Post-ip: Journal of the International Forum for Studies in Music and Dance
Autor(a) principal: | |
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Data de Publicação: | 2019 |
Outros Autores: | , , , |
Tipo de documento: | Artigo |
Idioma: | por |
Título da fonte: | Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) |
Texto Completo: | https://doi.org/10.34624/postip.v4i4.4879 |
Resumo: | Post-in-progress: 4rd International Post-Grauate Forum for Studies in Music and Dance (Post-ip ’17) was organized by post-graduated students, associated to the INET-md (Institute fo Ethnomusicology – Centre of Studies in Music and Dance) of University of Aveiro. It had 53 participants, from 9 countries, which provided 53 presentations, spoken in Portuguese, Spanish and English. This forum occurred between 5th and 7th December 2017, in Depatment of Communication and Arts of the Univeristy of Aveiro. The opening session occurred in the Auditorium of the Complex of Communication and Image Sciences (CCCI) and had as invitees Julieta Silva e Margarida Cardoso, representing the Organizing Committee of Post-ip’17, Prof. Susana Sardo, Coordinator of INET-md of the University of Aveiro, Prof. Salwa Castelo-Branco, coordinator of INET-md, Prof. Rui Raposo, Director of the Communication and Arts Departament and Prof. Manuel Assunção, Dean of the same university, at that time. The keynte speakers of this edition were Rubén López Cano and Úrsula San Cristóbal, Vincent Dubois, Sílvia Martinez and Ana Fávia Miguel, as first inviteed to the new space of Post-ip, Young Keynote Speaker. Vincent Dubois (Universitè de Strasbourg) presented a communication about wind bands and its relation with policies, entitled “A sociological perspective on the relationship between musical life and cultural policy: the case of wind bands”, at the first day of conference, after the opening session; Rubén López-Cano (Escola Superior de Música de Catalunya) and Úrsula San Cristóbal (Taller de músics de Escuela Superior de Estudios Musicales) presented the communication “Some frequent methodological problems in artistic research projects and some strategies to manage them” in CCCI auditorium, about some methodological problems related to Artistic Research area; Sílvia Martinez (Universidad Autonoma de Barcelona) presented the communication “Listening to voices, weaving networks: notes on feminism and popular music” after a little concert of the indian singer and researcher Baishali Sarkar. Ana Fávia Miguel (INET-md/Universidade de Aveiro) presented the documentary “Kola San Jon”, which won the “Intangible Heritage Documentation” on 6th Folk Music Film Festival, in Nepal in 2016. After that, she presented the communication “Ways of seeing and making the documentary Kola San Jon”. During three days, participants saw presentations in different formats, like communications, recital-conference, round tables and documentaries. As occurred in the last editions, participants were post-graduate students, so there weren’t doctors between them. The chairs were mainly recent doctors. We emphasized the concerts occurred during the conference, starting from the presentation of the project “Paluí: Viagens por histórias sonoras que a lingua portuguesa conta” from Helena Caspurro, José Geraldo, António Miguel e Pedro Carvalho de Almeida, in the first day of the conference. In the second day we listened an electroacoustic music concert with pieces written by post-graduate students Túlio Augusto and Tiago Lestre and another concert by Alfonso Bennetti (piano) and Jaroslav Mikus (cello). In 7th December, we emphasize also the round table about artistic research, which had an informal carcater and as invitees Rubén López-Cano and Úrsula San Cristóbal. That discussion was chaired by Alfonso Bennetti and participants said that it was relevant and useful. In all days of conference it was constructed a space of share of experiences and mutual apprenticeship, which facilitated the contact betwee participants and invitees. The present book is constituted by 24 articles, selected between all the presentations of Post-ip’17 conference. The revision was made by the editorial Committee and by the Consultant Committee of Acts of Congress of Post-ip’17. It contains articles inserted in various studies about music and dance, so the book reflects what was the congress. The articles are written in Portuguese or English and they are organized by name of the authors. Editorial Committee of Post-ip’17 appreciates very much the support gave by the Consultant Committee on the articles revision and also thanks to the authors and participants of Post-ip’17. Besides them, many other researchers and members of the university helped on the organization, in order to maintain this international and academic meeting and this fruitful experience. Thank you for all of them! Aveiro, 12 de Setembro de 2019 Journal of the 4rd International of Studies in Music and Dance’s Editorial Committee Amanda Carpenedo, Ana Margarida Cardoso, António Ventura, Julieta Silva and Mónica Chambel |
