Notes on hate speech and censorship in the theater play The girl and her boy’s shadow

Detalhes bibliográficos
Autor(a) principal: Sapelli, Carlos
Data de Publicação: 2021
Outros Autores: Ramos, Francieli Loureiro
Tipo de documento: Artigo
Idioma: por
Título da fonte: Psicologia Revista (Online)
Texto Completo: https://revistas.pucsp.br/index.php/psicorevista/article/view/50864
Resumo: This article aims to discuss the presence of hate speech and censorship in the theatre play The girl and her boy’s shadow during its presentation in the city of Campos Novos, state of Santa Catarina, Brazil, from the psychoanalytic assumptions of Freud, Lacan, and his contemporaries. The play presents the story of a girl who uses games to compose her world and her subjective life, however, since there is a diversity in the field of children’s play, the protagonist is intrigued by such variety and its uses in the peculiar time of the psychic constitution. Therefore, the encounter with the prejudiced delimitation was inevitable, in which reigns a way of conceiving the games considered appropriate for girls and in the same way, those that are considered appropriate for boys. This becomes aggravating and astonishing because part of the population of the mentioned city of Santa Catarina manifests disinformation with virtual attacks of hate and reprimands following their political and religious beliefs in relation to the play. In this study, we point out the dialogue around art in culture and its resonances in childhood to demonstrate that children are constituted as subjects by the singularity of their fantasies and desires.
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spelling Notes on hate speech and censorship in the theater play The girl and her boy’s shadowNotas sobre el discurso de odio y la censura en la obra de teatro La niña y su sombra de niñoNotas sobre o discurso de ódio e a censura na peça de teatro A menina e sua sombra de meninoÓdiocensurateatropsicanáliseculturahatecensorshiptheaterpsychoanalysiscultureodiocensurateatropsicoanálisisculturaThis article aims to discuss the presence of hate speech and censorship in the theatre play The girl and her boy’s shadow during its presentation in the city of Campos Novos, state of Santa Catarina, Brazil, from the psychoanalytic assumptions of Freud, Lacan, and his contemporaries. The play presents the story of a girl who uses games to compose her world and her subjective life, however, since there is a diversity in the field of children’s play, the protagonist is intrigued by such variety and its uses in the peculiar time of the psychic constitution. Therefore, the encounter with the prejudiced delimitation was inevitable, in which reigns a way of conceiving the games considered appropriate for girls and in the same way, those that are considered appropriate for boys. This becomes aggravating and astonishing because part of the population of the mentioned city of Santa Catarina manifests disinformation with virtual attacks of hate and reprimands following their political and religious beliefs in relation to the play. In this study, we point out the dialogue around art in culture and its resonances in childhood to demonstrate that children are constituted as subjects by the singularity of their fantasies and desires.Este artículo tiene como objetivo discutir la presencia de discursos de odio y censura en la obra de teatro La niña y su sombra de niño durante el paso de su presentación por la ciudad de de Campos Novos, estado de Santa Catarina, Brasil, a partir de presupuestos psicoanalíticos de Freud a Lacan y sus contemporáneos. El espectáculo presenta la historia de una niña que usa los juegos para componer su mundo y su vida subjetiva, sin embargo, como hay una diversidad en el campo del juego infantil, la protagonista se intriga por semejante variedad y sus usos en el tiempo peculiar de la constitución psíquica. Así, fue inevitable el encuentro con la delimitación prejuiciosa, en la que impera una manera de concebir los juegos que se consideran adecuados para las niñas y, del mismo modo, aquellos que se consideran apropiados para los niños. Esto se vuelve agravante y espantoso en la medida en que parte de la población del mencionado municipio catarinense manifiesta desinformación con ataques virtuales odiosos y reprimendas a través de sus creencias políticas y religiosas con respecto a la obra. En este estudio, apuntamos el diálogo en torno al arte en la cultura y sus resonancias en la infancia para demostrar que los niños se constituyen como sujetos por la singularidad de sus fantasías y deseos.Este artigo objetiva discutir a presença do discurso de ódio e da censura na peça de teatro A menina e sua sombra de menino durante a passagem de sua apresentação pela cidade de Campos Novos/SC, a partir dos pressupostos psicanalíticos de Freud, Lacan e seus contemporâneos. O espetáculo apresenta a história de uma menina que utiliza as brincadeiras para compor o seu mundo e a sua vida subjetiva. No entanto, como há uma diversidade no campo do brincar das crianças, a protagonista se intriga com tamanha variedade e seus usos no tempo peculiar da constituição psíquica. Assim, inevitável foi o encontro com a delimitação preconceituosa na qual impera uma maneira de conceber as brincadeiras consideradas apropriadas às meninas, e, do mesmo modo, as que são apontadas como adequadas aos meninos. Isso torna-se agravante e espantoso na medida em que uma parte da população do mencionado município catarinense manifesta desinformação com ataques virtuais odientos e reprimendas por meio de suas crenças políticas e religiosas com relação à peça. Nesse estudo, apontamos o diálogo em torno da arte na cultura