Corpecendo: Dressing up and creating unusual spaces
Autor(a) principal: | |
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Data de Publicação: | 2020 |
Tipo de documento: | Artigo |
Idioma: | por |
Título da fonte: | DATJournal |
Texto Completo: | https://datjournal.anhembi.br/dat/article/view/291 |
Resumo: | The article presents the process report of the Corpecendo Project, focusing on design representation tools and ways of interpreting and giving visibility to the practice of dressing. It starts from the concept of “inscription” (Latour, 2001) and “process documents” (Salles, 2011), to propose a poetic approach to the design practice and to seek approximations between the processes and materialities of the investigative practices of art and design. It invests in aesthetic experiments, linked to body art and artisanal practice, to approach dressing through the bias of investigative strategies mediated by body dynamics and artifact creation. |
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Corpecendo: Dressing up and creating unusual spaces Corpecendo: Vestirse y crear espacialidad en-comúnCorpecendo: Vestir-se e criar espacialidades in-comunsVestirdesignprocessoarteespacialidadevisualidadeDressingDesignProcessartSpatialityVisualityVestirDiseñoProcesoartEspacialidadVisualidadThe article presents the process report of the Corpecendo Project, focusing on design representation tools and ways of interpreting and giving visibility to the practice of dressing. It starts from the concept of “inscription” (Latour, 2001) and “process documents” (Salles, 2011), to propose a poetic approach to the design practice and to seek approximations between the processes and materialities of the investigative practices of art and design. It invests in aesthetic experiments, linked to body art and artisanal practice, to approach dressing through the bias of investigative strategies mediated by body dynamics and artifact creation.El artículo presenta el informe de proceso del Proyecto Corpecendo, centrándose en las herramientas de representación del diseño y las formas de interpretar y dar visibilidad a la práctica del vestir. Se parte del concepto de “inscripción” (Latour, 2001) y “documentos de proceso” (Salles, 2011), para proponer un acercamiento poético a la práctica del diseño y buscar aproximaciones entre los procesos y materialidades de las prácticas investigativas del arte y del diseño. Invierte en experimentos estéticos, vinculados al arte corporal y la práctica artesanal, para abordar el vestir a través de estrategias de investigación mediadas por la dinámica corporal y la creación de artefactos.O artigo apresenta o relato de processo do Projeto Corpecendo, com foco nas ferramentas de representação de design e os modos de interpretar e dar visibilidade para a prática do vestir. Parte dos conceitos de “inscrição” (Latour, 2001) e “documentos de processo” (Salles, 2011), para propor uma abordagem poética da prática de projeto e buscar aproximações entre os processos e materialidades das práticas investigativas da arte e do design. Investe em experimentações estéticas, vinculadas a arte do corpo e a prática artesanal, para abordar o vestir pelo viés de estratégias investigativas mediadas pelas dinâmicas do corpo e criação de artefatos.Universidade Anhambi Murumbi2020-12-08info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://datjournal.anhembi.br/dat/article/view/29110.29147/dat.v5i4.291DAT Journal; Vol. 5 No. 4 (2020): 15 Years of PPG Design UAM; 213-230DAT Journal; Vol. 5 Núm. 4 (2020): 15 Años de PPG Design UAM; 213-230DAT Journal; v. 5 n. 4 (2020): 15 anos de PPG Design UAM; 213-2302526-178910.29147/dat.v5i4reponame:DATJournalinstname:Universidade Anhembi Morumbi (ANHEMBI)instacron:ANHEMBIporhttps://datjournal.anhembi.br/dat/article/view/291/212Copyright (c) 2020 DAT Journalinfo:eu-repo/semantics/openAccessMarinho, Claudia 2022-03-29T12:30:50Zoai:ojs.datjournal.anhembi.br:article/291Revistahttps://datjournal.anhembi.br/datPUBhttps://datjournal.anhembi.br/dat/oai||ppgdesign@anhembi.br2526-17892526-1789opendoar:2022-03-29T12:30:50DATJournal - Universidade Anhembi Morumbi (ANHEMBI)false |
