Ambivalências poéticas nas canções de Belchior – a ida e o regresso
| Autor(a) principal: | |
|---|---|
| Data de Publicação: | 2019 |
| Tipo de documento: | Capítulo de livro |
| Idioma: | por |
| Título da fonte: | Repositório Comum do Brasil - Deposita |
| Texto Completo: | https://deposita.ibict.br/handle/deposita/76 |
Resumo: | Music is an inherent artistic entity of humanity and brings with it cultural and political values that reverberate the intentionalities in the artistic craft of composition and interpretation, passing through the sonority, the human intellectuality as “a crooked song” that “cuts the flesh” and enters within the individual, who in turn reacts with a plurality of feelings arising from the reproduction of the poetic-melodic work. Such a process can then act as a revolutionary and transformative mechanism of a whole social imaginary of several generations from the message of the song and how it is passed, making the daily life musical. It is about this capacity to transform symbolic aspects of reality into music that we will discuss the poetic-musical productions of the Sobralense artist Antonio Carlos Belchior, where he presents himself in the lines and lines of his work as a melopoetic subject 3, in the compositions describing the adventures of trying opportunity in another region, reacting with bewilderment when faced with “the new”, as well as the nostalgia of an outcast individual who longs for the return. |
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Nascimento, Francisco Sávio Barbosa do2019-10-21T16:47:35Z2019NASCIMENTO, Francisco Sávio Barbosa do. Ambivalências poéticas nas canções de Belchior – a ida e o regresso. In: SANTOS, Carlos Augusto Pereira dos (Org.). Nossa gente, nossa história: o Ceará Republicano. Sobral: Sertãocult; Edições UVA, 2019. p. 233-244. Doi: 10.35260/67960258-p.233-244-2019.10.35260/67960258-p.233-244-2019978-85-67960-25-8https://deposita.ibict.br/handle/deposita/76Music is an inherent artistic entity of humanity and brings with it cultural and political values that reverberate the intentionalities in the artistic craft of composition and interpretation, passing through the sonority, the human intellectuality as “a crooked song” that “cuts the flesh” and enters within the individual, who in turn reacts with a plurality of feelings arising from the reproduction of the poetic-melodic work. Such a process can then act as a revolutionary and transformative mechanism of a whole social imaginary of several generations from the message of the song and how it is passed, making the daily life musical. It is about this capacity to transform symbolic aspects of reality into music that we will discuss the poetic-musical productions of the Sobralense artist Antonio Carlos Belchior, where he presents himself in the lines and lines of his work as a melopoetic subject 3, in the compositions describing the adventures of trying opportunity in another region, reacting with bewilderment when faced with “the new”, as well as the nostalgia of an outcast individual who longs for the return.La música es una entidad artística inherente de la humanidad y trae consigo valores culturales y políticos que reverberan las intencionalidades en el arte artístico de la composición e interpretación, pasando por la sonoridad, la intelectualidad humana como "una canción torcida" que "corta la carne" y entra dentro del individuo, que a su vez reacciona con una pluralidad de sentimientos derivados de la reproducción de la obra poético-melódica. Tal proceso puede actuar como un mecanismo revolucionario y transformador de todo un imaginario social de varias generaciones a partir del mensaje de la canción y cómo se transmite, haciendo musical la vida cotidiana. Es sobre esta capacidad de transformar aspectos simbólicos de la realidad en música que discutiremos las producciones poético-musicales del artista sobralense Antonio