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Post-ip: Journal of the International Forum for Studies in Music and DancePost-ip: Revista do Fórum Internacional de Estudos em Música e DançaPost-in-progress: 4rd International Post-Grauate Forum for Studies in Music and Dance (Post-ip ’17) was organized by post-graduated students, associated to the INET-md (Institute fo Ethnomusicology – Centre of Studies in Music and Dance) of University of Aveiro. It had 53 participants, from 9 countries, which provided 53 presentations, spoken in Portuguese, Spanish and English. This forum occurred between 5th and 7th December 2017, in Depatment of Communication and Arts of the Univeristy of Aveiro. The opening session occurred in the Auditorium of the Complex of Communication and Image Sciences (CCCI) and had as invitees Julieta Silva e Margarida Cardoso, representing the Organizing Committee of Post-ip’17, Prof. Susana Sardo, Coordinator of INET-md of the University of Aveiro, Prof. Salwa Castelo-Branco, coordinator of INET-md, Prof. Rui Raposo, Director of the Communication and Arts Departament and Prof. Manuel Assunção, Dean of the same university, at that time. The keynte speakers of this edition were Rubén López Cano and Úrsula San Cristóbal, Vincent Dubois, Sílvia Martinez and Ana Fávia Miguel, as first inviteed to the new space of Post-ip, Young Keynote Speaker. Vincent Dubois (Universitè de Strasbourg) presented a communication about wind bands and its relation with policies, entitled “A sociological perspective on the relationship between musical life and cultural policy: the case of wind bands”, at the first day of conference, after the opening session; Rubén López-Cano (Escola Superior de Música de Catalunya) and Úrsula San Cristóbal (Taller de músics de Escuela Superior de Estudios Musicales) presented the communication “Some frequent methodological problems in artistic research projects and some strategies to manage them” in CCCI auditorium, about some methodological problems related to Artistic Research area; Sílvia Martinez (Universidad Autonoma de Barcelona) presented the communication “Listening to voices, weaving networks: notes on feminism and popular music” after a little concert of the indian singer and researcher Baishali Sarkar. Ana Fávia Miguel (INET-md/Universidade de Aveiro) presented the documentary “Kola San Jon”, which won the “Intangible Heritage Documentation” on 6th Folk Music Film Festival, in Nepal in 2016. After that, she presented the communication “Ways of seeing and making the documentary Kola San Jon”. During three days, participants saw presentations in different formats, like communications, recital-conference, round tables and documentaries. As occurred in the last editions, participants were post-graduate students, so there weren’t doctors between them. The chairs were mainly recent doctors. We emphasized the concerts occurred during the conference, starting from the presentation of the project “Paluí: Viagens por histórias sonoras que a lingua portuguesa conta” from Helena Caspurro, José Geraldo, António Miguel e Pedro Carvalho de Almeida, in the first day of the conference. In the second day we listened an electroacoustic music concert with pieces written by post-graduate students Túlio Augusto and Tiago Lestre and another concert by Alfonso Bennetti (piano) and Jaroslav Mikus (cello). In 7th December, we emphasize also the round table about artistic research, which had an informal carcater and as invitees Rubén López-Cano and Úrsula San Cristóbal. That discussion was chaired by Alfonso Bennetti and participants said that it was relevant and useful. In all days of conference it was constructed a space of share of experiences and mutual apprenticeship, which facilitated the contact betwee participants and invitees. The present book is constituted by 24 articles, selected between all the presentations of Post-ip’17 conference. The revision was made by the editorial Committee and by the Consultant Committee of Acts of Congress of Post-ip’17. It contains articles inserted in various studies about music and dance, so the book reflects what was the congress. The articles are written in Portuguese or English and they are organized by name of the authors. Editorial Committee of Post-ip’17 appreciates very much the support gave by the Consultant Committee on the articles revision and also thanks to the authors and participants of Post-ip’17. Besides them, many other researchers and members of the university helped on the organization, in order to maintain this international and academic meeting and this fruitful experience. Thank you for all of them! Aveiro, 12 de Setembro de 2019 Journal of the 4rd International of Studies in Music and Dance’s Editorial Committee Amanda Carpenedo, Ana Margarida Cardoso, António