A natureza artificial do teatro: Diderot e os paradoxos
Autor(a) principal: | |
---|---|
Data de Publicação: | 2016 |
Tipo de documento: | Dissertação |
Idioma: | por |
Título da fonte: | Biblioteca Digital de Teses e Dissertações da PUC_SP |
Texto Completo: | https://tede2.pucsp.br/handle/handle/19437 |
Resumo: | The purpose of this dissertation is to present the importance of the theatre according to Denis Diderot point of view. Thus, based on his thoughts, try to understand the purposes of which, the philosopher will demonstrate from the representative act, in France during the 18th century. Diderot suggests an improvement in the way of making theatre, as well as in its own theatrical representations. The philosopher will determine a theory for the actors to improve their performances. The performances should be based on nature observation, aiming to be studied and represented with pure rationality. In this regard, he gives emphasis to artificiality in disadvantage of nature to create perfection in a scene. In Diderot’s point of view, the theatre should be and do the job of remove society’s addictions and make people work on their virtue. In addition, theater plays should approach people’s busy lives and through that he suggests and introduces a new genre called drama and it is a genre that can be classified as intermediate, being in between tragedy and comedy |
id |
PUC_SP-1_618a9fcd667a9eb00d53e1cacb00fc83 |
---|---|
oai_identifier_str |
oai:repositorio.pucsp.br:handle/19437 |
network_acronym_str |
PUC_SP-1 |
network_name_str |
Biblioteca Digital de Teses e Dissertações da PUC_SP |
repository_id_str |
|
spelling |
Pissarra, Maria Constança Pereshttp://buscatextual.cnpq.br/buscatextual/visualizacv.do?id=K4201639E8Araujo, Carolina Ribeiro Paraíso2016-11-30T11:40:08Z2016-09-22Araujo, Carolina Ribeiro Paraíso. A natureza artificial do teatro: Diderot e os paradoxos. 2016. 92 f. Dissertação (Mestrado em Filosofia) - Programa de Estudos Pós-Graduados em Filosofia, Pontifícia Universidade Católica de São Paulo, São Paulo, 2016.https://tede2.pucsp.br/handle/handle/19437The purpose of this dissertation is to present the importance of the theatre according to Denis Diderot point of view. Thus, based on his thoughts, try to understand the purposes of which, the philosopher will demonstrate from the representative act, in France during the 18th century. Diderot suggests an improvement in the way of making theatre, as well as in its own theatrical representations. The philosopher will determine a theory for the actors to improve their performances. The performances should be based on nature observation, aiming to be studied and represented with pure rationality. In this regard, he gives emphasis to artificiality in disadvantage of nature to create perfection in a scene. In Diderot’s point of view, the theatre should be and do the job of remove society’s addictions and make people work on their virtue. In addition, theater plays should approach people’s busy lives and through that he suggests and introduces a new genre called drama and it is a genre that can be classified as intermediate, being in between tragedy and comedyA presente dissertação tem como intuito analisar a importância do teatro no pensamento de Denis Diderot. Portanto, buscamos como isso entender os propósitos, aos quais o filósofo evidenciará a partir do ato representativo na França do século XVIII. Diderot, não só propõe uma reforma no modo de fazer teatro como também nas próprias representações teatrais. O filósofo irá formalizar uma teoria para que os atores pudessem aprimorar suas atuações. Estas devem ser pautadas na observação da natureza, com a finalidade de serem estudadas e representadas com a mais pura racionalidade. Neste sentido, o enciclopedista enfatiza a artificialidade em detrimento da natureza para existir a primazia em cena. O teatro para Diderot deveria