London’s International Exhibition of 1862 and the origin of large scale exhibitions of Contemporary Art

Detalhes bibliográficos
Autor(a) principal: Spricigo, Vinicius
Data de Publicação: 2020
Tipo de documento: Artigo
Idioma: por
Título da fonte: DATJournal
Texto Completo: https://datjournal.anhembi.br/dat/article/view/220
Resumo: This paper analyses the origin of international exhibitions in the nineteenth century as a model for contemporary biennials, with emphasis on London exhibitions of 1851 and 1862. It presents a bibliography review about the subject, comprising other modes of exhibition created in that period, such as museums andperiodical exhibitions held by the art academy. The article approaches the question of national representation in this realm.
id ANHE-1_da5cf1efe4dc3c14eecc2dcad8f8510b
oai_identifier_str oai:ojs.datjournal.anhembi.br:article/220
network_acronym_str ANHE-1
network_name_str DATJournal
repository_id_str
spelling London’s International Exhibition of 1862 and the origin of large scale exhibitions of Contemporary ArtLa exposición internacional de 1862 en Londres y el origen de las mega-exposiciones de arte contemporáneoA exposição Internacional de 1862 em Londres e a origem das megaexposições de arte contemporâneaExposições InternacionaisLondresRepresentações nacionaisCuradoriaInternational ExhibitionsLondonNational RepresentationsCuratingExposiciones InternacionalesLondresRepresentaciones NacionalesCuraduríaThis paper analyses the origin of international exhibitions in the nineteenth century as a model for contemporary biennials, with emphasis on London exhibitions of 1851 and 1862. It presents a bibliography review about the subject, comprising other modes of exhibition created in that period, such as museums andperiodical exhibitions held by the art academy. The article approaches the question of national representation in this realm.Este artículo aborda el origen de las exposiciones internacionales de arte en el siglo XIX, especialmente las exposiciones de Londres de 1851 y 1862, como modelo para las bienales contemporáneas. Presenta una revisión historiográfica sobre el tema, cubriendo también otras modalidades expositivas creadas en la época,como los museos de arte y las exposiciones estacionales de la academia. El trabajo también aborda el tema de las representaciones nacionales en este contexto.O presente artigo trata da origem das exposições internacionais de arte no século XIX, sobretudo as exposições de Londres de 1851 e 1862, enquanto modelo para as bienais contemporâneas. Nele é apresentada uma revisãohistoriográfica sobre o tema, abrangendo também outros modos de exposição criados no período, como os museus de arte e as exposições sazonais da academia. O trabalho trata ainda da questão das representações nacionais nesse âmbito.Universidade Anhambi Murumbi2020-10-20info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://datjournal.anhembi.br/dat/article/view/22010.29147/dat.v5i3.220DAT Journal; Vol. 5 No. 3 (2020): Curadoria, design expositivo e museu + Dossiê PPG Design UnB; 58-72DAT Journal; Vol. 5 Núm. 3 (2020): Curadoria, design expositivo e museu + Dossiê PPG Design UnB; 58-72DAT Journal; v. 5 n. 3 (2020): Curadoria, design expositivo e museu + Dossiê PPG Design UnB; 58-722526-178910.29147/dat.v5i3reponame:DATJournalinstname:Universidade Anhembi Morumbi (ANHEMBI)instacron:ANHEMBIporhttps://datjournal.anhembi.br/dat/article/view/220/199Copyright (c) 2020 DAT Journalinfo:eu-repo/semantics/openAccessSpricigo, Vinicius2022-03-29T12:29:33Zoai:ojs.datjournal.anhembi.br:article/220Revistahttps://datjournal.anhembi.br/datPUBhttps://datjournal.anhembi.br/dat/oai||ppgdesign@anhembi.br2526-17892526-1789opendoar:2022-03-29T12:29:33DATJournal - Universidade Anhembi Morumbi (ANHEMBI)false