Ventura, Julieta Silva and Mónica Chambel O Post-in-progress: 4º Fórum Internacional de Pós-graduação em Estudos de Música e Dança (Post-ip ’17) foi organizado por alunos de pós-graduação associados ao polo da Universidade de Aveiro (UA) do Instituto de Etnomusicologia - Centro de Estudos de Música e Dança (INET-md). O congresso contou com a presença de 59 participantes, de 9 países, que efetuaram 53 apresentações. Este fórum teve participações em língua portuguesa, em língua espanhola e em língua inglesa, e decorreu entre os dias 5 e 7 de dezembro de 2017 no Departamento de Comunicação e Arte (DeCA) da Universidade de Aveiro, tendo sido as suas sessões de abertura e encerramento realizadas no Auditório do Complexo Departamento de comunicação e Arte da mesma Universidade. O congresso teve a sua sessão de abertura no auditório supracitado onde estiveram presentes Julieta Silva e Margarida Cardoso, em nome da Comissão Organizadora do Post-ip’17, a Prof. Susana Sardo, como Coordenadora do INET-md da Universidade de Aveiro, a Prof. Salwa Castelo-Branco, como coordenadora do INET-md, o Prof. Rui Raposo, como director do Departamento de Comunicação e Arte e o Prof. Manuel Assunção, Reitor da Universidade de Aveiro, à data. Esta quarta edição do Post-ip, Post-ip ’17, teve a honra de acolher como oradores convidados Rubén López Cano e Úrsula San Cristóbal, Vincent Dubois, Sílvia Martinez e ainda Ana Fávia Miguel, como primeira convidada da rubrica instaurada nesta edição, Jovem Orador(a) Principal. Vincent Dubois (Universitè de Strasbourg) apresentou-nos uma comunicação sobre bandas filarmónicas e a sua relaçao com as politicas culturais, na comunicação intitulada “A sociological perspective on the relationship between musical life and cultural policy: the case of wind bands”, apresentada no primeiro dia de cnferência, após a sessão de abertura; Rubén López-Cano (Escola Superior de Música de Catalunya) e Úrsula San Cristóbal (Taller de músics de Escuela Superior de Estudios Musicales) apresentaram uma comunicação intitulada “Some frequent methodological problems in artistic research projects and some strategies to manage them” no auditório do CCCI no dia 7 de Dezembro, sobre alguns problemas metodológicos que a área da Investigação Artística ainda enfrenta na atualidade; Sílvia Martinez (Universidad Autonoma de Barcelona) apresentou a comunicação “Listening to voices, weaving networks: notes on feminism and popular music” que foi precedida por um pequeno concerto de Baishali Sarkar, investigadora e cantora Indiana. Ana Fávia Miguel (INET-md/Universidade de Aveiro) apresentou-nos o documentário “Kola San Jon” com que ganhou o “Intangible Heritage Documentation” no 6th Folk Music Film Festival, que decorreu no Nepal em 2016. Após isso, apresentou a comunicação “Ways of seeing and making the documentary Kola San Jon”. Durante os três dias, os congressistas tiveram oportunidade de assistir a apresentações em diversos formatos, tais como comunicações, recitais-performance, posters, painéis e documentários. À semelhança das edições anteriores, os congressistas eram alunos de pós-graduação, ou seja, não havia doutorados entre eles. Os moderadores das mesas foram maioritariamnete alunos que haviam concluido o seu doutoramento nos últimos cinco anos. Salientam-se os momentos musicais que animaram este encontro, começando pelo concerto de apresentação do projeto “Paluí: Viagens por histórias sonoras que a lingua portuguesa conta” da autoria de Helena Caspurro, José Geraldo, António Miguel e Pedro Carvalho de Almeida, que correu no primeiro dia de conferênica (dia 5). No dia 6 houve um concerto de eletroacústica onde se reproduziram e espacializaram obras dos alunos de doutoramento Túlio Augusto e Tiago Lestre e um concerto de Alfonso Bennetti (piano) e Jaroslav Mikus (violoncello). No dia 7, destacamos a mesa redonda, com caráter informal, dedicada à investigação artística, que teve como convidados Rubén López-Cano e Úrsula San Cristóbal. Esta discussão, moderada por Alfonso Bennetti, foi muito profícua e pertinente, segundo vários alunos presentes. O um ambiente de partilha de experiências e de aprendizagem mutual verificou-se em todos os momentos do encontro e facilitou o contacto entre os vários congressistas e entre os congressistas e os oradores convidados. O presente livro é constituido por 24 artigos com base nas comunicações realizadas no âmbito do Post-ip ’17. A revisão foi levada a cabo pela Comissão Editorial e pelo Conselho Consultivo do Livro de Atas do Post-ip ’17. À semelhança do que ocorreu no evento, os artigos aqui presentes abordam temáticas muito diversas dos estudos em música e dança e, deste modo, este livro procura também ser um espelho do próprio evento. Os artigos encontram-se redigidos em português ou inglês e estão dispostos por ordem alfabética dos nomes dos autores. A Comissão Editorial do Post-ip ’17 gostaria de agradecer aos membros do Conselho