Holding what moves, keep moving the held
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Data de Publicação: | 2023 |
Tipo de documento: | Artigo |
Idioma: | por |
Título da fonte: | DATJournal |
Texto Completo: | https://datjournal.anhembi.br/dat/article/view/686 |
Resumo: | Assuming a theoretical affiliation, in these lines a process of legitimation is explained considering the expression “digital literature” as a concept, discussing then the technical issue as the heart of this legitimacy. The issue of digitality is raised based on a discursive-mediological perspective, which operates with the OM/MO methodology proposed by Régis Debray (1990; 2000). From this perspective, the description of the relationship between Materialized Organization and Organized Matter allows us to understand the systemic dynamics in which matrices of sociability (discursive institutions) produce technical objects that function as vectors of sensitivity (devices that arouse dispositions). There is no neutrality in the technique: the technosphere has always a correspondence to some psicoesphere, according to Milton Santos (1996, 2000), and the interchange between these dimensions of life produces leaks, derivations, transformations, as it is a historical process, socially organized, so politically disputed. Thus, the Atlas da Literatura Digital Brasileira (Brazilian Digital Literature Atlas) is seen as a crucial technical gesture for the epistemological and political gesture that sustains the Observatory. |
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Holding what moves, keep moving the heldGuardar el movimiento, mover lo guardadoGuardar o que se move, mover o que se guardaDigitalidadeLiteratura digitalMídiumAtlas da Literatura Digital BrasileiraDigitalityDigital LiteratureMédiumAtlas da Literatura digital BrasileiraDigitalidadLiteratura DigitalMídiumAtlas da Literatura Digital BrasileiraAssuming a theoretical affiliation, in these lines a process of legitimation is explained considering the expression “digital literature” as a concept, discussing then the technical issue as the heart of this legitimacy. The issue of digitality is raised based on a discursive-mediological perspective, which operates with the OM/MO methodology proposed by Régis Debray (1990; 2000). From this perspective, the description of the relationship between Materialized Organization and Organized Matter allows us to understand the systemic dynamics in which matrices of sociability (discursive institutions) produce technical objects that function as vectors of sensitivity (devices that arouse dispositions). There is no neutrality in the technique: the technosphere has always a correspondence to some psicoesphere, according to Milton Santos (1996, 2000), and the interchange between these dimensions of life produces leaks, derivations, transformations, as it is a historical process, socially organized, so politically disputed. Thus, the Atlas da Literatura Digital Brasileira (Brazilian Digital Literature Atlas) is seen as a crucial technical gesture for the epistemological and political gesture that sustains the Observatory.En este artículo tratamos de explicar la afiliación a un desarrollo teórico que considera el sintagma “literatura digital” como un concepto, discutiendo la cuestión técnica que está en el corazón de su legitimidad. El problema de la digitalidad está basado en una perspectiva discursivo-midiológica, que opera con la metodología MO/ OM propuesta por Régis Debray (2000). De acuerdo con esta perspectiva, la descripción de la relación entre Materia Organizada y Organización Materializada nos permite comprender la dinámica sistémica en la que las matrices de sociabilidad (instituciones discursivas) producen objetos técnicos que funcionan como vectores de sensibilidad (dispositivos que dan lugar a disposiciones). No hay neutralidad en la técnica: la tecnoesfera corresponde a una psicoesfera, según Milton Santos (2000); ahí se producen, entre estas dimensiones de lo vivido, fugas, derivas, transformaciones – un movimiento histórico, socialmente organizado, políticamente disputado. En estos términos, el Atlas de la Literatura Digital Brasileña es visto como un gesto técnico crucial para el gesto epistemológico y político que configura un Observatorio.Neste artigo, explicita-se a filiação a um desenvolvimento teórico que considera a rubrica “literatura digital” como conceito, discutindo a questão técnica que está no coração de sua legitimidade. O problema da digitalidade é convocado com base numa perspectiva discursivo-midiológica, que opera com a metodologia MO/OM proposta por Régis Debray (2000). Segundo essa perspectiva, a descrição da relação entre a Matéria Organizada e a Organização Materializada possibilita que compreendamos a dinâmica sistêmica em que matrizes de sociabilidade (instituições discursivas) produzem objetos técnicos que funcionam como vetores de sensibilidade (dispositivos que suscitam disposições). Não há neutralidade na técnica: à tecnoesfera corresponde uma psicoesfera, conforme Milton Santos (2000), e o rebatimento entre essas dimensões do vivido produz escapes, derivas, transformações, pois se trata de movimento histórico, socialmente organizado, politicamente disputado. Nesses termos, o Atlas da Literatura Digital Brasileira é visto como um gesto técnico crucial para o gesto epistemológico e político que configura um Observatório.Universidade Anhambi