Circuits of subjectivity: oral history and the art object

Detalhes bibliográficos
Autor(a) principal: Smith, Richard Cándida
Data de Publicação: 2002
Tipo de documento: Artigo
Idioma: por
Título da fonte: Estudos Históricos (Rio de Janeiro)
Texto Completo: https://periodicos.fgv.br/reh/article/view/2175
Resumo: This essays discusses the relation of words to a circuit of meaning that includes actions and objects. My thinking is shaped by the special problems of doing oral history on professionalized cultural movements. I begin with a model that places expressive forms within a circuit of communication that circulates through diverse locations. I then consider the limitations imposed upon oral history by its focus on the oral narrative as the clearest expression of the subject. I conclude with a utopian proposal for decentering the collection of narratives as the principal activity of oral history work.
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spelling Circuits of subjectivity: oral history and the art objectCircuitos de subjetividade: história oral e o objeto de arteThis essays discusses the relation of words to a circuit of meaning that includes actions and objects. My thinking is shaped by the special problems of doing oral history on professionalized cultural movements. I begin with a model that places expressive forms within a circuit of communication that circulates through diverse locations. I then consider the limitations imposed upon oral history by its focus on the oral narrative as the clearest expression of the subject. I conclude with a utopian proposal for decentering the collection of narratives as the principal activity of oral history work.Este ensaio discute a relação das palavras com um circuito de significados que compreende ações e objetos. Meu pensamento é conformado pelos problemas especiais do fazer história oral sobre movimentos culturais profissionalizados. Inicio com um modelo que insere as formas expressivas em um circuito de comunicação que passa por diversos locais. Em seguida, pondero as limitações impostas à história oral por seu enfoque nas narrativas verbais, que ela considera a mais clara expressão de um assunto. Concluo com uma proposta utópica para descentralizarmos a coleta de narrativas como a principal atividade do trabalho de história oral.Editora FGV2002-05-31info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://periodicos.fgv.br/reh/article/view/2175Revista Estudos Históricos; Vol. 2 No. 30 (2002): Art and History; 76-90Revista Estudos Históricos; v. 2 n. 30 (2002): Arte e História; 76-902178-14940103-2186reponame:Estudos Históricos (Rio de Janeiro)instname:Fundação Getulio Vargas (FGV)instacron:FGVporhttps://periodicos.fgv.br/reh/article/view/2175/1314Smith, Richard Cándidainfo:eu-repo/semantics/openAccess2017-06-14T21:00:08Zoai:ojs.periodicos.fgv.br:article/2175Revistahttps://periodicos.fgv.br/rehONGhttps://periodicos.fgv.br/reh/oai||biblioteca.digital@fgv.br||eh@fgv.br2178-14940103-2186opendoar:2024-03-06T13:01:40.335711Estudos Históricos (Rio de Janeiro) - Fundação Getulio Vargas (FGV)true
dc.title.none.fl_str_mv Circuits of subjectivity: oral history and the art object
Circuitos de subjetividade: história oral e o objeto de arte
title Circuits of subjectivity: oral history and the art object
spellingShingle Circuits of subjectivity: oral history and the art object
Smith, Richard Cándida
title_short Circuits of subjectivity: oral history and the art object
title_full Circuits of subjectivity: oral history and the art object
title_fullStr Circuits of subjectivity: oral history and the art object
title_full_unstemmed Circuits of subjectivity: oral history and the art object
title_sort Circuits of subjectivity: oral history and the art object
author Smith, Richard Cándida
author_facet Smith, Richard Cándida
author_role author
dc.contributor.author.fl_str_mv Smith, Richard Cándida
description This essays discusses the relation of words to a circuit of meaning that includes actions and objects. My thinking is shaped by the special problems of doing oral history on professionalized cultural movements. I begin with a model that places expressive forms within a circuit of communication that circulates through diverse locations. I then consider the limitations imposed upon oral history by its focus on the oral narrative as the clearest expression of the subject. I conclude with a utopian proposal for decentering the collection of narratives as the principal activity of oral history work.
publishDate 2002
dc.date.none.fl_str_mv 2002-05-31
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://periodicos.fgv.br/reh/article/view/2175
url https://periodicos.fgv.br/reh/article/view/2175
dc.language.iso.fl_str_mv por
language por
dc.relation.none.fl_str_mv https://periodicos.fgv.br/reh/article/view/2175/1314
dc.rights.driver.fl_str_mv info:eu-repo/semantics/openAccess
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv Editora FGV
publisher.none.fl_str_mv Editora FGV
dc.source.none.fl_str_mv Revista Estudos Históricos; Vol. 2 No. 30 (2002): Art and History; 76-90
Revista Estudos Históricos; v. 2 n. 30 (2002): Arte e História; 76-90
2178-1494
0103-2186
reponame:Estudos Históricos (Rio de Janeiro)
instname:Fundação Getulio Vargas (FGV)
instacron:FGV
instname_str Fundação Getulio Vargas (FGV)
instacron_str FGV
institution FGV
reponame_str Estudos Históricos (Rio de Janeiro)
collection Estudos Históricos (Rio de Janeiro)
repository.name.fl_str_mv Estudos Históricos (Rio de Janeiro) - Fundação Getulio Vargas (FGV)
repository.mail.fl_str_mv ||biblioteca.digital@fgv.br||eh@fgv.br
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