Drawing the dome. The center of Malagueira.
Autor(a) principal: | |
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Data de Publicação: | 2020 |
Outros Autores: | |
Tipo de documento: | Artigo |
Idioma: | por |
Título da fonte: | Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) |
Texto Completo: | http://hdl.handle.net/10174/29920 |
Resumo: | This paper analyses the instrumentality of Alvaro Siza’s drawings in his architectural practices at the specific case of Malagueira (Évora, Portugal, 1977-2005). Malagueira acts as a major urban project that entails the practice of architecture: the urban plan, the landscape design, housing and public equipment’s, and detailed design. Álvaro Siza’s “cadernos” (drawing books) are research objects that unveil the conscient mind of the architect and drawing provides specific approaches to mainstream architecture. Although the primary role of drawing practice is to represent architectural concepts, the drawing is not merely an analytical and interpretative means of spatial representation, but an empirical tool, for visual thinking and the visual imagining of space. Thus, it acts as a research tool within design that can be analysed and conveyed as a methodological approach for researching “into”, “through”, and “for” architecture. Siza’s drawings provide spatial experiences and give particular attention to the viewer: thru the hand of the architect (drafter) a user’s perspective (hypothesis) is tested and verified. The continuas and relentless, almost compulsory, drafting of hypothesis and the incorporation of ambiguous and external influences creates a corpus of design that influences the end piece of the project. |
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Drawing the dome. The center of Malagueira.Dibujar la cúpula. El centro de la MalagueiraArchitectural representationDrawingCriativityÁlvaro Siza VieiraMalagueiraThis paper analyses the instrumentality of Alvaro Siza’s drawings in his architectural practices at the specific case of Malagueira (Évora, Portugal, 1977-2005). Malagueira acts as a major urban project that entails the practice of architecture: the urban plan, the landscape design, housing and public equipment’s, and detailed design. Álvaro Siza’s “cadernos” (drawing books) are research objects that unveil the conscient mind of the architect and drawing provides specific approaches to mainstream architecture. Although the primary role of drawing practice is to represent architectural concepts, the drawing is not merely an analytical and interpretative means of spatial representation, but an empirical tool, for visual thinking and the visual imagining of space. Thus, it acts as a research tool within design that can be analysed and conveyed as a methodological approach for researching “into”, “through”, and “for” architecture. Siza’s drawings provide spatial experiences and give particular attention to the viewer: thru the hand of the architect (drafter) a user’s perspective (hypothesis) is tested and verified. The continuas and relentless, almost compulsory, drafting of hypothesis and the incorporation of ambiguous and external influences creates a corpus of design that influences the end piece of the project.This work is financed by national funds through FCT - Foundation for Science and Technology, I.P., within the scope of the project MALAGUEIRA - PATRIMÓNIO DE TODOS, Ref.ª PTDC 2017 – PTDC/ART-DAQ/32111/2017 [CHAIA/UÉ – Ref.ª (UI&D 112) / FCT].Grupo de Investigación UCM Arte, Arquitectura y Comunicación en la Ciudad Contemporánea, Universidad Complutense de Madrid2021-06-08T14:32:12Z2021-06-082020-12-01T00:00:00Zinfo:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/articlehttp://hdl.handle.net/10174/29920http://hdl.handle.net/10174/29920porGuilherme, Pedro; Salema, Sofia (2020) Drawing the dome. The center of Malagueira. In Martín, Miguel (ed) Visiones Urbanas, IX Jornadas Internacionales Arte Y Ciudad, pp. 175-183. Madrid : Grupo de Investigación UCM Arte, Arquitectura y Comunicación en la Ciudad Contemporánea, Universidad Complutense de Madrid. ISBN: 978-84-09-26948-8https://eventos.ucm.es/38680/section/20705/ix-jornadas-internacionales-arte-y-ciudad.htmlpmg@uevora.ptssalema@uevora.pt737Guilherme, PedroSalema, Salemainfo:eu-repo/semantics/openAccessreponame:Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)instname:Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãoinstacron:RCAAP2024-01-03T19:26:50Zoai:dspace.uevora.pt:10174/29920Portal AgregadorONGhttps://www.rcaap.pt/oai/openaireopendoar:71602024-03-20T01:19:14.608944Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) - Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãofalse |
dc.title.none.fl_str_mv |
Drawing the dome. The center of Malagueira. Dibujar la cúpula. El centro de la Malagueira |
title |
Drawing the dome. The center of Malagueira. |
spellingShingle |
Drawing the dome. The center of Malagueira. Guilherme, Pedro Architectural representation Drawing Criativity Álvaro Siza Vieira Malagueira |
title_short |
Drawing the dome. The center of Malagueira. |
title_full |
Drawing the dome. The center of Malagueira. |
title_fullStr |
Drawing the dome. The center of Malagueira. |
title_full_unstemmed |
Drawing the dome. The center of Malagueira. |
title_sort |
Drawing the dome. The center of Malagueira. |
author |
Guilherme, Pedro |
author_facet |
Guilherme, Pedro Salema, Salema |
author_role |
author |
author2 |
Salema, Salema |
author2_role |
author |
dc.contributor.author.fl_str_mv |
Guilherme, Pedro Salema, Salema |
dc.subject.por.fl_str_mv |
Architectural representation Drawing Criativity Álvaro Siza Vieira Malagueira |
topic |
Architectural representation Drawing Criativity Álvaro Siza Vieira Malagueira |
description |
This paper analyses the instrumentality of Alvaro Siza’s drawings in his architectural practices at the specific case of Malagueira (Évora, Portugal, 1977-2005). Malagueira acts as a major urban project that entails the practice of architecture: the urban plan, the landscape design, housing and public equipment’s, and detailed design. Álvaro Siza’s “cadernos” (drawing books) are research objects that unveil the conscient mind of the architect and drawing provides specific approaches to mainstream architecture. Although the primary role of drawing practice is to represent architectural concepts, the drawing is not merely an analytical and interpretative means of spatial representation, but an empirical tool, for visual thinking and the visual imagining of space. Thus, it acts as a research tool within design that can be analysed and conveyed as a methodological approach for researching “into”, “through”, and “for” architecture. Siza’s drawings provide spatial experiences and give particular attention to the viewer: thru the hand of the architect (drafter) a user’s perspective (hypothesis) is tested and verified. The continuas and relentless, almost compulsory, drafting of hypothesis and the incorporation of ambiguous and external influences creates a corpus of design that influences the end piece of the project. |
publishDate |
2020 |
dc.date.none.fl_str_mv |
2020-12-01T00:00:00Z 2021-06-08T14:32:12Z 2021-06-08 |
dc.type.status.fl_str_mv |
info:eu-repo/semantics/publishedVersion |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article |
format |
article |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
http://hdl.handle.net/10174/29920 http://hdl.handle.net/10174/29920 |
url |
http://hdl.handle.net/10174/29920 |
dc.language.iso.fl_str_mv |
por |
language |
por |
dc.relation.none.fl_str_mv |
Guilherme, Pedro; Salema, Sofia (2020) Drawing the dome. The center of Malagueira. In Martín, Miguel (ed) Visiones Urbanas, IX Jornadas Internacionales Arte Y Ciudad, pp. 175-183. Madrid : Grupo de Investigación UCM Arte, Arquitectura y Comunicación en la Ciudad Contemporánea, Universidad Complutense de Madrid. ISBN: 978-84-09-26948-8 https://eventos.ucm.es/38680/section/20705/ix-jornadas-internacionales-arte-y-ciudad.html pmg@uevora.pt ssalema@uevora.pt 737 |
dc.rights.driver.fl_str_mv |
info:eu-repo/semantics/openAccess |
eu_rights_str_mv |
openAccess |
dc.publisher.none.fl_str_mv |
Grupo de Investigación UCM Arte, Arquitectura y Comunicación en la Ciudad Contemporánea, Universidad Complutense de Madrid |
publisher.none.fl_str_mv |
Grupo de Investigación UCM Arte, Arquitectura y Comunicación en la Ciudad Contemporánea, Universidad Complutense de Madrid |
dc.source.none.fl_str_mv |
reponame:Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) instname:Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informação instacron:RCAAP |
instname_str |
Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informação |
instacron_str |
RCAAP |
institution |
RCAAP |
reponame_str |
Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) |
collection |
Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) |
repository.name.fl_str_mv |
Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) - Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informação |
repository.mail.fl_str_mv |
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1799136673905246208 |