Dialogism in Portuguese Contemporary Novel

Detalhes bibliográficos
Autor(a) principal: Oliveira, Raquel Trentin
Data de Publicação: 2013
Outros Autores: Werlang, Gérson
Tipo de documento: Artigo
Idioma: por
eng
Título da fonte: Bakhtiniana
Texto Completo: https://revistas.pucsp.br/index.php/bakhtiniana/article/view/13810
Resumo: This article aims to reflect upon the dialogic constitution of the contemporary Portuguese novel using as basis for the analysis Mikhail Bakhtin’s contributions on this literary genre. Bakhtin emphasizes, in his studies, the double-voiced discourse of varied orientation, the complex interactions between⁄among different points of view in one utterance that could elevate the dialogism in the novel to a higher degree. The contemporary novel diversifies the forms of transmission of the discourse of the other, shuffling the characters’ voices, demanding redoubled attention on the part of the reader to the construction of meaning. To exemplify this tendency, the novel Raised from the ground (2012), by José Saramago, an acclaimed contemporary Portuguese writer, has been used.
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spelling Dialogism in Portuguese Contemporary NovelDialogismo no romance português contemporâneoDialogismDouble-voiced discourse of varied orientationPortuguese contemporary novelJosé SaramagoDialogismoDiscurso bivocal de orientação váriaRomance português contemporâneoJosé SaramagoThis article aims to reflect upon the dialogic constitution of the contemporary Portuguese novel using as basis for the analysis Mikhail Bakhtin’s contributions on this literary genre. Bakhtin emphasizes, in his studies, the double-voiced discourse of varied orientation, the complex interactions between⁄among different points of view in one utterance that could elevate the dialogism in the novel to a higher degree. The contemporary novel diversifies the forms of transmission of the discourse of the other, shuffling the characters’ voices, demanding redoubled attention on the part of the reader to the construction of meaning. To exemplify this tendency, the novel Raised from the ground (2012), by José Saramago, an acclaimed contemporary Portuguese writer, has been used.Objetivamos, neste artigo, refletir sobre a constituição dialógica do romance contemporâneo português, retomando, para isso, as contribuições de M. Bakhtin sobre esse gênero literário. Bakhtin enfatiza, nos seus estudos, o discurso bivocal de orientação vária, as interações complexas entre diferentes pontos de vista num mesmo enunciado, que elevariam a um mais alto grau o dialogismo do romance. O romance atual diversifica as formas de transmissão do discurso de outrem, embaralhando as vozes das personagens e exigindo atenção redobrada do leitor para a instituição do sentido. Exemplificamos essa tendência por meio da análise do romance Levantado do chão (1980), do consagrado autor português José Saramago.Pontifícia Universidade Católica de São Paulo2013-06-28info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfapplication/pdfhttps://revistas.pucsp.br/index.php/bakhtiniana/article/view/13810Bakhtiniana. Revista de Estudos do Discurso ; Vol. 8 No. 1 (2013); Port. 176-189 / Eng. 175-190Bakhtiniana. Revista de Estudos do Discurso; Vol. 8 Núm. 1 (2013); Port. 176-189 / Eng. 175-190Bakhtiniana. Revista de Estudos do Discurso; Vol. 8 No. 1 (2013); Port. 176-189 / Eng. 175-190Bakhtiniana. Revista de Estudos do Discurso; v. 8 n. 1 (2013); Port. 176-189 / Eng. 175-190Бахтиниана: Журнал дискурсивных исследований; Том 8 № 1 (2013); Port. 176-189 / Eng. 175-1902176-4573reponame:Bakhtinianainstname:Pontifícia Universidade Católica de São Paulo (PUC-SP)instacron:PUC_SPporenghttps://revistas.pucsp.br/index.php/bakhtiniana/article/view/13810/11705https://revistas.pucsp.br/index.php/bakhtiniana/article/view/13810/11706Oliveira, Raquel TrentinWerlang, Gérsoninfo:eu-repo/semantics/openAccess2016-11-06T16:04:41Zoai:ojs.pkp.sfu.ca:article/13810Revistahttps://revistas.pucsp.br/index.php/bakhtiniana/indexPRIhttps://old.scielo.br/oai/scielo-oai.php||bakhtinianarevista@gmail.com2176-45732176-4573opendoar:2016-11-06T16:04:41Bakhtiniana - Pontifícia Universidade Católica de São Paulo (PUC-SP)false
