Slim bodies, naked bodies: fashion in Rio de Janeiro’s illustrated press and the dissemination of a new aesthetic body (1920-1940)
Autor(a) principal: | |
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Data de Publicação: | 2020 |
Tipo de documento: | Artigo |
Idioma: | por |
Título da fonte: | Revista dObra[s] |
Texto Completo: | https://dobras.emnuvens.com.br/dobras/article/view/1144 |
Resumo: | This article aims to present dialogues about the new standards of Brazilian women’s bodies visible in the 1920’s by considering an analysis in the fashion displayed in Rio de Janeiro’s magazines Para todos, Careta and O Malho. The 1920’s/1940’s is a pe-riod of significant social, cultural and economic changes in Brazil and it is also the context where the development of the discourses around corporal and sports practices contribu-ted to the idea of corporal care as something related to health, beauty and productivity. The analysis of the magazines is based on a theoretical discussion that intertwines body history, gender issues, fashion, medical and normative discourses. Thus, authors such as Georges Vigarello (2011), Denise Sant’anna (2016), Carmen Lúcia Soares (2011) and Mi-chel Foucault (1999) are considered. The results reveal the construction of gazes based on conventions and stereotypes, limiting individual and social possibilities, for the image of women, whether in photography, text or illustration. The images included in the maga-zines reaffirm the dominant cultural values, including the hierarchy between the sexes. |
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Slim bodies, naked bodies: fashion in Rio de Janeiro’s illustrated press and the dissemination of a new aesthetic body (1920-1940)Corpos enxutos, corpos desnudos: a moda na imprensa ilustrada carioca e a disseminação de uma nova estética corporal (1920-1940)BodyGenderPressFashionCorpoGêneroImprensaModaThis article aims to present dialogues about the new standards of Brazilian women’s bodies visible in the 1920’s by considering an analysis in the fashion displayed in Rio de Janeiro’s magazines Para todos, Careta and O Malho. The 1920’s/1940’s is a pe-riod of significant social, cultural and economic changes in Brazil and it is also the context where the development of the discourses around corporal and sports practices contribu-ted to the idea of corporal care as something related to health, beauty and productivity. The analysis of the magazines is based on a theoretical discussion that intertwines body history, gender issues, fashion, medical and normative discourses. Thus, authors such as Georges Vigarello (2011), Denise Sant’anna (2016), Carmen Lúcia Soares (2011) and Mi-chel Foucault (1999) are considered. The results reveal the construction of gazes based on conventions and stereotypes, limiting individual and social possibilities, for the image of women, whether in photography, text or illustration. The images included in the maga-zines reaffirm the dominant cultural values, including the hierarchy between the sexes.[resumo] Este artigo tem por objetivo apresentar a construção de diálogos em torno das novas exigências do corpo da brasileira visíveis a partir da década de 1920, considerando a análise da moda disseminada nas revistas ilustradas cariocas Para todos, Careta e O Malho. O período escolhido – de 1920 a 1940 – é de significativas mudanças sociais, culturais e econômicas no Brasil e também do desenvolvimento dos discursos sobre as práticas cor-porais e esportivas que contribuíram para a ideia de cuidado corporal como algo atrelado à saúde, à beleza e à força produtiva. A análise dos periódicos é realizada a partir de uma discussão teórica que entrelaça história do corpo, questões de gênero, moda, discursos mé-dicos e normativos. Dessa forma, considera autores como Georges Vigarello (2011), Deni-se Sant’anna (2016), Carmen Lúcia Soares (2011) e Michel Foucault (1999). Os resultados revelam a construção de olhares pautados em convenções e estereótipos, limitadores de possibilidades individuais e sociais, a partir da imagem da mulher na fotografia, no texto ou na ilustração. Imagens que reafirmam os valores dominantes, a hierarquia entre os sexos. Associação Brasileira de Estudos e Pesquisas em Moda - Abepem2020-08-03info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://dobras.emnuvens.com.br/dobras/article/view/114410.26563/dobras.v14i29.1144dObra[s] – revista da Associação Brasileira de Estudos de Pesquisas em Moda; v. 14 n. 29 (2020); 204-2212358-00031982-0313reponame:Revista dObra[s]instname:Associação Brasileira de Estudos e Pesquisas em Moda (Abepem)instacron:ABEPEMporhttps://dobras.emnuvens.com.br/dobras/article/view/1144/627Copyright (c) 2020 Júlia Melloinfo:eu-repo/semantics/openAccessMello, Júlia2020-08-03T21:06:25Zoai:ojs.dobras.emnuvens.com.br:article/1144Revistahttps://dobras.emnuvens.com.br/dobras/indexONGhttps://dobras.emnuvens.com.br/dobras/oaidobras.abepem@gmail.com2358-00031982-0313opendoar:2023-01-12T16:05:42.316366Revista dObra[s] - Associação Brasileira de Estudos e Pesquisas em Moda (Abepem)true |
