The evolution and democratization of modern fashion: from Frederick Worth to Karl Lagerfeld's fast fashion

Detalhes bibliográficos
Autor(a) principal: António Machuco Rosa
Data de Publicação: 2013
Tipo de documento: Artigo
Idioma: eng
Título da fonte: Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)
Texto Completo: https://hdl.handle.net/10216/73627
Resumo: This article examines how the haute couture associated with fashion evolved from the ini-tial creation of Frederik Worth to Karl Lagerfeld. The main idea is to see how the manifestations of the desire to display himself are grounded on differentiation strategies that are always positioned themselves as an anti-fashion critic of previous fashions. In particular, it will be analyzed three moments in the process of democratization of fashion: the chic haute couture created by Coco Chanel in opposition to Paul Poiret conspicuous and ostentatious fashion, the Yves Saint Laurent strategy that indiferentiates gender, and the fast-fashion strategy developed by Karl Lagerfeld in his collection for H & M. From these three cases, and based on theories Thornstein Veblen and George Simmel, it will be presented a theoretical model that allows us to understand the overall dynamics of fashion change
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spelling The evolution and democratization of modern fashion: from Frederick Worth to Karl Lagerfeld's fast fashionCiências da comunicaçãoMedia and communicationsThis article examines how the haute couture associated with fashion evolved from the ini-tial creation of Frederik Worth to Karl Lagerfeld. The main idea is to see how the manifestations of the desire to display himself are grounded on differentiation strategies that are always positioned themselves as an anti-fashion critic of previous fashions. In particular, it will be analyzed three moments in the process of democratization of fashion: the chic haute couture created by Coco Chanel in opposition to Paul Poiret conspicuous and ostentatious fashion, the Yves Saint Laurent strategy that indiferentiates gender, and the fast-fashion strategy developed by Karl Lagerfeld in his collection for H & M. From these three cases, and based on theories Thornstein Veblen and George Simmel, it will be presented a theoretical model that allows us to understand the overall dynamics of fashion change20132013-01-01T00:00:00Zinfo:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/articleapplication/pdfhttps://hdl.handle.net/10216/73627eng1645-2089António Machuco Rosainfo:eu-repo/semantics/openAccessreponame:Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)instname:Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãoinstacron:RCAAP2023-11-29T12:57:06Zoai:repositorio-aberto.up.pt:10216/73627Portal AgregadorONGhttps://www.rcaap.pt/oai/openaireopendoar:71602024-03-19T23:30:16.822191Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) - Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãofalse
dc.title.none.fl_str_mv The evolution and democratization of modern fashion: from Frederick Worth to Karl Lagerfeld's fast fashion
title The evolution and democratization of modern fashion: from Frederick Worth to Karl Lagerfeld's fast fashion
spellingShingle The evolution and democratization of modern fashion: from Frederick Worth to Karl Lagerfeld's fast fashion
António Machuco Rosa
Ciências da comunicação
Media and communications
title_short The evolution and democratization of modern fashion: from Frederick Worth to Karl Lagerfeld's fast fashion
title_full The evolution and democratization of modern fashion: from Frederick Worth to Karl Lagerfeld's fast fashion
title_fullStr The evolution and democratization of modern fashion: from Frederick Worth to Karl Lagerfeld's fast fashion
title_full_unstemmed The evolution and democratization of modern fashion: from Frederick Worth to Karl Lagerfeld's fast fashion
title_sort The evolution and democratization of modern fashion: from Frederick Worth to Karl Lagerfeld's fast fashion
author António Machuco Rosa
author_facet António Machuco Rosa
author_role author
dc.contributor.author.fl_str_mv António Machuco Rosa
dc.subject.por.fl_str_mv Ciências da comunicação
Media and communications
topic Ciências da comunicação
Media and communications
description This article examines how the haute couture associated with fashion evolved from the ini-tial creation of Frederik Worth to Karl Lagerfeld. The main idea is to see how the manifestations of the desire to display himself are grounded on differentiation strategies that are always positioned themselves as an anti-fashion critic of previous fashions. In particular, it will be analyzed three moments in the process of democratization of fashion: the chic haute couture created by Coco Chanel in opposition to Paul Poiret conspicuous and ostentatious fashion, the Yves Saint Laurent strategy that indiferentiates gender, and the fast-fashion strategy developed by Karl Lagerfeld in his collection for H & M. From these three cases, and based on theories Thornstein Veblen and George Simmel, it will be presented a theoretical model that allows us to understand the overall dynamics of fashion change
publishDate 2013
dc.date.none.fl_str_mv 2013
2013-01-01T00:00:00Z
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dc.identifier.uri.fl_str_mv https://hdl.handle.net/10216/73627
url https://hdl.handle.net/10216/73627
dc.language.iso.fl_str_mv eng
language eng
dc.relation.none.fl_str_mv 1645-2089
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