Carlos Belchior, donde se presenta en las líneas y líneas de su trabajo como un sujeto melopoético 3, en las composiciones que describen las aventuras de probar oportunidades en otra región, que reacciona con desconcierto frente a "lo nuevo", así como la nostalgia de un individuo marginado que anhela el regreso.A música é um ente artístico inerente da humanidade e traz consigo valores culturais e políticos que reverberam as intencionalidades no ofício artístico de composição e interpretação, perpassando então pela sonoridade, a intelectualidade humana como “um canto torto” que “corta a carne” e adentra no íntimo do indivíduo, que por sua vez reage com uma pluralidade de sentimentos decorrentes da reprodução da obra poético-melódica. Tal processo pode então atuar como mecanismo revolucionário e transformador de todo um imaginário social de várias gerações a partir da mensagem da canção e de como é passada, musicalizando o cotidiano. É sobre essa capacidade de transformar em música aspectos simbólicos da realidade que discutiremos as produções poético-musicais do artista sobralense Antônio Carlos Belchior, onde se apresenta nas linhas e entrelinhas de sua obra como sujeito melopoético 3 , nas composições descrevendo as aventuras de tentar oportunidade em outra região, se reagindo com perplexidade ao se deparar com “o novo”, como também o saudosismo de um indivíduo desterrado que anseia o regresso.Submitted by Sertaocult Editora (sertaocult@gmail.com) on 2019-09-12T23:08:38Z No. of bitstreams: 2 license_rdf: 0 bytes, checksum: d41d8cd98f00b204e9800998ecf8427e (MD5) 19 Nossa gente Doi 10.35260 67960258 p. 233-244 2019.pdf: 3020945 bytes, checksum: 616ce2125cccdb0fc5de6ccfb1f4c302 (MD5)Approved for entry into archive by Lucas Paganine (lucaspaganine@ibict.br) on 2019-10-21T16:47:35Z (GMT) No. of bitstreams: 2 license_rdf: 0 bytes, checksum: d41d8cd98f00b204e9800998ecf8427e (MD5) 19 Nossa gente Doi 10.35260 67960258 p. 233-244 2019.pdf: 3020945 bytes, checksum: 616ce2125cccdb0fc5de6ccfb1f4c302 (MD5)Made available in DSpace on 2019-10-21T16:47:35Z (GMT). No. of bitstreams: 2 license_rdf: 0 bytes, checksum: d41d8cd98f00b204e9800998ecf8427e (MD5) 19 Nossa gente Doi 10.35260 67960258 p. 233-244 2019.pdf: 3020945 bytes, checksum: 616ce2125cccdb0fc5de6ccfb1f4c302 (MD5) Previous issue date: 2019application/pdfhttp://deposita.ibict.br/retrieve/994/19%20Nossa%20gente%20Doi%2010.35260%2067960258%20p.%20233-244%202019.pdf.jpgporEditora SertãoCultBrasilhttp://creativecommons.org/licenses/by-nc-nd/4.0/info:eu-repo/semantics/openAccessHistóriaEducaçãoCulturaCulturaEducación.HistoryEducationCultureHistoriaHistória do BrasilAmbivalências poéticas nas canções de Belchior – a ida e o regressoPoetic ambivalences in Belchior's songs - the return tripAmbivalencias poéticas en las canciones de Belchior: el viaje de regresoinfo:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/bookPart233244reponame:Repositório Comum do Brasil - Depositainstname:Instituto Brasileiro de Informação em Ciência e Tecnologia (IBICT)instacron:IBICTTHUMBNAIL19 Nossa gente Doi 10.35260 67960258 p. 233-244 2019.pdf.jpg19 Nossa gente Doi 10.35260 67960258 p. 233-244 2019.pdf.jpgimage/jpeg5754https://deposita.ibict.br/bitstream/deposita/76/7/19+Nossa+gente+Doi+10.35260+67960258+p.+233-244+2019.pdf.jpg555d1d58656b917b6ceccb6907e5dfa8MD57TEXT19 Nossa gente Doi 10.35260 67960258 p. 233-244 2019.pdf.txt19 Nossa gente Doi 10.35260 67960258 p. 233-244 2019.pdf.txttext/plain45115https://deposita.ibict.br/bitstream/deposita/76/6/19+Nossa+gente+Doi+10.35260+67960258+p.+233-244+2019.pdf.txta76283cf6394980f53c61ee5b41698aeMD56ORIGINAL19 Nossa gente Doi 10.35260 67960258 p. 233-244 2019.pdf19 Nossa gente Doi 10.35260 67960258 p. 233-244 2019.pdfapplication/pdf3020945https://deposita.ibict.br/bitstream/deposita/76/5/19+Nossa+gente+Doi+10.35260+67960258+p.+233-244+2019.pdf616ce2125cccdb0fc5de6ccfb1f4c302MD55CC-LICENSElicense_urllicense_urltext/plain; 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| dc.title.por.fl_str_mv |
