The Relationship between Art and Life in the Feature Film Gabbeh, by Mohsen Makhmalbaf: The Bakhtinian Perspective on the Scene

Detalhes bibliográficos
Autor(a) principal: D'Agostin Alano, Natassia
Data de Publicação: 2020
Tipo de documento: Artigo
Idioma: por
eng
Título da fonte: Bakhtiniana
Texto Completo: https://revistas.pucsp.br/index.php/bakhtiniana/article/view/43846
Resumo: This article aims to conduct an analysis of the feature film Gabbeh (1996), by Iranian director Mohsen Makhmalbaf, promoting reflections that may, to some extent, contribute to the deepening of questions that involve the field of art and life. The theoretical-epistemological bases that support this analysis are the Bakhtinian studies in dialogue with the Vygotskian perspective. The analysis starts from some scenes of the film and seeks to establish a relationship between some Bakhtinian concepts, such as dialogism, chronotope, polyphony, outsideness, and the cinematographic art in question.
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spelling The Relationship between Art and Life in the Feature Film Gabbeh, by Mohsen Makhmalbaf: The Bakhtinian Perspective on the SceneA relação entre arte e vida no longa-metragem Gabbeh, de Mohsen Makhmalbaf: a perspectiva bakhtiniana em cenaArte cinematográficaDialogiaPolifoniaVidaCinematographic artDialogismPolyphonyLifeThis article aims to conduct an analysis of the feature film Gabbeh (1996), by Iranian director Mohsen Makhmalbaf, promoting reflections that may, to some extent, contribute to the deepening of questions that involve the field of art and life. The theoretical-epistemological bases that support this analysis are the Bakhtinian studies in dialogue with the Vygotskian perspective. The analysis starts from some scenes of the film and seeks to establish a relationship between some Bakhtinian concepts, such as dialogism, chronotope, polyphony, outsideness, and the cinematographic art in question.Este artigo tem como objetivo realizar um ensaio-análise do longa-metragem Gabbeh (1996), do diretor iraniano Mohsen Makhmalbaf, promovendo reflexões que possam, em alguma medida, contribuir para o aprofundamento de questões que envolvem o campo da arte e da vida. As bases teórico-epistemológicas que sustentam esta análise são os estudos bakhtinianos em diálogo com a perspectiva vigotskiana. A análise parte de algumas cenas do filme e busca estabelecer uma relação entre alguns conceitos bakhtinianos – como dialogismo, cronotopo, polifonia, exotopia – e a arte cinematográfica em questão. Pontifícia Universidade Católica de São Paulo2020-09-21info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfapplication/pdfhttps://revistas.pucsp.br/index.php/bakhtiniana/article/view/43846Bakhtiniana. Revista de Estudos do Discurso ; Vol. 15 No. 3 (2020); Port. 154-180 / Eng. 158-185Bakhtiniana. Revista de Estudos do Discurso; Vol. 15 Núm. 3 (2020); Port. 154-180 / Eng. 158-185Bakhtiniana. Revista de Estudos do Discurso; Vol. 15 No. 3 (2020); Port. 154-180 / Eng. 158-185Bakhtiniana. Revista de Estudos do Discurso; v. 15 n. 3 (2020); Port. 154-180 / Eng. 158-185Бахтиниана: Журнал дискурсивных исследований; Том 15 № 3 (2020); Port. 154-180 / Eng. 158-1852176-4573reponame:Bakhtinianainstname:Pontifícia Universidade Católica de São Paulo (PUC-SP)instacron:PUC_SPporenghttps://revistas.pucsp.br/index.php/bakhtiniana/article/view/43846/32559https://revistas.pucsp.br/index.php/bakhtiniana/article/view/43846/32560Copyright (c) 2020 Bakhtiniana. Revista de Estudos do Discursoinfo:eu-repo/semantics/openAccessD'Agostin Alano, Natassia2020-09-21T19:27:33Zoai:ojs.pkp.sfu.ca:article/43846Revistahttps://revistas.pucsp.br/index.php/bakhtiniana/indexPRIhttps://old.scielo.br/oai/scielo-oai.php||bakhtinianarevista@gmail.com2176-45732176-4573opendoar:2020-09-21T19:27:33Bakhtiniana - Pontifícia Universidade Católica de São Paulo (PUC-SP)false
dc.title.none.fl_str_mv The Relationship between Art and Life in the Feature Film Gabbeh, by Mohsen Makhmalbaf: The Bakhtinian Perspective on the Scene
