Circuits of subjectivity: oral history and the art object
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Data de Publicação: | 2002 |
Tipo de documento: | Artigo |
Idioma: | por |
Título da fonte: | Estudos Históricos (Rio de Janeiro) |
Texto Completo: | https://periodicos.fgv.br/reh/article/view/2175 |
Resumo: | This essays discusses the relation of words to a circuit of meaning that includes actions and objects. My thinking is shaped by the special problems of doing oral history on professionalized cultural movements. I begin with a model that places expressive forms within a circuit of communication that circulates through diverse locations. I then consider the limitations imposed upon oral history by its focus on the oral narrative as the clearest expression of the subject. I conclude with a utopian proposal for decentering the collection of narratives as the principal activity of oral history work. |
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Estudos Históricos (Rio de Janeiro) |
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Circuits of subjectivity: oral history and the art objectCircuitos de subjetividade: história oral e o objeto de arteThis essays discusses the relation of words to a circuit of meaning that includes actions and objects. My thinking is shaped by the special problems of doing oral history on professionalized cultural movements. I begin with a model that places expressive forms within a circuit of communication that circulates through diverse locations. I then consider the limitations imposed upon oral history by its focus on the oral narrative as the clearest expression of the subject. I conclude with a utopian proposal for decentering the collection of narratives as the principal activity of oral history work.Este ensaio discute a relação das palavras com um circuito de significados que compreende ações e objetos. Meu pensamento é conformado pelos problemas especiais do fazer história oral sobre movimentos culturais profissionalizados. Inicio com um modelo que insere as formas expressivas em um circuito de comunicação que passa por diversos locais. Em seguida, pondero as limitações impostas à história oral por seu enfoque nas narrativas verbais, que ela considera a mais clara expressão de um assunto. Concluo com uma proposta utópica para descentralizarmos a coleta de narrativas como a principal atividade do trabalho de história oral.Editora FGV2002-05-31info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://periodicos.fgv.br/reh/article/view/2175Revista Estudos Históricos; Vol. 2 No. 30 (2002): Art and History; 76-90Revista Estudos Históricos; v. 2 n. 30 (2002): Arte e História; 76-902178-14940103-2186reponame:Estudos Históricos (Rio de Janeiro)instname:Fundação Getulio Vargas (FGV)instacron:FGVporhttps://periodicos.fgv.br/reh/article/view/2175/1314Smith, Richard Cándidainfo:eu-repo/semantics/openAccess2017-06-14T21:00:08Zoai:ojs.periodicos.fgv.br:article/2175Revistahttps://periodicos.fgv.br/rehONGhttps://periodicos.fgv.br/reh/oai||biblioteca.digital@fgv.br||eh@fgv.br2178-14940103-2186opendoar:2024-03-06T13:01:40.335711Estudos Históricos (Rio de Janeiro) - Fundação Getulio Vargas (FGV)true |
dc.title.none.fl_str_mv |
Circuits of subjectivity: oral history and the art object Circuitos de subjetividade: história oral e o objeto de arte |
title |
Circuits of subjectivity: oral history and the art object |
spellingShingle |
Circuits of subjectivity: oral history and the art object Smith, Richard Cándida |
title_short |
Circuits of subjectivity: oral history and the art object |
title_full |
Circuits of subjectivity: oral history and the art object |
title_fullStr |
Circuits of subjectivity: oral history and the art object |
title_full_unstemmed |
Circuits of subjectivity: oral history and the art object |
title_sort |
Circuits of subjectivity: oral history and the art object |
author |
Smith, Richard Cándida |
author_facet |
Smith, Richard Cándida |
author_role |
author |
dc.contributor.author.fl_str_mv |
Smith, Richard Cándida |
description |
This essays discusses the relation of words to a circuit of meaning that includes actions and objects. My thinking is shaped by the special problems of doing oral history on professionalized cultural movements. I begin with a model that places expressive forms within a circuit of communication that circulates through diverse locations. I then consider the limitations imposed upon oral history by its focus on the oral narrative as the clearest expression of the subject. I conclude with a utopian proposal for decentering the collection of narratives as the principal activity of oral history work. |
publishDate |
2002 |
dc.date.none.fl_str_mv |
2002-05-31 |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion |
format |
article |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
https://periodicos.fgv.br/reh/article/view/2175 |
url |
https://periodicos.fgv.br/reh/article/view/2175 |
dc.language.iso.fl_str_mv |
por |
language |
por |
dc.relation.none.fl_str_mv |
https://periodicos.fgv.br/reh/article/view/2175/1314 |
dc.rights.driver.fl_str_mv |
info:eu-repo/semantics/openAccess |
eu_rights_str_mv |
openAccess |
dc.format.none.fl_str_mv |
application/pdf |
dc.publisher.none.fl_str_mv |
Editora FGV |
publisher.none.fl_str_mv |
Editora FGV |
dc.source.none.fl_str_mv |
Revista Estudos Históricos; Vol. 2 No. 30 (2002): Art and History; 76-90 Revista Estudos Históricos; v. 2 n. 30 (2002): Arte e História; 76-90 2178-1494 0103-2186 reponame:Estudos Históricos (Rio de Janeiro) instname:Fundação Getulio Vargas (FGV) instacron:FGV |
instname_str |
Fundação Getulio Vargas (FGV) |
instacron_str |
FGV |
institution |
FGV |
reponame_str |
Estudos Históricos (Rio de Janeiro) |
collection |
Estudos Históricos (Rio de Janeiro) |
repository.name.fl_str_mv |
Estudos Históricos (Rio de Janeiro) - Fundação Getulio Vargas (FGV) |
repository.mail.fl_str_mv |
||biblioteca.digital@fgv.br||eh@fgv.br |
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1798942525491249152 |