“Vida Maria”: a representação e a imagem digital figurativa

Detalhes bibliográficos
Autor(a) principal: Santos, Juliana Baptista dos
Data de Publicação: 2022
Outros Autores: Donati, Luisa Angelica Paraguai
Tipo de documento: Artigo
Idioma: por
Título da fonte: DATJournal
Texto Completo: https://datjournal.anhembi.br/dat/article/view/530
Resumo: Digital technologies and advances provided by computer graphics in the field of visual arts influence the creation process and ways of operating the image of animation cinema at the end of the 20th century. From the 1980s onwards, relationships between art, media and technology intensified, evoking discussions about artistic production and the diffusion of new cultural products. This article presents a reflection about characteristics of figurative numerical images in the context of the post-photographic paradigm (SANTAELLA; NÖTH, 1998), while they represent daily life, considering the concept of remembrance, under the discussions of Aumont (1993) and Gombrich (1986). The article also points out the reflections of contemporaneity through modeled images, when choosing the national animation cinema as an object of study in the work “Vida Maria”, produced in Ceará by director Márcio Ramos in 2006.
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spelling “Vida Maria”: a representação e a imagem digital figurativaArte e tecnologiaCinema de animaçãoImagem digital figurativaRepresentaçãoArt and technologyAnimation cinemaDigital figurative imageRepresentationArte y cineCine de animaciónImagen digital figurativaRepresentaciónDigital technologies and advances provided by computer graphics in the field of visual arts influence the creation process and ways of operating the image of animation cinema at the end of the 20th century. From the 1980s onwards, relationships between art, media and technology intensified, evoking discussions about artistic production and the diffusion of new cultural products. This article presents a reflection about characteristics of figurative numerical images in the context of the post-photographic paradigm (SANTAELLA; NÖTH, 1998), while they represent daily life, considering the concept of remembrance, under the discussions of Aumont (1993) and Gombrich (1986). The article also points out the reflections of contemporaneity through modeled images, when choosing the national animation cinema as an object of study in the work “Vida Maria”, produced in Ceará by director Márcio Ramos in 2006.As tecnologias digitais e os avanços proporcionados pela computação gráfica no campo das artes visuais, influem o processo de criação e modos de operar a imagem do cinema de animação, ao final do século XX. A partir da década de 80, as relações entre arte, mídia e tecnologia se intensificam provocando discussões sobre a produção artística e a difusão de novos produtos culturais. O presente artigo apresenta uma reflexão sobre as características das imagens numéricas figurativas, no contexto do paradigma pós-fotográfico (Santaella e Nöth, 1998), enquanto representam o cotidiano, considerando o conceito de rememoração, sob as discussões de Aumont (1993) e Gombrich (1986). O artigo também aponta as reflexões da contemporaneidade a partir das imagens modeladas ao escolher como objeto de estudo o cinema de animação nacional, na obra “Vida Maria”, produzido no Ceará, pelo diretor Márcio Ramos em 2006.Universidade Anhambi Murumbi2022-06-14info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://datjournal.anhembi.br/dat/article/view/53010.29147/datjournal.v7i2.530DAT Journal; Vol. 7 No. 2 (2022): Design, Art and Technology + Cesar School Dossier; 31-42DAT Journal; Vol. 7 Núm. 2 (2022): Diseño, Arte y Tecnología + Dossier Cesar School; 31-42DAT Journal; v. 7 n. 2 (2022): Design, Arte e Tecnologia + Dossiê Cesar School ; 31-422526-178910.29147/datjournal.v7i2reponame:DATJournalinstname:Universidade Anhembi Morumbi (ANHEMBI)instacron:ANHEMBIporhttps://datjournal.anhembi.br/dat/article/view/530/423Copyright (c) 2022 DAT Journalhttps://creativecommons.org/licenses/by/4.0info:eu-repo/semantics/openAccessSantos, Juliana Baptista dosDonati, Luisa Angelica Paraguai2022-06-22T20:55:06Zoai:ojs.datjournal.anhembi.br:article/530Revistahttps://datjournal.anhembi.br/datPUBhttps://datjournal.anhembi.br/dat/oai||ppgdesign@anhembi.br2526-17892526-1789opendoar:2022-06-22T20:55:06DATJournal - Universidade Anhembi Morumbi (ANHEMBI)false
