Theatre criticism on Web 2.0. Publishing, sharing, authoring critique in the light of human-computer interaction. The critical dialogue of the social media.

Detalhes bibliográficos
Autor(a) principal: Lo Gatto, Sergio
Data de Publicação: 2018
Tipo de documento: Artigo
Idioma: por
Título da fonte: Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)
Texto Completo: https://doi.org/10.51427/cet.sdc.2018.0006
Resumo: The migration, also due to the crisis of the printed press, of almost all critical debate to the free pages of the Web is an obvious reality. The thesis of these investigations, which derive from a broader doctoral research project that moves between mediology, theatre studies, critical theories and digital philosophies, is that the current interactive Web environment is only partially regulated by human decision-making parameters, and increasingly subject to the control of a networking system based on hardware/software duality. This paper investigates disciplines related to media sociology and digital philosophy, looking for those problematic paradigms that force the reasoning on languages and functions of criticism to consider this practice within a system of interaction between human element and mechanical organization. As a case study, we present a review in the form of an open letter published by an online newspaper, which provoked controversial reactions and challenged the role of the critic as a bearer of authority, shifting the focus from the analysis of the performance to the observation of the general crisis of the Italian theatre system. This case study highlights the critical points introduced by the formation of virtual communities of social networks, which nowadays act as a mass of influence on the view of the contemporary scene.   THEORIES OF THEATRE CRITICISM / JOURNALISM / DIGITAL PHILOSOPHY / MEDIOLOGY / SOCIAL MEDIA STUDIES
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spelling Theatre criticism on Web 2.0. Publishing, sharing, authoring critique in the light of human-computer interaction. The critical dialogue of the social media.La critica teatrale sul Web 2.0. Pubblicare, condividere, autorizzare la critica alla luce dell'interazione uomo-computer. Il dialogo critico dei social media.Theatre criticism theoryJournalismDigital philosophyMedia studiesSocial media studiesTeoria da crítica teatralJornalismoFilosofia digitalEstudos dos médiaEstudos sobre redes sociaisThe migration, also due to the crisis of the printed press, of almost all critical debate to the free pages of the Web is an obvious reality. The thesis of these investigations, which derive from a broader doctoral research project that moves between mediology, theatre studies, critical theories and digital philosophies, is that the current interactive Web environment is only partially regulated by human decision-making parameters, and increasingly subject to the control of a networking system based on hardware/software duality. This paper investigates disciplines related to media sociology and digital philosophy, looking for those problematic paradigms that force the reasoning on languages and functions of criticism to consider this practice within a system of interaction between human element and mechanical organization. As a case study, we present a review in the form of an open letter published by an online newspaper, which provoked controversial reactions and challenged the role of the critic as a bearer of authority, shifting the focus from the analysis of the performance to the observation of the general crisis of the Italian theatre system. This case study highlights the critical points introduced by the formation of virtual communities of social networks, which nowadays act as a mass of influence on the view of the contemporary scene.   THEORIES OF THEATRE CRITICISM / JOURNALISM / DIGITAL PHILOSOPHY / MEDIOLOGY / SOCIAL MEDIA STUDIESLa migrazione, anche dovuta alla crisi della stampa cartacea, della quasi totalità del dibattito critico sulle pagine gratuite del Web è una realtà evidente. La tesi di queste ricognizioni, che derivano da un più ampio progetto di ricerca dotto‑ rale che si muove tra mediologia, studi teatrali, teorie della critica e filosofie digitali, è che l’attuale ambiente del Web interattivo sia solo in parte regolato da parametri decisionali di matrice umana, e sempre più sottoposto al controllo di un sistema di networking basato sulla dualità hardware/software. Questo articolo indaga discipline legate alla sociologia dei media e alla filosofia digitale, cercando quei paradigmi problematici che obbligano il ragionamento sui linguaggi e sulle funzioni della critica a considerare questa pratica all’interno di un sistema di interazione tra elemento umano e organizzazione meccanica. Come caso di stu‑ dio viene presentata una recensione in forma di lettera aperta pubblicata da un giornale online, che ha suscitato reazioni controverse e messo in crisi il ruolo del critico come portatore di autorevolezza, spostando l’attenzione dall’analisi dello spettacolo all’osservazione della crisi generale del sistema teatrale italiano. Questo caso di studio mette in luce i punti critici introdotti dal formarsi delle comunità virtuali dei social network, che al giorno d’oggi agiscono come massa di influenza nei confronti dello sguardo sulla scena contemporanea.   TEORIE DI CRITICA TEATRALE / GIORNALISMO / FILOSOFIA DIGITALE / MEDIOLOGIA / STUDI SUI SOCIAL MEDIACentro de Estudos de Teatro da Faculdade de Letras da Universidade de Lisboa2018-03-09info:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/articleapplication/pdfhttps://doi.org/10.51427/cet.sdc.2018.0006https://doi.org/10.51427/cet.sdc.2018.0006Sinais de Cena; 2nd series, nr. 3 (2018); 55-68Sinais de Cena; 2e série, n°3 (2018); 55-68Sinais de Cena; 2.ª série, n.º 3 (2018); 55-682184-95521646-0715reponame:Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)instname:Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãoinstacron:RCAAPporhttps://revistas.rcaap.pt/sdc/article/view/17489https://revistas.rcaap.pt/sdc/article/view/17489/17987Direitos de Autor (c) 2018 Sergio Lo Gattoinfo:eu-repo/semantics/openAccessLo Gatto, Sergio2023-09-23T05:42:40Zoai:ojs.revistas.rcaap.pt:article/17489Portal AgregadorONGhttps://www.rcaap.pt/oai/openaireopendoar:71602024-03-19T15:37:57.944077Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) - Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãofalse
dc.title.none.fl_str_mv Theatre criticism on Web 2.0. Publishing, sharing, authoring critique in the light of human-computer interaction. The critical dialogue of the social media.
