Interactive Art and the Machinic Unconscious

Detalhes bibliográficos
Autor(a) principal: Fogliano, Fernando
Data de Publicação: 2018
Tipo de documento: Artigo
Idioma: por
Título da fonte: DATJournal
Texto Completo: https://datjournal.anhembi.br/dat/article/view/69
Resumo: The history of technology is also the one in which culture allowed the externalization of human potentialities through instruments and machines. The emergence of computers seems to give continuity to that process of the expansion into the environment, or extra somatization of our brains and cognitive abilities. It is interesting in this study to consider that automated systems, based on the use of Artificial Intelligence, especially those used in interactive art works, can be understood as extra somatization of a special aspect of the cognitive processes: the unconscious automatism. Computational languages live at the heart of this process, understood here as part of a phenomenon of cultural complexity. The aim is to reflect on the creative role played by intelligent automatic processes, performed by interactive systems, understood as the technological possibility of realizing, in machines, complex unconscious actions, a kind of machinic gesturality, from a a machinic unconscious.
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spelling Interactive Art and the Machinic UnconsciousEl arte interactivo y el inconsciente maquínicoArte interativa e o inconsciente maquínicoArte interativaSoftwareInteligência artificialRobôs de conversaçãoArtificial IntelligenceChat BotsInteractive ArtSoftwareThe history of technology is also the one in which culture allowed the externalization of human potentialities through instruments and machines. The emergence of computers seems to give continuity to that process of the expansion into the environment, or extra somatization of our brains and cognitive abilities. It is interesting in this study to consider that automated systems, based on the use of Artificial Intelligence, especially those used in interactive art works, can be understood as extra somatization of a special aspect of the cognitive processes: the unconscious automatism. Computational languages live at the heart of this process, understood here as part of a phenomenon of cultural complexity. The aim is to reflect on the creative role played by intelligent automatic processes, performed by interactive systems, understood as the technological possibility of realizing, in machines, complex unconscious actions, a kind of machinic gesturality, from a a machinic unconscious.A história da tecnologia é também aquela em que a cultura permitiu a externalização das potencialidades humanas através de instrumentos e máquinas. O surgimento dos computadores parece dar continuidade àquele processo da expansão para o ambiente, ou extrassomatização, de nossos cé- rebros e capacidades cognitivas. Interessa-nos neste estudo considerar que sistemas automatizados construídos com base no uso da Inteligência Artificial, principalmente aqueles utilizados em obras de arte interativa, possam ser entendidos como extrassomatização de um particular aspecto dos processos cognitivos: o automatismo inconsciente. As linguagens computacionais estão no bojo desse processo, entendidas aqui também como parte de um fenômeno de complexificação da cultura. Pretende-se refletir sobre o papel criativo ensejado por processos automáticos inteligentes, desempenhados pelos sistemas interativos, entendidos como a possibilidade tecnológica de concretizar, nas máquinas, ações inconscientes complexas, uma espécie de gestualidade maquínica, fruto de um inconsciente maquínico.Universidade Anhambi Murumbi2018-06-12info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://datjournal.anhembi.br/dat/article/view/6910.29147/dat.v3i1.69DAT Journal; Vol. 3 No. 1 (2018): Body/Object/Space: Perceptions and Transductions; 39-48DAT Journal; Vol. 3 Núm. 1 (2018): Cuerpo/Objeto/ Espacio: Percepciones y Transducciones; 39-48DAT Journal; v. 3 n. 1 (2018): Corpo/objeto/espaço: Percepções e Transduções; 39-482526-178910.29147/dat.v3i1reponame:DATJournalinstname:Universidade Anhembi Morumbi (ANHEMBI)instacron:ANHEMBIporhttps://datjournal.anhembi.br/dat/article/view/69/60Fogliano, Fernandoinfo:eu-repo/semantics/openAccess2020-06-09T13:37:55Zoai:ojs.datjournal.anhembi.br:article/69Revistahttps://datjournal.anhembi.br/datPUBhttps://datjournal.anhembi.br/dat/oai||ppgdesign@anhembi.br2526-17892526-1789opendoar:2020-06-09T13:37:55DATJournal - Universidade Anhembi Morumbi (ANHEMBI)false
dc.title.none.fl_str_mv Interactive Art and the Machinic Unconscious
El arte interactivo y el inconsciente maquínico
Arte interativa e o inconsciente maquínico
title Interactive Art and the Machinic Unconscious
spellingShingle Interactive Art and the Machinic Unconscious
Fogliano, Fernando
Arte interativa
Software
Inteligência artificial
Robôs de conversação
Artificial Intelligence
Chat Bots
Interactive Art
Software
title_short Interactive Art and the Machinic Unconscious
title_full Interactive Art and the Machinic Unconscious
title_fullStr Interactive Art and the Machinic Unconscious
title_full_unstemmed Interactive Art and the Machinic Unconscious
title_sort Interactive Art and the Machinic Unconscious
author Fogliano, Fernando
author_facet Fogliano, Fernando
author_role author
dc.contributor.author.fl_str_mv Fogliano, Fernando
dc.subject.por.fl_str_mv Arte interativa
Software
Inteligência artificial
Robôs de conversação
Artificial Intelligence
Chat Bots
Interactive Art
Software
topic Arte interativa
Software
Inteligência artificial
Robôs de conversação
Artificial Intelligence
Chat Bots
Interactive Art
Software
description The history of technology is also the one in which culture allowed the externalization of human potentialities through instruments and machines. The emergence of computers seems to give continuity to that process of the expansion into the environment, or extra somatization of our brains and cognitive abilities. It is interesting in this study to consider that automated systems, based on the use of Artificial Intelligence, especially those used in interactive art works, can be understood as extra somatization of a special aspect of the cognitive processes: the unconscious automatism. Computational languages live at the heart of this process, understood here as part of a phenomenon of cultural complexity. The aim is to reflect on the creative role played by intelligent automatic processes, performed by interactive systems, understood as the technological possibility of realizing, in machines, complex unconscious actions, a kind of machinic gesturality, from a a machinic unconscious.
publishDate 2018
dc.date.none.fl_str_mv 2018-06-12
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://datjournal.anhembi.br/dat/article/view/69
10.29147/dat.v3i1.69
url https://datjournal.anhembi.br/dat/article/view/69
identifier_str_mv 10.29147/dat.v3i1.69
dc.language.iso.fl_str_mv por
language por
dc.relation.none.fl_str_mv https://datjournal.anhembi.br/dat/article/view/69/60
dc.rights.driver.fl_str_mv info:eu-repo/semantics/openAccess
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv Universidade Anhambi Murumbi
publisher.none.fl_str_mv Universidade Anhambi Murumbi
dc.source.none.fl_str_mv DAT Journal; Vol. 3 No. 1 (2018): Body/Object/Space: Perceptions and Transductions; 39-48
DAT Journal; Vol. 3 Núm. 1 (2018): Cuerpo/Objeto/ Espacio: Percepciones y Transducciones; 39-48
DAT Journal; v. 3 n. 1 (2018): Corpo/objeto/espaço: Percepções e Transduções; 39-48
2526-1789
10.29147/dat.v3i1
reponame:DATJournal
instname:Universidade Anhembi Morumbi (ANHEMBI)
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instname_str Universidade Anhembi Morumbi (ANHEMBI)
instacron_str ANHEMBI
institution ANHEMBI
reponame_str DATJournal
collection DATJournal
repository.name.fl_str_mv DATJournal - Universidade Anhembi Morumbi (ANHEMBI)
repository.mail.fl_str_mv ||ppgdesign@anhembi.br
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