dc.title.none.fl_str_mv London’s International Exhibition of 1862 and the origin of large scale exhibitions of Contemporary Art
La exposición internacional de 1862 en Londres y el origen de las mega-exposiciones de arte contemporáneo
A exposição Internacional de 1862 em Londres e a origem das megaexposições de arte contemporânea
title London’s International Exhibition of 1862 and the origin of large scale exhibitions of Contemporary Art
spellingShingle London’s International Exhibition of 1862 and the origin of large scale exhibitions of Contemporary Art
Spricigo, Vinicius
Exposições Internacionais
Londres
Representações nacionais
Curadoria
International Exhibitions
London
National Representations
Curating
Exposiciones Internacionales
Londres
Representaciones Nacionales
Curaduría
title_short London’s International Exhibition of 1862 and the origin of large scale exhibitions of Contemporary Art
title_full London’s International Exhibition of 1862 and the origin of large scale exhibitions of Contemporary Art
title_fullStr London’s International Exhibition of 1862 and the origin of large scale exhibitions of Contemporary Art
title_full_unstemmed London’s International Exhibition of 1862 and the origin of large scale exhibitions of Contemporary Art
title_sort London’s International Exhibition of 1862 and the origin of large scale exhibitions of Contemporary Art
author Spricigo, Vinicius
author_facet Spricigo, Vinicius
author_role author
dc.contributor.author.fl_str_mv Spricigo, Vinicius
dc.subject.por.fl_str_mv Exposições Internacionais
Londres
Representações nacionais
Curadoria
International Exhibitions
London
National Representations
Curating
Exposiciones Internacionales
Londres
Representaciones Nacionales
Curaduría
topic Exposições Internacionais
Londres
Representações nacionais
Curadoria
International Exhibitions
London
National Representations
Curating
Exposiciones Internacionales
Londres
Representaciones Nacionales
Curaduría
description This paper analyses the origin of international exhibitions in the nineteenth century as a model for contemporary biennials, with emphasis on London exhibitions of 1851 and 1862. It presents a bibliography review about the subject, comprising other modes of exhibition created in that period, such as museums andperiodical exhibitions held by the art academy. The article approaches the question of national representation in this realm.
publishDate 2020
dc.date.none.fl_str_mv 2020-10-20
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://datjournal.anhembi.br/dat/article/view/220
10.29147/dat.v5i3.220
url https://datjournal.anhembi.br/dat/article/view/220
identifier_str_mv 10.29147/dat.v5i3.220
dc.language.iso.fl_str_mv por
language por
dc.relation.none.fl_str_mv https://datjournal.anhembi.br/dat/article/view/220/199
dc.rights.driver.fl_str_mv Copyright (c) 2020 DAT Journal
info:eu-repo/semantics/openAccess
rights_invalid_str_mv Copyright (c) 2020 DAT Journal
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv Universidade Anhambi Murumbi
publisher.none.fl_str_mv Universidade Anhambi Murumbi
dc.source.none.fl_str_mv DAT Journal; Vol. 5 No. 3 (2020): Curadoria, design expositivo e museu + Dossiê PPG Design UnB; 58-72
DAT Journal; Vol. 5 Núm. 3 (2020): Curadoria, design expositivo e museu + Dossiê PPG Design UnB; 58-72
DAT Journal; v. 5 n. 3 (2020): Curadoria, design expositivo e museu + Dossiê PPG Design UnB; 58-72
2526-1789
10.29147/dat.v5i3
reponame:DATJournal
instname:Universidade Anhembi Morumbi (ANHEMBI)
instacron:ANHEMBI
instname_str Universidade Anhembi Morumbi (ANHEMBI)
instacron_str ANHEMBI
institution ANHEMBI
reponame_str DATJournal
collection DATJournal
repository.name.fl_str_mv DATJournal - Universidade Anhembi Morumbi (ANHEMBI)
repository.mail.fl_str_mv ||ppgdesign@anhembi.br
_version_ 1797239921225760768

Registros relacionados