Immersiveness and transmedia radiojournalism: A study on narrative strategies in In the Dark

Detalhes bibliográficos
Autor(a) principal: Lopez, Debora Cristina
Data de Publicação: 2022
Outros Autores: Viana, Luana, Avelar, Kamilla
Tipo de documento: Artigo
Idioma: por
Título da fonte: E-Compós
Texto Completo: https://www.e-compos.org.br/e-compos/article/view/2416
Resumo: The purpose of this article is to investigate how the In the Dark podcast is configured in the convergence scenario. The theoretical apparatus is based on the productions of Kischinhevsky (2016), Lopez (2009; 2017) and Martínez-Costa (2015). The descriptive methodology (TRIVIÑOS, 2008) relies on a multiplicity of sources expanding the sample size. The results point to a new media design advancing in the narrative complexification that invests in the immersive character of the production and considers the audience as active subjects.
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spelling Immersiveness and transmedia radiojournalism: A study on narrative strategies in In the DarkInmersividad y radioperiodismo transmedia: Un estudio sobre estrategias narrativas en In the DarkImersividade e radiojornalismo transmídia: Estudo sobre as estratégias narrativas em In the DarkPodcastRádio expandidoRádio transmídiaPodcastRádio expandidaRadio transmediaPodcastExpanded radioTransmedia radioThe purpose of this article is to investigate how the In the Dark podcast is configured in the convergence scenario. The theoretical apparatus is based on the productions of Kischinhevsky (2016), Lopez (2009; 2017) and Martínez-Costa (2015). The descriptive methodology (TRIVIÑOS, 2008) relies on a multiplicity of sources expanding the sample size. The results point to a new media design advancing in the narrative complexification that invests in the immersive character of the production and considers the audience as active subjects.El propósito de este artículo es investigar cómo se configura el podcast In the Dark en el escenario de convergencia. El aparato teórico se basa en las producciones de Kischinhevsky (2016), Lopez (2009; 2017) y Martínez-Costa (2015). La metodología descriptiva (TRIVIÑOS, 2008) se basa en una multiplicidad de fuentes ampliando el tamaño de la muestra. Los resultados apuntan a un nuevo diseño de medios que avanza en la complejización narrativa que invierte en el carácter inmersivo de la producción y considera a la audiencia como sujetos activos.É objetivo deste artigo investigar como se configura o podcast In the Dark no cenário de convergência. O aparato teórico é fundamentado nas produções de Kischinhevsky (2016), Lopez (2009; 2017) e Martínez-Costa (2015). A metodologia descritiva (TRIVIÑOS, 2008) conta com a multiplicidade de fontes, ampliando a dimensão da amostra. Os resultados apontam um novo desenho midiático avançando na complexificação narrativa que investe no caráter imersivo da produção e considera a audiência como sujeitos ativos.ABEC2022-07-07info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://www.e-compos.org.br/e-compos/article/view/241610.30962/ec.2416E-Compós; Vol. 25 (2022): E-Compós 2022E-Compós; Vol. 25 (2022): E-Compós 2022E-Compós; v. 25 (2022): E-Compós 20221808-2599reponame:E-Compósinstname:Associação Nacional dos Programas de Pós-Graduação em Comunicaçãoinstacron:ANPPCporhttps://www.e-compos.org.br/e-compos/article/view/2416/2080Copyright (c) 2021 Debora Cristina Lopez, Luana Viana, Kamilla Avelarhttps://creativecommons.org/licenses/by-nd/4.0info:eu-repo/semantics/openAccess Lopez, Debora CristinaViana, LuanaAvelar, Kamilla2022-12-20T13:14:37Zoai:ojs.www.e-compos.org.br:article/2416Revistahttps://www.e-compos.org.br/e-compos/PUBhttps://www.e-compos.org.br/e-compos/oairevistaecompos@gmail.com1808-25991808-2599opendoar:2022-12-20T13:14:37E-Compós - Associação Nacional dos Programas de Pós-Graduação em Comunicaçãofalse