e suas ressonâncias na infância para demonstrar que as crianças se constituem enquanto sujeitos pela singularidade de suas fantasias e de seus desejos.Pontifícia Universidade Católica de São Paulo - Faculdade de Ciências Humanas e da Saúde2021-12-17info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://revistas.pucsp.br/index.php/psicorevista/article/view/5086410.23925/2594-3871.2021v30i2p309-331Psicologia Revista; v. 30 n. 2 (2021); 309-3312594-38711413-406310.23925/2594-3871.2021_v30i2reponame:Psicologia Revista (Online)instname:Pontifícia Universidade Católica de São Paulo (PUC-SP)instacron:PUC_SPporhttps://revistas.pucsp.br/index.php/psicorevista/article/view/50864/38254Copyright (c) 2021 Carlos Sapelli, Francieli Loureiro Ramoshttps://creativecommons.org/licenses/by/4.0info:eu-repo/semantics/openAccessSapelli, CarlosRamos, Francieli Loureiro2021-12-17T13:25:01Zoai:ojs.pkp.sfu.ca:article/50864Revistahttps://revistas.pucsp.br/psicorevistaPRIhttps://revistas.pucsp.br/psicorevista/oaipsicorevista@pucsp.br2594-38711413-4063opendoar:2021-12-17T13:25:01Psicologia Revista (Online) - Pontifícia Universidade Católica de São Paulo (PUC-SP)false
dc.title.none.fl_str_mv Notes on hate speech and censorship in the theater play The girl and her boy’s shadow
Notas sobre el discurso de odio y la censura en la obra de teatro La niña y su sombra de niño
Notas sobre o discurso de ódio e a censura na peça de teatro A menina e sua sombra de menino
title Notes on hate speech and censorship in the theater play The girl and her boy’s shadow
spellingShingle Notes on hate speech and censorship in the theater play The girl and her boy’s shadow
Sapelli, Carlos
Ódio
censura
teatro
psicanálise
cultura
hate
censorship
theater
psychoanalysis
culture
odio
censura
teatro
psicoanálisis
cultura
title_short Notes on hate speech and censorship in the theater play The girl and her boy’s shadow
title_full Notes on hate speech and censorship in the theater play The girl and her boy’s shadow
title_fullStr Notes on hate speech and censorship in the theater play The girl and her boy’s shadow
title_full_unstemmed Notes on hate speech and censorship in the theater play The girl and her boy’s shadow
title_sort Notes on hate speech and censorship in the theater play The girl and her boy’s shadow
author Sapelli, Carlos
author_facet Sapelli, Carlos
Ramos, Francieli Loureiro
author_role author
author2 Ramos, Francieli Loureiro
author2_role author
dc.contributor.author.fl_str_mv Sapelli, Carlos
Ramos, Francieli Loureiro
dc.subject.por.fl_str_mv Ódio
censura
teatro
psicanálise
cultura
hate
censorship
theater
psychoanalysis
culture
odio
censura
teatro
psicoanálisis
cultura
topic Ódio
censura
teatro
psicanálise
cultura
hate
censorship
theater
psychoanalysis
culture
odio
censura
teatro
psicoanálisis
cultura
description This article aims to discuss the presence of hate speech and censorship in the theatre play The girl and her boy’s shadow during its presentation in the city of Campos Novos, state of Santa Catarina, Brazil, from the psychoanalytic assumptions of Freud, Lacan, and his contemporaries. The play presents the story of a girl who uses games to compose her world and her subjective life, however, since there is a diversity in the field of children’s play, the protagonist is intrigued by such variety and its uses in the peculiar time of the psychic constitution. Therefore, the encounter with the prejudiced delimitation was inevitable, in which reigns a way of conceiving the games considered appropriate for girls and in the same way, those that are considered appropriate for boys. This becomes aggravating and astonishing because part of the population of the mentioned city of Santa Catarina manifests disinformation with virtual attacks of hate and reprimands following their political and religious beliefs in relation to the play. In this study, we point out the dialogue around art in culture and its resonances in childhood to demonstrate that children are constituted as subjects by the singularity of their fantasies and desires.
publishDate 2021
dc.date.none.fl_str_mv 2021-12-17
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://revistas.pucsp.br/index.php/psicorevista/article/view/50864
10.23925/2594-3871.2021v30i2p309-331
url https://revistas.pucsp.br/index.php/psicorevista/article/view/50864
identifier_str_mv 10.23925/2594-3871.2021v30i2p309-331
dc.language.iso.fl_str_mv por
language por
dc.relation.none.fl_str_mv https://revistas.pucsp.br/index.php/psicorevista/article/view/50864/38254
dc.rights.driver.fl_str_mv Copyright (c) 2021 Carlos Sapelli, Francieli Loureiro Ramos
https://creativecommons.org/licenses/by/4.0
info:eu-repo/semantics/openAccess
rights_invalid_str_mv Copyright (c) 2021 Carlos Sapelli, Francieli Loureiro Ramos
https://creativecommons.org/licenses/by/4.0
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv Pontifícia Universidade Católica de São Paulo - Faculdade de Ciências Humanas e da Saúde
publisher.none.fl_str_mv Pontifícia Universidade Católica de São Paulo - Faculdade de Ciências Humanas e da Saúde
dc.source.none.fl_str_mv Psicologia Revista; v. 30 n. 2 (2021); 309-331
2594-3871
1413-4063
10.23925/2594-3871.2021_v30i2
reponame:Psicologia Revista (Online)
instname:Pontifícia Universidade Católica de São Paulo (PUC-SP)
instacron:PUC_SP
instname_str Pontifícia Universidade Católica de São Paulo (PUC-SP)
instacron_str PUC_SP
institution PUC_SP
reponame_str Psicologia Revista (Online)
collection Psicologia Revista (Online)
repository.name.fl_str_mv Psicologia Revista (Online) - Pontifícia Universidade Católica de São Paulo (PUC-SP)
repository.mail.fl_str_mv psicorevista@pucsp.br
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