Human and machine generating poetic energy
| Autor(a) principal: | |
|---|---|
| Data de Publicação: | 2023 |
| Outros Autores: | , , , , , , , , |
| Tipo de documento: | Artigo |
| Idioma: | por |
| Título da fonte: | DATJournal |
| Texto Completo: | https://datjournal.anhembi.br/dat/article/view/758 |
Resumo: | In the context of the Anthropocene, Post-Human and Post-Digital, technology in Art gains a complexity that goes beyond the exploration of its possibilities, involving Other environmental and social concerns. From these discussions comes the proposal to build a triptych of works that incorporate current issues. In this sense, we present three works of Art-Technology, which propose to eliminate the use of commercial electricity or batteries, as well as the non-use of computers or digital processors in their structure. However, the proposal maintains the interactivity of the human with the machine and technological devices. Breath, Touch and Gesture form the triptych, in which each work explores modes of interaction, technologies, materials, shapes and meanings, based on simplicity and transparency, so that it gains energy and life through contact with the human body, generating different poetics and symbologies. |
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Human and machine generating poetic energyHumano y máquina generadora de energía poéticaHumano e máquina gerando energia poéticaArte-TecnologiaCaptação de energiaInteraçãoCorpo humanoAntropocenoArt-TechnologyEnergy harvestInteractionHuman bodyAnthropoceneArte-TecnologíaCaptación de energíaInteracciónCuerpo humanoAntropocenoIn the context of the Anthropocene, Post-Human and Post-Digital, technology in Art gains a complexity that goes beyond the exploration of its possibilities, involving Other environmental and social concerns. From these discussions comes the proposal to build a triptych of works that incorporate current issues. In this sense, we present three works of Art-Technology, which propose to eliminate the use of commercial electricity or batteries, as well as the non-use of computers or digital processors in their structure. However, the proposal maintains the interactivity of the human with the machine and technological devices. Breath, Touch and Gesture form the triptych, in which each work explores modes of interaction, technologies, materials, shapes and meanings, based on simplicity and transparency, so that it gains energy and life through contact with the human body, generating different poetics and symbologies.En el contexto del Antropoceno, Post-Humano y Post-Digital, la tecnología en el Arte gana una complejidad que va más allá de la exploración de sus posibilidades tecnológicas, involucrando otras preocupaciones ambientales y sociales. De estas discusiones surge la propuesta de construir un tríptico de obras que incorporen temas de actualidad. En este sentido, presentamos tres obras de Arte-Tecnología, que proponen eliminar el uso de electricidad comercial o baterías, así como la no utilización de computadoras o procesadores digitales en su estructura. Sin embargo, la propuesta mantiene la interactividad del humano con la máquina y los dispositivos tecnológicos. Respiración, Tacto y Gesto forman el tríptico, en el que cada obra explora modos de interacción, tecnologías, materiales, formas y significados, basados en la sencillez y la transparencia, para que gane energía y vida a través del contacto con el cuerpo humano, generando diferentes poéticas y simbologías.No contexto do Antropoceno, Pós-Humano e Pós-Digital, a tecnologia na Arte ganha uma complexidade que vai além da exploração de suas possibilidades tecnológicas, envolvendo outras preocupações ambientais e sociais. Dessas discussões surge a proposta de construir um tríptico de obras que incorporem questões atuais. Nesse sentido, apresentamos três obras de Arte-Tecnologia, que se propõem a eliminar o uso de eletricidade comercial ou baterias, bem como a não utilização de computadores ou processadores digitais em sua estrutura. Porém, a proposta mantém a interatividade do humano com a máquina e dispositivos tecnológicos. Sopro, Toque e Gesto formam o tríptico, em que cada obra explora modos de interação, tecnologias, materiais, formas e significados, baseados na simplicidade e na transparência, para ganhar energia e vida por meio do contato com o corpo humano, gerando diferentes poéticas e simbologias.Universidade Anhambi Murumbi2023-09-25info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://datjournal.anhembi.br/dat/article/view/75810.29147/datjournal.v8i3.758DAT Journal; Vol. 8 No. 3 (2023): DESIGN, ART AND TECHNOLOGY + 4TH RETIINA E 4TH DATDOSSIER; 74-84DAT Journal; Vol. 8 Núm. 3 (2023): DISEÑO, ARTE Y TECNOLOGÍA + DOSSIER 4° RETIINA E 4° DAT; 74-84DAT Journal; v. 8 n. 3 (2023): DESIGN, ARTE E TECNOLOGIA + DOSSIÊ 4 RETIINA E 4 DAT; 74-842526-178910.29147/datjournal.v8i3reponame:DATJournalinstname:Universidade Anhembi Morumbi (ANHEMBI)instacron:ANHEMBIporhttps://datjournal.anhembi.br/dat/article/view/758/550Copyright (c) 2023 DAT Journalhttps://creativecommons.org/licenses/by/4.0info:eu-repo/semantics/openAccessSogabe, MiltonFogliano, FernandoHildebrand, RenatoNunes, Fabio OliveiraRubini , IveMarques, Rodrigo DortaGazana, CleberBraz, SorayaSantos, Caio Netto DosMilano, Barbara Jaqueline Soares2023-09-26T18:07:09Zoai:ojs.datjournal.anhembi.br:article/758Revistahttps://datjournal.anhembi.br/datPUBhttps://datjournal.anhembi.br/dat/oai||ppgdesign@anhembi.br2526-17892526-1789opendoar:2023-09-26T18:07:09DATJournal - Universidade Anhembi Morumbi (ANHEMBI)false |