La critica teatrale sul Web 2.0. Pubblicare, condividere, autorizzare la critica alla luce dell'interazione uomo-computer. Il dialogo critico dei social media.
title Theatre criticism on Web 2.0. Publishing, sharing, authoring critique in the light of human-computer interaction. The critical dialogue of the social media.
spellingShingle Theatre criticism on Web 2.0. Publishing, sharing, authoring critique in the light of human-computer interaction. The critical dialogue of the social media.
Lo Gatto, Sergio
Theatre criticism theory
Journalism
Digital philosophy
Media studies
Social media studies
Teoria da crítica teatral
Jornalismo
Filosofia digital
Estudos dos média
Estudos sobre redes sociais
title_short Theatre criticism on Web 2.0. Publishing, sharing, authoring critique in the light of human-computer interaction. The critical dialogue of the social media.
title_full Theatre criticism on Web 2.0. Publishing, sharing, authoring critique in the light of human-computer interaction. The critical dialogue of the social media.
title_fullStr Theatre criticism on Web 2.0. Publishing, sharing, authoring critique in the light of human-computer interaction. The critical dialogue of the social media.
title_full_unstemmed Theatre criticism on Web 2.0. Publishing, sharing, authoring critique in the light of human-computer interaction. The critical dialogue of the social media.
title_sort Theatre criticism on Web 2.0. Publishing, sharing, authoring critique in the light of human-computer interaction. The critical dialogue of the social media.
author Lo Gatto, Sergio
author_facet Lo Gatto, Sergio
author_role author
dc.contributor.author.fl_str_mv Lo Gatto, Sergio
dc.subject.por.fl_str_mv Theatre criticism theory
Journalism
Digital philosophy
Media studies
Social media studies
Teoria da crítica teatral
Jornalismo
Filosofia digital
Estudos dos média
Estudos sobre redes sociais
topic Theatre criticism theory
Journalism
Digital philosophy
Media studies
Social media studies
Teoria da crítica teatral
Jornalismo
Filosofia digital
Estudos dos média
Estudos sobre redes sociais
description The migration, also due to the crisis of the printed press, of almost all critical debate to the free pages of the Web is an obvious reality. The thesis of these investigations, which derive from a broader doctoral research project that moves between mediology, theatre studies, critical theories and digital philosophies, is that the current interactive Web environment is only partially regulated by human decision-making parameters, and increasingly subject to the control of a networking system based on hardware/software duality. This paper investigates disciplines related to media sociology and digital philosophy, looking for those problematic paradigms that force the reasoning on languages and functions of criticism to consider this practice within a system of interaction between human element and mechanical organization. As a case study, we present a review in the form of an open letter published by an online newspaper, which provoked controversial reactions and challenged the role of the critic as a bearer of authority, shifting the focus from the analysis of the performance to the observation of the general crisis of the Italian theatre system. This case study highlights the critical points introduced by the formation of virtual communities of social networks, which nowadays act as a mass of influence on the view of the contemporary scene.   THEORIES OF THEATRE CRITICISM / JOURNALISM / DIGITAL PHILOSOPHY / MEDIOLOGY / SOCIAL MEDIA STUDIES
publishDate 2018
dc.date.none.fl_str_mv 2018-03-09
dc.type.status.fl_str_mv info:eu-repo/semantics/publishedVersion
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://doi.org/10.51427/cet.sdc.2018.0006
https://doi.org/10.51427/cet.sdc.2018.0006
url https://doi.org/10.51427/cet.sdc.2018.0006
dc.language.iso.fl_str_mv por
language por
dc.relation.none.fl_str_mv https://revistas.rcaap.pt/sdc/article/view/17489
https://revistas.rcaap.pt/sdc/article/view/17489/17987
dc.rights.driver.fl_str_mv Direitos de Autor (c) 2018 Sergio Lo Gatto
info:eu-repo/semantics/openAccess
rights_invalid_str_mv Direitos de Autor (c) 2018 Sergio Lo Gatto
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv Centro de Estudos de Teatro da Faculdade de Letras da Universidade de Lisboa
publisher.none.fl_str_mv Centro de Estudos de Teatro da Faculdade de Letras da Universidade de Lisboa
dc.source.none.fl_str_mv Sinais de Cena; 2nd series, nr. 3 (2018); 55-68
Sinais de Cena; 2e série, n°3 (2018); 55-68
Sinais de Cena; 2.ª série, n.º 3 (2018); 55-68
2184-9552
1646-0715
reponame:Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)
instname:Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informação
instacron:RCAAP
instname_str Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informação
instacron_str RCAAP
institution RCAAP
reponame_str Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)
collection Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)
repository.name.fl_str_mv Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) - Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informação
repository.mail.fl_str_mv
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