ser e fazer o papel de expurgar os vícios da sociedade, fazendo com que os indivíduos aprimorassem a virtude. Além do mais as peças teatrais deveriam retratar a vida corriqueira das pessoas e com isso propõe e inaugura um novo gênero, este seria o gênero sério ou drama, o qual é intermediário, está entre a tragédia e a comédiaConselho Nacional de Desenvolvimento Científico e Tecnológicoapplication/pdfhttp://tede2.pucsp.br/tede/retrieve/40244/Carolina%20Ribeiro%20Para%c3%adso%20Araujo.pdf.jpgporPontifícia Universidade Católica de São PauloPrograma de Estudos Pós-Graduados em FilosofiaPUC-SPBrasilFaculdade de Filosofia, Comunicação, Letras e ArtesDiderot, Denis [1713-1784]TeatroAtorTheatreActorNatureCNPQ::CIENCIAS HUMANAS::FILOSOFIAA natureza artificial do teatro: Diderot e os paradoxosinfo:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/masterThesisinfo:eu-repo/semantics/openAccessreponame:Biblioteca Digital de Teses e Dissertações da PUC_SPinstname:Pontifícia Universidade Católica de São Paulo (PUC-SP)instacron:PUC_SPTEXTCarolina Ribeiro Paraíso Araujo.pdf.txtCarolina Ribeiro Paraíso Araujo.pdf.txtExtracted texttext/plain227757https://repositorio.pucsp.br/xmlui/bitstream/handle/19437/4/Carolina%20Ribeiro%20Para%c3%adso%20Araujo.pdf.txtc89d9f62535edb88d4886fb1e64ff404MD54LICENSElicense.txtlicense.txttext/plain; charset=utf-82165https://repositorio.pucsp.br/xmlui/bitstream/handle/19437/1/license.txtbd3efa91386c1718a7f26a329fdcb468MD51ORIGINALCarolina Ribeiro Paraíso Araujo.pdfCarolina Ribeiro Paraíso Araujo.pdfapplication/pdf800039https://repositorio.pucsp.br/xmlui/bitstream/handle/19437/2/Carolina%20Ribeiro%20Para%c3%adso%20Araujo.pdf20bfee2d80f717e3d15ea8646ebac1f7MD52THUMBNAILCarolina Ribeiro Paraíso Araujo.pdf.jpgCarolina Ribeiro Paraíso Araujo.pdf.jpgGenerated Thumbnailimage/jpeg1943https://repositorio.pucsp.br/xmlui/bitstream/handle/19437/3/Carolina%20Ribeiro%20Para%c3%adso%20Araujo.pdf.jpgcc73c4c239a4c332d642ba1e7c7a9fb2MD53handle/194372022-04-28 17:37:42.19oai:repositorio.pucsp.br: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Biblioteca Digital de Teses e Dissertaçõeshttps://sapientia.pucsp.br/https://sapientia.pucsp.br/oai/requestbngkatende@pucsp.br||rapassi@pucsp.bropendoar:2022-04-28T20:37:42Biblioteca Digital de Teses e Dissertações da PUC_SP - Pontifícia Universidade Católica de São Paulo (PUC-SP)false |
dc.title.por.fl_str_mv |
A natureza artificial do teatro: Diderot e os paradoxos |
title |
A natureza artificial do teatro: Diderot e os paradoxos |
spellingShingle |
A natureza artificial do teatro: Diderot e os paradoxos Araujo, Carolina Ribeiro Paraíso Diderot, Denis [1713-1784] Teatro Ator Theatre Actor Nature CNPQ::CIENCIAS HUMANAS::FILOSOFIA |
title_short |
A natureza artificial do teatro: Diderot e os paradoxos |
title_full |
A natureza artificial do teatro: Diderot e os paradoxos |
title_fullStr |
A natureza artificial do teatro: Diderot e os paradoxos |
title_full_unstemmed |
A natureza artificial do teatro: Diderot e os paradoxos |
title_sort |
A natureza artificial do teatro: Diderot e os paradoxos |
author |
Araujo, Carolina Ribeiro Paraíso |
author_facet |
Araujo, Carolina Ribeiro Paraíso |
author_role |
author |
dc.contributor.advisor1.fl_str_mv |
Pissarra, Maria Constança Peres |
dc.contributor.authorLattes.fl_str_mv |
http://buscatextual.cnpq.br/buscatextual/visualizacv.do?id=K4201639E8 |
dc.contributor.author.fl_str_mv |
Araujo, Carolina Ribeiro Paraíso |
contributor_str_mv |
Pissarra, Maria Constança Peres |
dc.subject.por.fl_str_mv |
Diderot, Denis [1713-1784] Teatro Ator |
topic |
Diderot, Denis [1713-1784] Teatro Ator Theatre Actor Nature CNPQ::CIENCIAS HUMANAS::FILOSOFIA |
dc.subject.eng.fl_str_mv |
Theatre Actor Nature |
dc.subject.cnpq.fl_str_mv |
CNPQ::CIENCIAS HUMANAS::FILOSOFIA |
description |