| dc.title.none.fl_str_mv |
Human and machine generating poetic energy Humano y máquina generadora de energía poética Humano e máquina gerando energia poética |
| title |
Human and machine generating poetic energy |
| spellingShingle |
Human and machine generating poetic energy Sogabe, Milton Arte-Tecnologia Captação de energia Interação Corpo humano Antropoceno Art-Technology Energy harvest Interaction Human body Anthropocene Arte-Tecnología Captación de energía Interacción Cuerpo humano Antropoceno |
| title_short |
Human and machine generating poetic energy |
| title_full |
Human and machine generating poetic energy |
| title_fullStr |
Human and machine generating poetic energy |
| title_full_unstemmed |
Human and machine generating poetic energy |
| title_sort |
Human and machine generating poetic energy |
| author |
Sogabe, Milton |
| author_facet |
Sogabe, Milton Fogliano, Fernando Hildebrand, Renato Nunes, Fabio Oliveira Rubini , Ive Marques, Rodrigo Dorta Gazana, Cleber Braz, Soraya Santos, Caio Netto Dos Milano, Barbara Jaqueline Soares |
| author_role |
author |
| author2 |
Fogliano, Fernando Hildebrand, Renato Nunes, Fabio Oliveira Rubini , Ive Marques, Rodrigo Dorta Gazana, Cleber Braz, Soraya Santos, Caio Netto Dos Milano, Barbara Jaqueline Soares |
| author2_role |
author author author author author author author author author |
| dc.contributor.author.fl_str_mv |
Sogabe, Milton Fogliano, Fernando Hildebrand, Renato Nunes, Fabio Oliveira Rubini , Ive Marques, Rodrigo Dorta Gazana, Cleber Braz, Soraya Santos, Caio Netto Dos Milano, Barbara Jaqueline Soares |
| dc.subject.por.fl_str_mv |
Arte-Tecnologia Captação de energia Interação Corpo humano Antropoceno Art-Technology Energy harvest Interaction Human body Anthropocene Arte-Tecnología Captación de energía Interacción Cuerpo humano Antropoceno |
| topic |
Arte-Tecnologia Captação de energia Interação Corpo humano Antropoceno Art-Technology Energy harvest Interaction Human body Anthropocene Arte-Tecnología Captación de energía Interacción Cuerpo humano Antropoceno |
| description |
In the context of the Anthropocene, Post-Human and Post-Digital, technology in Art gains a complexity that goes beyond the exploration of its possibilities, involving Other environmental and social concerns. From these discussions comes the proposal to build a triptych of works that incorporate current issues. In this sense, we present three works of Art-Technology, which propose to eliminate the use of commercial electricity or batteries, as well as the non-use of computers or digital processors in their structure. However, the proposal maintains the interactivity of the human with the machine and technological devices. Breath, Touch and Gesture form the triptych, in which each work explores modes of interaction, technologies, materials, shapes and meanings, based on simplicity and transparency, so that it gains energy and life through contact with the human body, generating different poetics and symbologies. |
| publishDate |
2023 |
| dc.date.none.fl_str_mv |
2023-09-25 |
| dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion |
| format |
article |
| status_str |
publishedVersion |
| dc.identifier.uri.fl_str_mv |
https://datjournal.anhembi.br/dat/article/view/758 10.29147/datjournal.v8i3.758 |
| url |
https://datjournal.anhembi.br/dat/article/view/758 |
| identifier_str_mv |
10.29147/datjournal.v8i3.758 |
| dc.language.iso.fl_str_mv |
por |
| language |
por |
| dc.relation.none.fl_str_mv |
https://datjournal.anhembi.br/dat/article/view/758/550 |
| dc.rights.driver.fl_str_mv |
Copyright (c) 2023 DAT Journal https://creativecommons.org/licenses/by/4.0 info:eu-repo/semantics/openAccess |
| rights_invalid_str_mv |
Copyright (c) 2023 DAT Journal https://creativecommons.org/licenses/by/4.0 |
| eu_rights_str_mv |
openAccess |
| dc.format.none.fl_str_mv |
application/pdf |
| dc.publisher.none.fl_str_mv |
Universidade Anhambi Murumbi |
| publisher.none.fl_str_mv |
Universidade Anhambi Murumbi |
| dc.source.none.fl_str_mv |
DAT Journal; Vol. 8 No. 3 (2023): DESIGN, ART AND TECHNOLOGY + 4TH RETIINA E 4TH DATDOSSIER; 74-84 DAT Journal; Vol. 8 Núm. 3 (2023): DISEÑO, ARTE Y TECNOLOGÍA + DOSSIER 4° RETIINA E 4° DAT; 74-84 DAT Journal; v. 8 n. 3 (2023): DESIGN, ARTE E TECNOLOGIA + DOSSIÊ 4 RETIINA E 4 DAT; 74-84 2526-1789 10.29147/datjournal.v8i3 reponame:DATJournal instname:Universidade Anhembi Morumbi (ANHEMBI) instacron:ANHEMBI |
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Universidade Anhembi Morumbi (ANHEMBI) |
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ANHEMBI |
| institution |
ANHEMBI |
| reponame_str |
DATJournal |
| collection |
DATJournal |
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DATJournal - Universidade Anhembi Morumbi (ANHEMBI) |
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||ppgdesign@anhembi.br |
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1797239920192913408 |