significação (Online) - Universidade de São Paulo (USP)false
dc.title.none.fl_str_mv Entrevista com David Robinson
Interview with David Robinson
title Entrevista com David Robinson
spellingShingle Entrevista com David Robinson
Carvalho, Danielle Crepaldi
cinema silencioso
cinema e história
história do cinema
silent cinema
cinema and history
cinema’s history
title_short Entrevista com David Robinson
title_full Entrevista com David Robinson
title_fullStr Entrevista com David Robinson
title_full_unstemmed Entrevista com David Robinson
title_sort Entrevista com David Robinson
author Carvalho, Danielle Crepaldi
author_facet Carvalho, Danielle Crepaldi
author_role author
dc.contributor.author.fl_str_mv Carvalho, Danielle Crepaldi
dc.subject.por.fl_str_mv cinema silencioso
cinema e história
história do cinema
silent cinema
cinema and history
cinema’s history
topic cinema silencioso
cinema e história
história do cinema
silent cinema
cinema and history
cinema’s history
description David Robinson (1930) is an inescapable character in the historiography of cinema, especially silent cinema. Besides being film critic and author of a vast bibliography – which includes books such as Hollywood in the Twenties (1968), The History of World Cinema (1973), and the official biography of Charlie Chaplin, Chaplin: His Life and Art (originally published in 1985) – Robinson also plays an active role in Giornate del Cinema Muto (or Pordenone Silent Film Festival), an annual event that takes place in October in the small town of Pordenone, in northern Italy. Throughout the interview, which took place in the last Giornate, Robinson discusses extensively about the filmic object, from the materiality of the film to the historical senses linked to the works, highlighting the fundamental importance of archival research, cataloging, preservation, restoration and diffusion of the audiovisual work produced during the vogue of silent cinema.
publishDate 2018
dc.date.none.fl_str_mv 2018-04-27
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://www.revistas.usp.br/significacao/article/view/143079
10.11606/issn.2316-7114.sig.2018.143079
url https://www.revistas.usp.br/significacao/article/view/143079
identifier_str_mv 10.11606/issn.2316-7114.sig.2018.143079
dc.language.iso.fl_str_mv por
eng
language por
eng
dc.relation.none.fl_str_mv https://www.revistas.usp.br/significacao/article/view/143079/139621
https://www.revistas.usp.br/significacao/article/view/143079/139622
dc.rights.driver.fl_str_mv Copyright (c) 2018 Danielle Crepaldi Carvalho
http://creativecommons.org/licenses/by-nc/4.0
info:eu-repo/semantics/openAccess
rights_invalid_str_mv Copyright (c) 2018 Danielle Crepaldi Carvalho
http://creativecommons.org/licenses/by-nc/4.0
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
application/pdf
dc.publisher.none.fl_str_mv Universidade de São Paulo. Escola de Comunicações e Artes
publisher.none.fl_str_mv Universidade de São Paulo. Escola de Comunicações e Artes
dc.source.none.fl_str_mv Significação: Journal of Audiovisual Culture; Vol. 45 No. 49 (2018): Dossiê: "Arte cinematográfica e contextos culturais"; 252-264
Significação: Revista de Cultura Audiovisual; v. 45 n. 49 (2018): Dossiê: "Arte cinematográfica e contextos culturais"; 252-264
2316-7114
1516-4330
reponame:Significação (Online)
instname:Universidade de São Paulo (USP)
instacron:USP
instname_str Universidade de São Paulo (USP)
instacron_str USP
institution USP
reponame_str Significação (Online)
collection Significação (Online)
repository.name.fl_str_mv Significação (Online) - Universidade de São Paulo (USP)
repository.mail.fl_str_mv ||significacao@usp.br
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