dc.title.none.fl_str_mv Dialogism in Portuguese Contemporary Novel
Dialogismo no romance português contemporâneo
title Dialogism in Portuguese Contemporary Novel
spellingShingle Dialogism in Portuguese Contemporary Novel
Oliveira, Raquel Trentin
Dialogism
Double-voiced discourse of varied orientation
Portuguese contemporary novel
José Saramago
Dialogismo
Discurso bivocal de orientação vária
Romance português contemporâneo
José Saramago
title_short Dialogism in Portuguese Contemporary Novel
title_full Dialogism in Portuguese Contemporary Novel
title_fullStr Dialogism in Portuguese Contemporary Novel
title_full_unstemmed Dialogism in Portuguese Contemporary Novel
title_sort Dialogism in Portuguese Contemporary Novel
author Oliveira, Raquel Trentin
author_facet Oliveira, Raquel Trentin
Werlang, Gérson
author_role author
author2 Werlang, Gérson
author2_role author
dc.contributor.author.fl_str_mv Oliveira, Raquel Trentin
Werlang, Gérson
dc.subject.por.fl_str_mv Dialogism
Double-voiced discourse of varied orientation
Portuguese contemporary novel
José Saramago
Dialogismo
Discurso bivocal de orientação vária
Romance português contemporâneo
José Saramago
topic Dialogism
Double-voiced discourse of varied orientation
Portuguese contemporary novel
José Saramago
Dialogismo
Discurso bivocal de orientação vária
Romance português contemporâneo
José Saramago
description This article aims to reflect upon the dialogic constitution of the contemporary Portuguese novel using as basis for the analysis Mikhail Bakhtin’s contributions on this literary genre. Bakhtin emphasizes, in his studies, the double-voiced discourse of varied orientation, the complex interactions between⁄among different points of view in one utterance that could elevate the dialogism in the novel to a higher degree. The contemporary novel diversifies the forms of transmission of the discourse of the other, shuffling the characters’ voices, demanding redoubled attention on the part of the reader to the construction of meaning. To exemplify this tendency, the novel Raised from the ground (2012), by José Saramago, an acclaimed contemporary Portuguese writer, has been used.
publishDate 2013
dc.date.none.fl_str_mv 2013-06-28
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://revistas.pucsp.br/index.php/bakhtiniana/article/view/13810
url https://revistas.pucsp.br/index.php/bakhtiniana/article/view/13810
dc.language.iso.fl_str_mv por
eng
language por
eng
dc.relation.none.fl_str_mv https://revistas.pucsp.br/index.php/bakhtiniana/article/view/13810/11705
https://revistas.pucsp.br/index.php/bakhtiniana/article/view/13810/11706
dc.rights.driver.fl_str_mv info:eu-repo/semantics/openAccess
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
application/pdf
dc.publisher.none.fl_str_mv Pontifícia Universidade Católica de São Paulo
publisher.none.fl_str_mv Pontifícia Universidade Católica de São Paulo
dc.source.none.fl_str_mv Bakhtiniana. Revista de Estudos do Discurso ; Vol. 8 No. 1 (2013); Port. 176-189 / Eng. 175-190
Bakhtiniana. Revista de Estudos do Discurso; Vol. 8 Núm. 1 (2013); Port. 176-189 / Eng. 175-190
Bakhtiniana. Revista de Estudos do Discurso; Vol. 8 No. 1 (2013); Port. 176-189 / Eng. 175-190
Bakhtiniana. Revista de Estudos do Discurso; v. 8 n. 1 (2013); Port. 176-189 / Eng. 175-190
Бахтиниана: Журнал дискурсивных исследований; Том 8 № 1 (2013); Port. 176-189 / Eng. 175-190
2176-4573
reponame:Bakhtiniana
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instacron:PUC_SP
instname_str Pontifícia Universidade Católica de São Paulo (PUC-SP)
instacron_str PUC_SP
institution PUC_SP
reponame_str Bakhtiniana
collection Bakhtiniana
repository.name.fl_str_mv Bakhtiniana - Pontifícia Universidade Católica de São Paulo (PUC-SP)
repository.mail.fl_str_mv ||bakhtinianarevista@gmail.com
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