dc.title.none.fl_str_mv |
Corpecendo: Dressing up and creating unusual spaces Corpecendo: Vestirse y crear espacialidad en-común Corpecendo: Vestir-se e criar espacialidades in-comuns |
title |
Corpecendo: Dressing up and creating unusual spaces |
spellingShingle |
Corpecendo: Dressing up and creating unusual spaces Marinho, Claudia Vestir design processo arte espacialidade visualidade Dressing Design Process art Spatiality Visuality Vestir Diseño Proceso art Espacialidad Visualidad |
title_short |
Corpecendo: Dressing up and creating unusual spaces |
title_full |
Corpecendo: Dressing up and creating unusual spaces |
title_fullStr |
Corpecendo: Dressing up and creating unusual spaces |
title_full_unstemmed |
Corpecendo: Dressing up and creating unusual spaces |
title_sort |
Corpecendo: Dressing up and creating unusual spaces |
author |
Marinho, Claudia |
author_facet |
Marinho, Claudia |
author_role |
author |
dc.contributor.author.fl_str_mv |
Marinho, Claudia |
dc.subject.por.fl_str_mv |
Vestir design processo arte espacialidade visualidade Dressing Design Process art Spatiality Visuality Vestir Diseño Proceso art Espacialidad Visualidad |
topic |
Vestir design processo arte espacialidade visualidade Dressing Design Process art Spatiality Visuality Vestir Diseño Proceso art Espacialidad Visualidad |
description |
The article presents the process report of the Corpecendo Project, focusing on design representation tools and ways of interpreting and giving visibility to the practice of dressing. It starts from the concept of “inscription” (Latour, 2001) and “process documents” (Salles, 2011), to propose a poetic approach to the design practice and to seek approximations between the processes and materialities of the investigative practices of art and design. It invests in aesthetic experiments, linked to body art and artisanal practice, to approach dressing through the bias of investigative strategies mediated by body dynamics and artifact creation. |
publishDate |
2020 |
dc.date.none.fl_str_mv |
2020-12-08 |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion |
format |
article |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
https://datjournal.anhembi.br/dat/article/view/291 10.29147/dat.v5i4.291 |
url |
https://datjournal.anhembi.br/dat/article/view/291 |
identifier_str_mv |
10.29147/dat.v5i4.291 |
dc.language.iso.fl_str_mv |
por |
language |
por |
dc.relation.none.fl_str_mv |
https://datjournal.anhembi.br/dat/article/view/291/212 |
dc.rights.driver.fl_str_mv |
Copyright (c) 2020 DAT Journal info:eu-repo/semantics/openAccess |
rights_invalid_str_mv |
Copyright (c) 2020 DAT Journal |
eu_rights_str_mv |
openAccess |
dc.format.none.fl_str_mv |
application/pdf |
dc.publisher.none.fl_str_mv |
Universidade Anhambi Murumbi |
publisher.none.fl_str_mv |
Universidade Anhambi Murumbi |
dc.source.none.fl_str_mv |
DAT Journal; Vol. 5 No. 4 (2020): 15 Years of PPG Design UAM; 213-230 DAT Journal; Vol. 5 Núm. 4 (2020): 15 Años de PPG Design UAM; 213-230 DAT Journal; v. 5 n. 4 (2020): 15 anos de PPG Design UAM; 213-230 2526-1789 10.29147/dat.v5i4 reponame:DATJournal instname:Universidade Anhembi Morumbi (ANHEMBI) instacron:ANHEMBI |
instname_str |
Universidade Anhembi Morumbi (ANHEMBI) |
instacron_str |
ANHEMBI |
institution |
ANHEMBI |
reponame_str |
DATJournal |
collection |
DATJournal |
repository.name.fl_str_mv |
DATJournal - Universidade Anhembi Morumbi (ANHEMBI) |
repository.mail.fl_str_mv |
||ppgdesign@anhembi.br |
_version_ |
1797239921301258240 |