The purpose of this dissertation is to present the importance of the theatre according to Denis Diderot point of view. Thus, based on his thoughts, try to understand the purposes of which, the philosopher will demonstrate from the representative act, in France during the 18th century. Diderot suggests an improvement in the way of making theatre, as well as in its own theatrical representations. The philosopher will determine a theory for the actors to improve their performances. The performances should be based on nature observation, aiming to be studied and represented with pure rationality. In this regard, he gives emphasis to artificiality in disadvantage of nature to create perfection in a scene. In Diderot’s point of view, the theatre should be and do the job of remove society’s addictions and make people work on their virtue. In addition, theater plays should approach people’s busy lives and through that he suggests and introduces a new genre called drama and it is a genre that can be classified as intermediate, being in between tragedy and comedy |
publishDate |
2016 |
dc.date.accessioned.fl_str_mv |
2016-11-30T11:40:08Z |
dc.date.issued.fl_str_mv |
2016-09-22 |
dc.type.status.fl_str_mv |
info:eu-repo/semantics/publishedVersion |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/masterThesis |
format |
masterThesis |
status_str |
publishedVersion |
dc.identifier.citation.fl_str_mv |
Araujo, Carolina Ribeiro Paraíso. A natureza artificial do teatro: Diderot e os paradoxos. 2016. 92 f. Dissertação (Mestrado em Filosofia) - Programa de Estudos Pós-Graduados em Filosofia, Pontifícia Universidade Católica de São Paulo, São Paulo, 2016. |
dc.identifier.uri.fl_str_mv |
https://tede2.pucsp.br/handle/handle/19437 |
identifier_str_mv |
Araujo, Carolina Ribeiro Paraíso. A natureza artificial do teatro: Diderot e os paradoxos. 2016. 92 f. Dissertação (Mestrado em Filosofia) - Programa de Estudos Pós-Graduados em Filosofia, Pontifícia Universidade Católica de São Paulo, São Paulo, 2016. |
url |
https://tede2.pucsp.br/handle/handle/19437 |
dc.language.iso.fl_str_mv |
por |
language |
por |
dc.rights.driver.fl_str_mv |
info:eu-repo/semantics/openAccess |
eu_rights_str_mv |
openAccess |
dc.format.none.fl_str_mv |
application/pdf |
dc.publisher.none.fl_str_mv |
Pontifícia Universidade Católica de São Paulo |
dc.publisher.program.fl_str_mv |
Programa de Estudos Pós-Graduados em Filosofia |
dc.publisher.initials.fl_str_mv |
PUC-SP |
dc.publisher.country.fl_str_mv |
Brasil |
dc.publisher.department.fl_str_mv |
Faculdade de Filosofia, Comunicação, Letras e Artes |
publisher.none.fl_str_mv |
Pontifícia Universidade Católica de São Paulo |
dc.source.none.fl_str_mv |
reponame:Biblioteca Digital de Teses e Dissertações da PUC_SP instname:Pontifícia Universidade Católica de São Paulo (PUC-SP) instacron:PUC_SP |
instname_str |
Pontifícia Universidade Católica de São Paulo (PUC-SP) |
instacron_str |
PUC_SP |
institution |
PUC_SP |
reponame_str |
Biblioteca Digital de Teses e Dissertações da PUC_SP |
collection |
Biblioteca Digital de Teses e Dissertações da PUC_SP |
bitstream.url.fl_str_mv |
https://repositorio.pucsp.br/xmlui/bitstream/handle/19437/4/Carolina%20Ribeiro%20Para%c3%adso%20Araujo.pdf.txt https://repositorio.pucsp.br/xmlui/bitstream/handle/19437/1/license.txt https://repositorio.pucsp.br/xmlui/bitstream/handle/19437/2/Carolina%20Ribeiro%20Para%c3%adso%20Araujo.pdf https://repositorio.pucsp.br/xmlui/bitstream/handle/19437/3/Carolina%20Ribeiro%20Para%c3%adso%20Araujo.pdf.jpg |
bitstream.checksum.fl_str_mv |
c89d9f62535edb88d4886fb1e64ff404 bd3efa91386c1718a7f26a329fdcb468 20bfee2d80f717e3d15ea8646ebac1f7 cc73c4c239a4c332d642ba1e7c7a9fb2 |
bitstream.checksumAlgorithm.fl_str_mv |
MD5 MD5 MD5 MD5 |
repository.name.fl_str_mv |
Biblioteca Digital de Teses e Dissertações da PUC_SP - Pontifícia Universidade Católica de São Paulo (PUC-SP) |
repository.mail.fl_str_mv |
bngkatende@pucsp.br||rapassi@pucsp.br |
_version_ |
1809277949366501376 |