dc.title.none.fl_str_mv “Vida Maria”: a representação e a imagem digital figurativa
title “Vida Maria”: a representação e a imagem digital figurativa
spellingShingle “Vida Maria”: a representação e a imagem digital figurativa
Santos, Juliana Baptista dos
Arte e tecnologia
Cinema de animação
Imagem digital figurativa
Representação
Art and technology
Animation cinema
Digital figurative image
Representation
Arte y cine
Cine de animación
Imagen digital figurativa
Representación
title_short “Vida Maria”: a representação e a imagem digital figurativa
title_full “Vida Maria”: a representação e a imagem digital figurativa
title_fullStr “Vida Maria”: a representação e a imagem digital figurativa
title_full_unstemmed “Vida Maria”: a representação e a imagem digital figurativa
title_sort “Vida Maria”: a representação e a imagem digital figurativa
author Santos, Juliana Baptista dos
author_facet Santos, Juliana Baptista dos
Donati, Luisa Angelica Paraguai
author_role author
author2 Donati, Luisa Angelica Paraguai
author2_role author
dc.contributor.author.fl_str_mv Santos, Juliana Baptista dos
Donati, Luisa Angelica Paraguai
dc.subject.por.fl_str_mv Arte e tecnologia
Cinema de animação
Imagem digital figurativa
Representação
Art and technology
Animation cinema
Digital figurative image
Representation
Arte y cine
Cine de animación
Imagen digital figurativa
Representación
topic Arte e tecnologia
Cinema de animação
Imagem digital figurativa
Representação
Art and technology
Animation cinema
Digital figurative image
Representation
Arte y cine
Cine de animación
Imagen digital figurativa
Representación
description Digital technologies and advances provided by computer graphics in the field of visual arts influence the creation process and ways of operating the image of animation cinema at the end of the 20th century. From the 1980s onwards, relationships between art, media and technology intensified, evoking discussions about artistic production and the diffusion of new cultural products. This article presents a reflection about characteristics of figurative numerical images in the context of the post-photographic paradigm (SANTAELLA; NÖTH, 1998), while they represent daily life, considering the concept of remembrance, under the discussions of Aumont (1993) and Gombrich (1986). The article also points out the reflections of contemporaneity through modeled images, when choosing the national animation cinema as an object of study in the work “Vida Maria”, produced in Ceará by director Márcio Ramos in 2006.
publishDate 2022
dc.date.none.fl_str_mv 2022-06-14
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://datjournal.anhembi.br/dat/article/view/530
10.29147/datjournal.v7i2.530
url https://datjournal.anhembi.br/dat/article/view/530
identifier_str_mv 10.29147/datjournal.v7i2.530
dc.language.iso.fl_str_mv por
language por
dc.relation.none.fl_str_mv https://datjournal.anhembi.br/dat/article/view/530/423
dc.rights.driver.fl_str_mv Copyright (c) 2022 DAT Journal
https://creativecommons.org/licenses/by/4.0
info:eu-repo/semantics/openAccess
rights_invalid_str_mv Copyright (c) 2022 DAT Journal
https://creativecommons.org/licenses/by/4.0
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv Universidade Anhambi Murumbi
publisher.none.fl_str_mv Universidade Anhambi Murumbi
dc.source.none.fl_str_mv DAT Journal; Vol. 7 No. 2 (2022): Design, Art and Technology + Cesar School Dossier; 31-42
DAT Journal; Vol. 7 Núm. 2 (2022): Diseño, Arte y Tecnología + Dossier Cesar School; 31-42
DAT Journal; v. 7 n. 2 (2022): Design, Arte e Tecnologia + Dossiê Cesar School ; 31-42
2526-1789
10.29147/datjournal.v7i2
reponame:DATJournal
instname:Universidade Anhembi Morumbi (ANHEMBI)
instacron:ANHEMBI
instname_str Universidade Anhembi Morumbi (ANHEMBI)
instacron_str ANHEMBI
institution ANHEMBI
reponame_str DATJournal
collection DATJournal
repository.name.fl_str_mv DATJournal - Universidade Anhembi Morumbi (ANHEMBI)
repository.mail.fl_str_mv ||ppgdesign@anhembi.br
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