Allegory and symbol in the baroque and modern cinema

Detalhes bibliográficos
Autor(a) principal: Alvarado Duque, Carlos Fernando
Data de Publicação: 2017
Outros Autores: Peralta Rodríguez, Misael Alejandro
Tipo de documento: Artigo
Idioma: spa
Título da fonte: Galáxia (São Paulo)
Texto Completo: https://revistas.pucsp.br/index.php/galaxia/article/view/33276
Resumo: The main idea of this article is to show how allegory and symbol, in the framework of the baroque and modern cinema, are not ornamental mechanisms, but a form of semantic invention capable of questioning the grammaticalization of the cinematographic language. It is not about to make a historiographic analysis of a certain period of the cinema, but to show how these figures are capable of producing meaning, without denying their functional role, thanks to their poetic use. Through a case study, qualitative type (derived from a research on film Rhetoric), presents a conceptual characterization of both figures and an exegesis of their dynamics in four emblematic films: Citizen Kane, Singing in the Rain, Wish on a Summer Morning and Pierrot the Madman (the first two: Baroque, the second two: modern).
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spelling Allegory and symbol in the baroque and modern cinemaAlegoría y símbolo en el cine barroco y moderno. Estrategias retóricas, amplificación de sentidofilm languagerhetorical discoursebaroque cinemamodern cinemasymbolallegory.lenguaje fílmicodiscurso retóricocine barrococine modernosímboloalegoríaThe main idea of this article is to show how allegory and symbol, in the framework of the baroque and modern cinema, are not ornamental mechanisms, but a form of semantic invention capable of questioning the grammaticalization of the cinematographic language. It is not about to make a historiographic analysis of a certain period of the cinema, but to show how these figures are capable of producing meaning, without denying their functional role, thanks to their poetic use. Through a case study, qualitative type (derived from a research on film Rhetoric), presents a conceptual characterization of both figures and an exegesis of their dynamics in four emblematic films: Citizen Kane, Singing in the Rain, Wish on a Summer Morning and Pierrot the Madman (the first two: Baroque, the second two: modern).En este artículo se desea mostrar cómo la alegoría y el símbolo, en el marco del cine barroco y moderno, no son mecanismos ornamentales, sino una forma de invención semántica capaz de cuestionar la gramaticalización del lenguaje cinematográfico. No se busca hacer un análisis historiográfco de un determinado periodo del cine, sino mostrar que dichas figuras son capaces de producir sentido, sin negar su rol funcional, gracias a su uso poético. Através de un estudio de caso, de corte cualitativo (que se deriva de una investigación sobre Retórica del cine), se presenta una exegesis de sus dinámicas en cuatro flmes emblemáticos: El ciudadano Kane, Cantando bajo la lluvia, Deseo en una mañana de verano y Pierrot el loco (los dos primeras, barrocos;los dos segundos modernos).PEPG COS-PUC-SP2017-12-03info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://revistas.pucsp.br/index.php/galaxia/article/view/33276Galaxia; No. 36 (2017)GALÁxIA. Revista Interdisciplinar de Comunicação e Cultura; n. 36 (2017)1982-2553reponame:Galáxia (São Paulo)instname:Pontifícia Universidade Católica de São Paulo (PUC-SP)instacron:PUC_SPspahttps://revistas.pucsp.br/index.php/galaxia/article/view/33276/24114Copyright (c) 2017 Galáxia. Revista do Programa de Pós-Graduação em Comunicação e Semiótica. ISSN 1982-2553info:eu-repo/semantics/openAccessAlvarado Duque, Carlos FernandoPeralta Rodríguez, Misael Alejandro2022-06-21T13:56:18Zoai:ojs.pkp.sfu.ca:article/33276Revistahttps://www.pucsp.br/pos-graduacao/mestrado-e-doutorado/comunicacao-e-semioticaPRIhttps://old.scielo.br/oai/scielo-oai.phpcos@pucsp.br||aidarprado@gmail.com1982-25531519-311Xopendoar:2022-06-21T13:56:18Galáxia (São Paulo) - Pontifícia Universidade Católica de São Paulo (PUC-SP)false
dc.title.none.fl_str_mv Allegory and symbol in the baroque and modern cinema
Alegoría y símbolo en el cine barroco y moderno. Estrategias retóricas, amplificación de sentido
title Allegory and symbol in the baroque and modern cinema
spellingShingle Allegory and symbol in the baroque and modern cinema
Alvarado Duque, Carlos Fernando
film language
rhetorical discourse
baroque cinema
modern cinema
symbol
allegory.
