Preto, gordo e cafajeste: a descolonização da imagem negra em Tim Maia

• Autor(a) principal: Zonatto, Sidney Rogério Batista dos Santos
• Data de Publicação: 2020
• Tipo de documento: Trabalho de conclusão de curso
• Idioma: por
• Título da fonte: Biblioteca Digital de Teses e Dissertações da PUC_SP
• Texto Completo: https://repositorio.pucsp.br/jspui/handle/handle/42350
• topic: CNPQ::CIENCIAS HUMANAS::HISTORIA; Tim Maia; Descolonização; Música soul; Diáspora; Tim Maia; Decolonization | Soul music; Diaspora

This research project aims to analyze the subjective decolonization of Sebastião Rodrigues Maia, the famous singer Tim Maia. Therefore, based on the assumption that the singer has decolonized - and this decolonization as a concept will be extensively detailed - not only when discovering Black and Latin in the USA, but mainly when dialoguing with North American afro-diasporic music, creating a mixed musical novelty, at the same time Brazilian and American, mestizo in this way of thinking. For the conception of this analysis, it is necessary to understand the production of Tim Maia - Synthesized in the lyrics of his songs, in the writings of his album inserts and in the polyrhythm of his melodies - added to aspects of his private life, as constitutive of his process of decolonization, in other words, of his awareness as a Black man, Latin and son of the working class; as well as the representations about Tim Maia created and crystallized, in order to broaden the horizons of the research