Murumbi2023-06-29info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://datjournal.anhembi.br/dat/article/view/68610.29147/datjournal.v8i2.686DAT Journal; Vol. 8 No. 2 (2023): DESIGN, ART AND TECHNOLOGY + DIGITAL LITERATURE DOSSIER; 172-184DAT Journal; Vol. 8 Núm. 2 (2023): DISEÑO, ARTE Y TECNOLOGÍA + DOSSIER LITERATURA DIGITAL; 172-184DAT Journal; v. 8 n. 2 (2023): DESIGN, ARTE E TECNOLOGIA + DOSSIÊ LITERATURA DIGITAL; 172-1842526-178910.29147/datjournal.v8i2reponame:DATJournalinstname:Universidade Anhembi Morumbi (ANHEMBI)instacron:ANHEMBIporhttps://datjournal.anhembi.br/dat/article/view/686/536Copyright (c) 2023 DAT Journalhttps://creativecommons.org/licenses/by/4.0info:eu-repo/semantics/openAccessSalazar Salgado, Luciana2023-06-29T20:23:16Zoai:ojs.datjournal.anhembi.br:article/686Revistahttps://datjournal.anhembi.br/datPUBhttps://datjournal.anhembi.br/dat/oai||ppgdesign@anhembi.br2526-17892526-1789opendoar:2023-06-29T20:23:16DATJournal - Universidade Anhembi Morumbi (ANHEMBI)false |
dc.title.none.fl_str_mv |
Holding what moves, keep moving the held Guardar el movimiento, mover lo guardado Guardar o que se move, mover o que se guarda |
title |
Holding what moves, keep moving the held |
spellingShingle |
Holding what moves, keep moving the held Salazar Salgado, Luciana Digitalidade Literatura digital Mídium Atlas da Literatura Digital Brasileira Digitality Digital Literature Médium Atlas da Literatura digital Brasileira Digitalidad Literatura Digital Mídium Atlas da Literatura Digital Brasileira |
title_short |
Holding what moves, keep moving the held |
title_full |
Holding what moves, keep moving the held |
title_fullStr |
Holding what moves, keep moving the held |
title_full_unstemmed |
Holding what moves, keep moving the held |
title_sort |
Holding what moves, keep moving the held |
author |
Salazar Salgado, Luciana |
author_facet |
Salazar Salgado, Luciana |
author_role |
author |
dc.contributor.author.fl_str_mv |
Salazar Salgado, Luciana |
dc.subject.por.fl_str_mv |
Digitalidade Literatura digital Mídium Atlas da Literatura Digital Brasileira Digitality Digital Literature Médium Atlas da Literatura digital Brasileira Digitalidad Literatura Digital Mídium Atlas da Literatura Digital Brasileira |
topic |
Digitalidade Literatura digital Mídium Atlas da Literatura Digital Brasileira Digitality Digital Literature Médium Atlas da Literatura digital Brasileira Digitalidad Literatura Digital Mídium Atlas da Literatura Digital Brasileira |
description |
Assuming a theoretical affiliation, in these lines a process of legitimation is explained considering the expression “digital literature” as a concept, discussing then the technical issue as the heart of this legitimacy. The issue of digitality is raised based on a discursive-mediological perspective, which operates with the OM/MO methodology proposed by Régis Debray (1990; 2000). From this perspective, the description of the relationship between Materialized Organization and Organized Matter allows us to understand the systemic dynamics in which matrices of sociability (discursive institutions) produce technical objects that function as vectors of sensitivity (devices that arouse dispositions). There is no neutrality in the technique: the technosphere has always a correspondence to some psicoesphere, according to Milton Santos (1996, 2000), and the interchange between these dimensions of life produces leaks, derivations, transformations, as it is a historical process, socially organized, so politically disputed. Thus, the Atlas da Literatura Digital Brasileira (Brazilian Digital Literature Atlas) is seen as a crucial technical gesture for the epistemological and political gesture that sustains the Observatory. |
publishDate |
2023 |
dc.date.none.fl_str_mv |
2023-06-29 |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion |
format |
article |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
https://datjournal.anhembi.br/dat/article/view/686 10.29147/datjournal.v8i2.686 |
url |
https://datjournal.anhembi.br/dat/article/view/686 |
identifier_str_mv |
10.29147/datjournal.v8i2.686 |
dc.language.iso.fl_str_mv |
por |
language |
por |
dc.relation.none.fl_str_mv |
https://datjournal.anhembi.br/dat/article/view/686/536 |
dc.rights.driver.fl_str_mv |
Copyright (c) 2023 DAT Journal https://creativecommons.org/licenses/by/4.0 info:eu-repo/semantics/openAccess |
rights_invalid_str_mv |
Copyright (c) 2023 DAT Journal https://creativecommons.org/licenses/by/4.0 |
eu_rights_str_mv |
openAccess |
dc.format.none.fl_str_mv |
application/pdf |
dc.publisher.none.fl_str_mv |
Universidade Anhambi Murumbi |
publisher.none.fl_str_mv |
Universidade Anhambi Murumbi |
dc.source.none.fl_str_mv |
DAT Journal; Vol. 8 No. 2 (2023): DESIGN, ART AND TECHNOLOGY + DIGITAL LITERATURE DOSSIER; 172-184 DAT Journal; Vol. 8 Núm. 2 (2023): DISEÑO, ARTE Y TECNOLOGÍA + DOSSIER LITERATURA DIGITAL; 172-184 DAT Journal; v. 8 n. 2 (2023): DESIGN, ARTE E TECNOLOGIA + DOSSIÊ LITERATURA DIGITAL; 172-184 2526-1789 10.29147/datjournal.v8i2 reponame:DATJournal instname:Universidade Anhembi Morumbi (ANHEMBI) instacron:ANHEMBI |
instname_str |
Universidade Anhembi Morumbi (ANHEMBI) |
instacron_str |
ANHEMBI |
institution |
ANHEMBI |
reponame_str |
DATJournal |
collection |
DATJournal |
repository.name.fl_str_mv |
DATJournal - Universidade Anhembi Morumbi (ANHEMBI) |
repository.mail.fl_str_mv |
||ppgdesign@anhembi.br |
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1797239920068132864 |