Dimensão - Espaço : o tempo de um objecto num lugar concreto : instalação em arte
Autor(a) principal: | |
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Data de Publicação: | 2016 |
Tipo de documento: | Dissertação |
Idioma: | por |
Título da fonte: | Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) |
Texto Completo: | http://hdl.handle.net/10451/27710 |
Resumo: | From alternative spaces to museums, installation art has been continuously associated with an exhibitional context, as a work produced for a specifical site. The appropriation of materials taken from everyday life, makes it an ephemeral artistic practice, but also a temporary experience that, after exhibition ceases to exist. Defined by new artistic dimensions, interpretation of installation art requires a more fluid understanding than traditional art. At the process of institutionalization to a museum space, concepts of interactivity, site- specific or temporality, become faster decontextualized to become adjusted in commercial systems. As a museum’s function is to preserve for an indefinite period of time, a unique and urepeatable object, collecting installation art becomes institutional and ideological challenging. Installation art is based on spontaneous and uncontrollable actions, which define the creative process and an artist’s intention. Concerns with the durability of an artwork fails to be relevant and, when a museum desires to collect installation art, it then needs to strategically think about the vulnerabilities and contingencies that may origin as the work progresses. To be able to experience it again, installation art can be recreated or, if the artist wishes to bring the artwork to extinction, the museum can preserve instructions templates, reproduced with every assembly. The documentation required for this musealization process to understand all the work’s properties, can be obtained through interviews or questionnaires. To understand the process of acquiring installation art in a museum collection, we analyze the case study of L.R – Live Relay from the Clock Tower of Porto City Hall 2015 from João Penalva, with an exclusive interview by the artist |
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Dimensão - Espaço : o tempo de um objecto num lugar concreto : instalação em artePenalva, João, 1949-Instalação (Arte)Site - Specific ArtTemporalidadeMuseologiaCuradoriaPreservaçãoMuseologia e museografiaFrom alternative spaces to museums, installation art has been continuously associated with an exhibitional context, as a work produced for a specifical site. The appropriation of materials taken from everyday life, makes it an ephemeral artistic practice, but also a temporary experience that, after exhibition ceases to exist. Defined by new artistic dimensions, interpretation of installation art requires a more fluid understanding than traditional art. At the process of institutionalization to a museum space, concepts of interactivity, site- specific or temporality, become faster decontextualized to become adjusted in commercial systems. As a museum’s function is to preserve for an indefinite period of time, a unique and urepeatable object, collecting installation art becomes institutional and ideological challenging. Installation art is based on spontaneous and uncontrollable actions, which define the creative process and an artist’s intention. Concerns with the durability of an artwork fails to be relevant and, when a museum desires to collect installation art, it then needs to strategically think about the vulnerabilities and contingencies that may origin as the work progresses. To be able to experience it again, installation art can be recreated or, if the artist wishes to bring the artwork to extinction, the museum can preserve instructions templates, reproduced with every assembly. The documentation required for this musealization process to understand all the work’s properties, can be obtained through interviews or questionnaires. To understand the process of acquiring installation art in a museum collection, we analyze the case study of L.R – Live Relay from the Clock Tower of Porto City Hall 2015 from João Penalva, with an exclusive interview by the artistAlves, Alice NogueiraPinho, Elsa GarrettRepositório da Universidade de LisboaSantos, Joana Filipa Portela dos, 1992-2017-05-18T10:49:03Z2016-05-102017-05-182016-05-10T00:00:00Zinfo:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/masterThesisimage/jpegapplication/pdfhttp://hdl.handle.net/10451/27710TID:201197561porinfo:eu-repo/semantics/openAccessreponame:Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)instname:Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãoinstacron:RCAAP2023-11-08T16:18:53Zoai:repositorio.ul.pt:10451/27710Portal AgregadorONGhttps://www.rcaap.pt/oai/openaireopendoar:71602024-03-19T21:44:05.056356Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) - Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãofalse |
dc.title.none.fl_str_mv |
Dimensão - Espaço : o tempo de um objecto num lugar concreto : instalação em arte |
title |
Dimensão - Espaço : o tempo de um objecto num lugar concreto : instalação em arte |
spellingShingle |
Dimensão - Espaço : o tempo de um objecto num lugar concreto : instalação em arte Santos, Joana Filipa Portela dos, 1992- Penalva, João, 1949- Instalação (Arte) Site - Specific Art Temporalidade Museologia Curadoria Preservação Museologia e museografia |
title_short |
Dimensão - Espaço : o tempo de um objecto num lugar concreto : instalação em arte |
title_full |
Dimensão - Espaço : o tempo de um objecto num lugar concreto : instalação em arte |
title_fullStr |
Dimensão - Espaço : o tempo de um objecto num lugar concreto : instalação em arte |
title_full_unstemmed |
Dimensão - Espaço : o tempo de um objecto num lugar concreto : instalação em arte |
title_sort |
Dimensão - Espaço : o tempo de um objecto num lugar concreto : instalação em arte |
author |
Santos, Joana Filipa Portela dos, 1992- |
author_facet |
Santos, Joana Filipa Portela dos, 1992- |
author_role |
author |
dc.contributor.none.fl_str_mv |
Alves, Alice Nogueira Pinho, Elsa Garrett Repositório da Universidade de Lisboa |
dc.contributor.author.fl_str_mv |
Santos, Joana Filipa Portela dos, 1992- |
dc.subject.por.fl_str_mv |
Penalva, João, 1949- Instalação (Arte) Site - Specific Art Temporalidade Museologia Curadoria Preservação Museologia e museografia |
topic |
Penalva, João, 1949- Instalação (Arte) Site - Specific Art Temporalidade Museologia Curadoria Preservação Museologia e museografia |
description |
From alternative spaces to museums, installation art has been continuously associated with an exhibitional context, as a work produced for a specifical site. The appropriation of materials taken from everyday life, makes it an ephemeral artistic practice, but also a temporary experience that, after exhibition ceases to exist. Defined by new artistic dimensions, interpretation of installation art requires a more fluid understanding than traditional art. At the process of institutionalization to a museum space, concepts of interactivity, site- specific or temporality, become faster decontextualized to become adjusted in commercial systems. As a museum’s function is to preserve for an indefinite period of time, a unique and urepeatable object, collecting installation art becomes institutional and ideological challenging. Installation art is based on spontaneous and uncontrollable actions, which define the creative process and an artist’s intention. Concerns with the durability of an artwork fails to be relevant and, when a museum desires to collect installation art, it then needs to strategically think about the vulnerabilities and contingencies that may origin as the work progresses. To be able to experience it again, installation art can be recreated or, if the artist wishes to bring the artwork to extinction, the museum can preserve instructions templates, reproduced with every assembly. The documentation required for this musealization process to understand all the work’s properties, can be obtained through interviews or questionnaires. To understand the process of acquiring installation art in a museum collection, we analyze the case study of L.R – Live Relay from the Clock Tower of Porto City Hall 2015 from João Penalva, with an exclusive interview by the artist |
publishDate |
2016 |
dc.date.none.fl_str_mv |
2016-05-10 2016-05-10T00:00:00Z 2017-05-18T10:49:03Z 2017-05-18 |
dc.type.status.fl_str_mv |
info:eu-repo/semantics/publishedVersion |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/masterThesis |
format |
masterThesis |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
http://hdl.handle.net/10451/27710 TID:201197561 |
url |
http://hdl.handle.net/10451/27710 |
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TID:201197561 |
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por |
language |
por |
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info:eu-repo/semantics/openAccess |
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openAccess |
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image/jpeg application/pdf |
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reponame:Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) instname:Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informação instacron:RCAAP |
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Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informação |
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RCAAP |
institution |
RCAAP |
reponame_str |
Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) |
collection |
Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) |
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Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) - Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informação |
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1799134362084573184 |