dc.title.none.fl_str_mv Immersiveness and transmedia radiojournalism: A study on narrative strategies in In the Dark
Inmersividad y radioperiodismo transmedia: Un estudio sobre estrategias narrativas en In the Dark
Imersividade e radiojornalismo transmídia: Estudo sobre as estratégias narrativas em In the Dark
title Immersiveness and transmedia radiojournalism: A study on narrative strategies in In the Dark
spellingShingle Immersiveness and transmedia radiojournalism: A study on narrative strategies in In the Dark
Lopez, Debora Cristina
Podcast
Rádio expandido
Rádio transmídia
Podcast
Rádio expandida
Radio transmedia
Podcast
Expanded radio
Transmedia radio
title_short Immersiveness and transmedia radiojournalism: A study on narrative strategies in In the Dark
title_full Immersiveness and transmedia radiojournalism: A study on narrative strategies in In the Dark
title_fullStr Immersiveness and transmedia radiojournalism: A study on narrative strategies in In the Dark
title_full_unstemmed Immersiveness and transmedia radiojournalism: A study on narrative strategies in In the Dark
title_sort Immersiveness and transmedia radiojournalism: A study on narrative strategies in In the Dark
author Lopez, Debora Cristina
author_facet Lopez, Debora Cristina
Viana, Luana
Avelar, Kamilla
author_role author
author2 Viana, Luana
Avelar, Kamilla
author2_role author
author
dc.contributor.author.fl_str_mv Lopez, Debora Cristina
Viana, Luana
Avelar, Kamilla
dc.subject.por.fl_str_mv Podcast
Rádio expandido
Rádio transmídia
Podcast
Rádio expandida
Radio transmedia
Podcast
Expanded radio
Transmedia radio
topic Podcast
Rádio expandido
Rádio transmídia
Podcast
Rádio expandida
Radio transmedia
Podcast
Expanded radio
Transmedia radio
description The purpose of this article is to investigate how the In the Dark podcast is configured in the convergence scenario. The theoretical apparatus is based on the productions of Kischinhevsky (2016), Lopez (2009; 2017) and Martínez-Costa (2015). The descriptive methodology (TRIVIÑOS, 2008) relies on a multiplicity of sources expanding the sample size. The results point to a new media design advancing in the narrative complexification that invests in the immersive character of the production and considers the audience as active subjects.
publishDate 2022
dc.date.none.fl_str_mv 2022-07-07
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://www.e-compos.org.br/e-compos/article/view/2416
10.30962/ec.2416
url https://www.e-compos.org.br/e-compos/article/view/2416
identifier_str_mv 10.30962/ec.2416
dc.language.iso.fl_str_mv por
language por
dc.relation.none.fl_str_mv https://www.e-compos.org.br/e-compos/article/view/2416/2080
dc.rights.driver.fl_str_mv Copyright (c) 2021 Debora Cristina Lopez, Luana Viana, Kamilla Avelar
https://creativecommons.org/licenses/by-nd/4.0
info:eu-repo/semantics/openAccess
rights_invalid_str_mv Copyright (c) 2021 Debora Cristina Lopez, Luana Viana, Kamilla Avelar
https://creativecommons.org/licenses/by-nd/4.0
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv ABEC
publisher.none.fl_str_mv ABEC
dc.source.none.fl_str_mv E-Compós; Vol. 25 (2022): E-Compós 2022
E-Compós; Vol. 25 (2022): E-Compós 2022
E-Compós; v. 25 (2022): E-Compós 2022
1808-2599
reponame:E-Compós
instname:Associação Nacional dos Programas de Pós-Graduação em Comunicação
instacron:ANPPC
instname_str Associação Nacional dos Programas de Pós-Graduação em Comunicação
instacron_str ANPPC
institution ANPPC
reponame_str E-Compós
collection E-Compós
repository.name.fl_str_mv E-Compós - Associação Nacional dos Programas de Pós-Graduação em Comunicação
repository.mail.fl_str_mv revistaecompos@gmail.com
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