dc.title.none.fl_str_mv |
Slim bodies, naked bodies: fashion in Rio de Janeiro’s illustrated press and the dissemination of a new aesthetic body (1920-1940) Corpos enxutos, corpos desnudos: a moda na imprensa ilustrada carioca e a disseminação de uma nova estética corporal (1920-1940) |
title |
Slim bodies, naked bodies: fashion in Rio de Janeiro’s illustrated press and the dissemination of a new aesthetic body (1920-1940) |
spellingShingle |
Slim bodies, naked bodies: fashion in Rio de Janeiro’s illustrated press and the dissemination of a new aesthetic body (1920-1940) Mello, Júlia Body Gender Press Fashion Corpo Gênero Imprensa Moda |
title_short |
Slim bodies, naked bodies: fashion in Rio de Janeiro’s illustrated press and the dissemination of a new aesthetic body (1920-1940) |
title_full |
Slim bodies, naked bodies: fashion in Rio de Janeiro’s illustrated press and the dissemination of a new aesthetic body (1920-1940) |
title_fullStr |
Slim bodies, naked bodies: fashion in Rio de Janeiro’s illustrated press and the dissemination of a new aesthetic body (1920-1940) |
title_full_unstemmed |
Slim bodies, naked bodies: fashion in Rio de Janeiro’s illustrated press and the dissemination of a new aesthetic body (1920-1940) |
title_sort |
Slim bodies, naked bodies: fashion in Rio de Janeiro’s illustrated press and the dissemination of a new aesthetic body (1920-1940) |
author |
Mello, Júlia |
author_facet |
Mello, Júlia |
author_role |
author |
dc.contributor.author.fl_str_mv |
Mello, Júlia |
dc.subject.por.fl_str_mv |
Body Gender Press Fashion Corpo Gênero Imprensa Moda |
topic |
Body Gender Press Fashion Corpo Gênero Imprensa Moda |
description |
This article aims to present dialogues about the new standards of Brazilian women’s bodies visible in the 1920’s by considering an analysis in the fashion displayed in Rio de Janeiro’s magazines Para todos, Careta and O Malho. The 1920’s/1940’s is a pe-riod of significant social, cultural and economic changes in Brazil and it is also the context where the development of the discourses around corporal and sports practices contribu-ted to the idea of corporal care as something related to health, beauty and productivity. The analysis of the magazines is based on a theoretical discussion that intertwines body history, gender issues, fashion, medical and normative discourses. Thus, authors such as Georges Vigarello (2011), Denise Sant’anna (2016), Carmen Lúcia Soares (2011) and Mi-chel Foucault (1999) are considered. The results reveal the construction of gazes based on conventions and stereotypes, limiting individual and social possibilities, for the image of women, whether in photography, text or illustration. The images included in the maga-zines reaffirm the dominant cultural values, including the hierarchy between the sexes. |
publishDate |
2020 |
dc.date.none.fl_str_mv |
2020-08-03 |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion |
format |
article |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
https://dobras.emnuvens.com.br/dobras/article/view/1144 10.26563/dobras.v14i29.1144 |
url |
https://dobras.emnuvens.com.br/dobras/article/view/1144 |
identifier_str_mv |
10.26563/dobras.v14i29.1144 |
dc.language.iso.fl_str_mv |
por |
language |
por |
dc.relation.none.fl_str_mv |
https://dobras.emnuvens.com.br/dobras/article/view/1144/627 |
dc.rights.driver.fl_str_mv |
Copyright (c) 2020 Júlia Mello info:eu-repo/semantics/openAccess |
rights_invalid_str_mv |
Copyright (c) 2020 Júlia Mello |
eu_rights_str_mv |
openAccess |
dc.format.none.fl_str_mv |
application/pdf |
dc.publisher.none.fl_str_mv |
Associação Brasileira de Estudos e Pesquisas em Moda - Abepem |
publisher.none.fl_str_mv |
Associação Brasileira de Estudos e Pesquisas em Moda - Abepem |
dc.source.none.fl_str_mv |
dObra[s] – revista da Associação Brasileira de Estudos de Pesquisas em Moda; v. 14 n. 29 (2020); 204-221 2358-0003 1982-0313 reponame:Revista dObra[s] instname:Associação Brasileira de Estudos e Pesquisas em Moda (Abepem) instacron:ABEPEM |
instname_str |
Associação Brasileira de Estudos e Pesquisas em Moda (Abepem) |
instacron_str |
ABEPEM |
institution |
ABEPEM |
reponame_str |
Revista dObra[s] |
collection |
Revista dObra[s] |
repository.name.fl_str_mv |
Revista dObra[s] - Associação Brasileira de Estudos e Pesquisas em Moda (Abepem) |
repository.mail.fl_str_mv |
dobras.abepem@gmail.com |
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1797054041518243840 |