A relação entre arte e vida no longa-metragem Gabbeh, de Mohsen Makhmalbaf: a perspectiva bakhtiniana em cena
title The Relationship between Art and Life in the Feature Film Gabbeh, by Mohsen Makhmalbaf: The Bakhtinian Perspective on the Scene
spellingShingle The Relationship between Art and Life in the Feature Film Gabbeh, by Mohsen Makhmalbaf: The Bakhtinian Perspective on the Scene
D'Agostin Alano, Natassia
Arte cinematográfica
Dialogia
Polifonia
Vida
Cinematographic art
Dialogism
Polyphony
Life
title_short The Relationship between Art and Life in the Feature Film Gabbeh, by Mohsen Makhmalbaf: The Bakhtinian Perspective on the Scene
title_full The Relationship between Art and Life in the Feature Film Gabbeh, by Mohsen Makhmalbaf: The Bakhtinian Perspective on the Scene
title_fullStr The Relationship between Art and Life in the Feature Film Gabbeh, by Mohsen Makhmalbaf: The Bakhtinian Perspective on the Scene
title_full_unstemmed The Relationship between Art and Life in the Feature Film Gabbeh, by Mohsen Makhmalbaf: The Bakhtinian Perspective on the Scene
title_sort The Relationship between Art and Life in the Feature Film Gabbeh, by Mohsen Makhmalbaf: The Bakhtinian Perspective on the Scene
author D'Agostin Alano, Natassia
author_facet D'Agostin Alano, Natassia
author_role author
dc.contributor.author.fl_str_mv D'Agostin Alano, Natassia
dc.subject.por.fl_str_mv Arte cinematográfica
Dialogia
Polifonia
Vida
Cinematographic art
Dialogism
Polyphony
Life
topic Arte cinematográfica
Dialogia
Polifonia
Vida
Cinematographic art
Dialogism
Polyphony
Life
description This article aims to conduct an analysis of the feature film Gabbeh (1996), by Iranian director Mohsen Makhmalbaf, promoting reflections that may, to some extent, contribute to the deepening of questions that involve the field of art and life. The theoretical-epistemological bases that support this analysis are the Bakhtinian studies in dialogue with the Vygotskian perspective. The analysis starts from some scenes of the film and seeks to establish a relationship between some Bakhtinian concepts, such as dialogism, chronotope, polyphony, outsideness, and the cinematographic art in question.
publishDate 2020
dc.date.none.fl_str_mv 2020-09-21
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://revistas.pucsp.br/index.php/bakhtiniana/article/view/43846
url https://revistas.pucsp.br/index.php/bakhtiniana/article/view/43846
dc.language.iso.fl_str_mv por
eng
language por
eng
dc.relation.none.fl_str_mv https://revistas.pucsp.br/index.php/bakhtiniana/article/view/43846/32559
https://revistas.pucsp.br/index.php/bakhtiniana/article/view/43846/32560
dc.rights.driver.fl_str_mv Copyright (c) 2020 Bakhtiniana. Revista de Estudos do Discurso
info:eu-repo/semantics/openAccess
rights_invalid_str_mv Copyright (c) 2020 Bakhtiniana. Revista de Estudos do Discurso
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
application/pdf
dc.publisher.none.fl_str_mv Pontifícia Universidade Católica de São Paulo
publisher.none.fl_str_mv Pontifícia Universidade Católica de São Paulo
dc.source.none.fl_str_mv Bakhtiniana. Revista de Estudos do Discurso ; Vol. 15 No. 3 (2020); Port. 154-180 / Eng. 158-185
Bakhtiniana. Revista de Estudos do Discurso; Vol. 15 Núm. 3 (2020); Port. 154-180 / Eng. 158-185
Bakhtiniana. Revista de Estudos do Discurso; Vol. 15 No. 3 (2020); Port. 154-180 / Eng. 158-185
Bakhtiniana. Revista de Estudos do Discurso; v. 15 n. 3 (2020); Port. 154-180 / Eng. 158-185
Бахтиниана: Журнал дискурсивных исследований; Том 15 № 3 (2020); Port. 154-180 / Eng. 158-185
2176-4573
reponame:Bakhtiniana
instname:Pontifícia Universidade Católica de São Paulo (PUC-SP)
instacron:PUC_SP
instname_str Pontifícia Universidade Católica de São Paulo (PUC-SP)
instacron_str PUC_SP
institution PUC_SP
reponame_str Bakhtiniana
collection Bakhtiniana
repository.name.fl_str_mv Bakhtiniana - Pontifícia Universidade Católica de São Paulo (PUC-SP)
repository.mail.fl_str_mv ||bakhtinianarevista@gmail.com
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