Ambivalências poéticas nas canções de Belchior – a ida e o regresso |
| dc.title.alternative.eng.fl_str_mv |
Poetic ambivalences in Belchior's songs - the return trip |
| dc.title.alternative.spa.fl_str_mv |
Ambivalencias poéticas en las canciones de Belchior: el viaje de regreso |
| title |
Ambivalências poéticas nas canções de Belchior – a ida e o regresso |
| spellingShingle |
Ambivalências poéticas nas canções de Belchior – a ida e o regresso Nascimento, Francisco Sávio Barbosa do História Educação Cultura Cultura Educación. History Education Culture Historia História do Brasil |
| title_short |
Ambivalências poéticas nas canções de Belchior – a ida e o regresso |
| title_full |
Ambivalências poéticas nas canções de Belchior – a ida e o regresso |
| title_fullStr |
Ambivalências poéticas nas canções de Belchior – a ida e o regresso |
| title_full_unstemmed |
Ambivalências poéticas nas canções de Belchior – a ida e o regresso |
| title_sort |
Ambivalências poéticas nas canções de Belchior – a ida e o regresso |
| author |
Nascimento, Francisco Sávio Barbosa do |
| author_facet |
Nascimento, Francisco Sávio Barbosa do |
| author_role |
author |
| dc.contributor.author.fl_str_mv |
Nascimento, Francisco Sávio Barbosa do |
| dc.subject.por.fl_str_mv |
História Educação Cultura Cultura Educación. |
| topic |
História Educação Cultura Cultura Educación. History Education Culture Historia História do Brasil |
| dc.subject.eng.fl_str_mv |
History Education Culture |
| dc.subject.spa.fl_str_mv |
Historia |
| dc.subject.cnpq.fl_str_mv |
História do Brasil |
| description |
Music is an inherent artistic entity of humanity and brings with it cultural and political values that reverberate the intentionalities in the artistic craft of composition and interpretation, passing through the sonority, the human intellectuality as “a crooked song” that “cuts the flesh” and enters within the individual, who in turn reacts with a plurality of feelings arising from the reproduction of the poetic-melodic work. Such a process can then act as a revolutionary and transformative mechanism of a whole social imaginary of several generations from the message of the song and how it is passed, making the daily life musical. It is about this capacity to transform symbolic aspects of reality into music that we will discuss the poetic-musical productions of the Sobralense artist Antonio Carlos Belchior, where he presents himself in the lines and lines of his work as a melopoetic subject 3, in the compositions describing the adventures of trying opportunity in another region, reacting with bewilderment when faced with “the new”, as well as the nostalgia of an outcast individual who longs for the return. |
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2019 |
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2019-10-21T16:47:35Z |
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2019 |
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NASCIMENTO, Francisco Sávio Barbosa do. Ambivalências poéticas nas canções de Belchior – a ida e o regresso. In: SANTOS, Carlos Augusto Pereira dos (Org.). Nossa gente, nossa história: o Ceará Republicano. Sobral: Sertãocult; Edições UVA, 2019. p. 233-244. Doi: 10.35260/67960258-p.233-244-2019. |
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978-85-67960-25-8 |
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NASCIMENTO, Francisco Sávio Barbosa do. Ambivalências poéticas nas canções de Belchior – a ida e o regresso. In: SANTOS, Carlos Augusto Pereira dos (Org.). Nossa gente, nossa história: o Ceará Republicano. Sobral: Sertãocult; Edições UVA, 2019. p. 233-244. Doi: 10.35260/67960258-p.233-244-2019. 10.35260/67960258-p.233-244-2019 978-85-67960-25-8 |
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