lenguaje fílmico
discurso retórico
cine barroco
cine moderno
símbolo
alegoría
title_short Allegory and symbol in the baroque and modern cinema
title_full Allegory and symbol in the baroque and modern cinema
title_fullStr Allegory and symbol in the baroque and modern cinema
title_full_unstemmed Allegory and symbol in the baroque and modern cinema
title_sort Allegory and symbol in the baroque and modern cinema
author Alvarado Duque, Carlos Fernando
author_facet Alvarado Duque, Carlos Fernando
Peralta Rodríguez, Misael Alejandro
author_role author
author2 Peralta Rodríguez, Misael Alejandro
author2_role author
dc.contributor.author.fl_str_mv Alvarado Duque, Carlos Fernando
Peralta Rodríguez, Misael Alejandro
dc.subject.por.fl_str_mv film language
rhetorical discourse
baroque cinema
modern cinema
symbol
allegory.
lenguaje fílmico
discurso retórico
cine barroco
cine moderno
símbolo
alegoría
topic film language
rhetorical discourse
baroque cinema
modern cinema
symbol
allegory.
lenguaje fílmico
discurso retórico
cine barroco
cine moderno
símbolo
alegoría
description The main idea of this article is to show how allegory and symbol, in the framework of the baroque and modern cinema, are not ornamental mechanisms, but a form of semantic invention capable of questioning the grammaticalization of the cinematographic language. It is not about to make a historiographic analysis of a certain period of the cinema, but to show how these figures are capable of producing meaning, without denying their functional role, thanks to their poetic use. Through a case study, qualitative type (derived from a research on film Rhetoric), presents a conceptual characterization of both figures and an exegesis of their dynamics in four emblematic films: Citizen Kane, Singing in the Rain, Wish on a Summer Morning and Pierrot the Madman (the first two: Baroque, the second two: modern).
publishDate 2017
dc.date.none.fl_str_mv 2017-12-03
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://revistas.pucsp.br/index.php/galaxia/article/view/33276
url https://revistas.pucsp.br/index.php/galaxia/article/view/33276
dc.language.iso.fl_str_mv spa
language spa
dc.relation.none.fl_str_mv https://revistas.pucsp.br/index.php/galaxia/article/view/33276/24114
dc.rights.driver.fl_str_mv info:eu-repo/semantics/openAccess
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv PEPG COS-PUC-SP
publisher.none.fl_str_mv PEPG COS-PUC-SP
dc.source.none.fl_str_mv Galaxia; No. 36 (2017)
GALÁxIA. Revista Interdisciplinar de Comunicação e Cultura; n. 36 (2017)
1982-2553
reponame:Galáxia (São Paulo)
instname:Pontifícia Universidade Católica de São Paulo (PUC-SP)
instacron:PUC_SP
instname_str Pontifícia Universidade Católica de São Paulo (PUC-SP)
instacron_str PUC_SP
institution PUC_SP
reponame_str Galáxia (São Paulo)
collection Galáxia (São Paulo)
repository.name.fl_str_mv Galáxia (São Paulo) - Pontifícia Universidade Católica de São Paulo (PUC-SP)
repository.mail.fl_str_mv cos@pucsp.br||aidarprado@gmail.com
_version_ 1799129331285360640

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