Consultivo pelo apoio na revisão dos artigos e também aos autores e participantes da conferência. Para além dos autores aqui publicados, muitos outros investigadores tomaram parte no Post-ip ’17 e foi graças a todos eles que este evento pôde continuar a afirmar-se como um encontro de âmbito internacional, de elevado nível académico e uma experiência gratificante. A todos eles, a Comissão Editorial endereça um agradecimento muito especial. Aveiro, 12 de Setembro de 2019 A Comissão Editorial da Revista do 4º Fórum Internacional de Estudos em Música e Dança Amanda Carpenedo, Ana Margarida Cardoso, António Ventura, Julieta Silva e Mónica ChambelUA Editora2019-09-25info:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/articleapplication/pdfhttps://doi.org/10.34624/postip.v4i4.4879oai:proa.ua.pt:article/4879Post-ip: Journal of the International Forum for Studies in Music and Dance; Vol 4 No 4 (2017): Post-ip: Journal of the International Forum for Studies in Music and Dance; 1-8Post-ip: Revista do Fórum Internacional de Estudos em Música e Dança; vol. 4 n.º 4 (2017): Post-ip: Revista do Fórum Internacional de Estudos em Música e Dança; 1-82184-6138reponame:Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)instname:Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãoinstacron:RCAAPporhttps://proa.ua.pt/index.php/postip/article/view/4879https://doi.org/10.34624/postip.v4i4.4879https://proa.ua.pt/index.php/postip/article/view/4879/3649Cardoso, Ana MargaridaVentura, AntónioChambel, MónicaSilva, JulietaCarpenedo, Amandainfo:eu-repo/semantics/openAccess2022-12-21T07:45:58Zoai:proa.ua.pt:article/4879Portal AgregadorONGhttps://www.rcaap.pt/oai/openaireopendoar:71602024-03-19T16:28:41.223718Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) - Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãofalse |
dc.title.none.fl_str_mv |
Post-ip: Journal of the International Forum for Studies in Music and Dance Post-ip: Revista do Fórum Internacional de Estudos em Música e Dança |
title |
Post-ip: Journal of the International Forum for Studies in Music and Dance |
spellingShingle |
Post-ip: Journal of the International Forum for Studies in Music and Dance Cardoso, Ana Margarida |
title_short |
Post-ip: Journal of the International Forum for Studies in Music and Dance |
title_full |
Post-ip: Journal of the International Forum for Studies in Music and Dance |
title_fullStr |
Post-ip: Journal of the International Forum for Studies in Music and Dance |
title_full_unstemmed |
Post-ip: Journal of the International Forum for Studies in Music and Dance |
title_sort |
Post-ip: Journal of the International Forum for Studies in Music and Dance |
author |
Cardoso, Ana Margarida |
author_facet |
Cardoso, Ana Margarida Ventura, António Chambel, Mónica Silva, Julieta Carpenedo, Amanda |
author_role |
author |
author2 |
Ventura, António Chambel, Mónica Silva, Julieta Carpenedo, Amanda |
author2_role |
author author author author |
dc.contributor.author.fl_str_mv |
Cardoso, Ana Margarida Ventura, António Chambel, Mónica Silva, Julieta Carpenedo, Amanda |
description |
Post-in-progress: 4rd International Post-Grauate Forum for Studies in Music and Dance (Post-ip ’17) was organized by post-graduated students, associated to the INET-md (Institute fo Ethnomusicology – Centre of Studies in Music and Dance) of University of Aveiro. It had 53 participants, from 9 countries, which provided 53 presentations, spoken in Portuguese, Spanish and English. This forum occurred between 5th and 7th December 2017, in Depatment of Communication and Arts of the Univeristy of Aveiro. The opening session occurred in the Auditorium of the Complex of Communication and Image Sciences (CCCI) and had as invitees Julieta Silva e Margarida Cardoso, representing the Organizing Committee of Post-ip’17, Prof. Susana Sardo, Coordinator of INET-md of the University of Aveiro, Prof. Salwa Castelo-Branco, coordinator of INET-md, Prof. Rui Raposo, Director of the Communication and Arts Departament and Prof. Manuel Assunção, Dean of the same university, at that time. The keynte speakers of this edition were Rubén López Cano and Úrsula San Cristóbal, Vincent Dubois, Sílvia Martinez and Ana Fávia Miguel, as first inviteed to the new space of Post-ip, Young Keynote Speaker. Vincent Dubois (Universitè de Strasbourg) presented a communication about wind bands and its relation with policies, entitled “A sociological perspective on the relationship between musical life and cultural policy: the case of wind bands”, at the first day of conference, after the opening session; Rubén López-Cano (Escola Superior de Música de Catalunya) and Úrsula San Cristóbal (Taller de músics de Escuela Superior de Estudios Musicales) presented the communication “Some frequent methodological problems in artistic research projects and some strategies to manage them” in CCCI auditorium, about some methodological problems related to Artistic Research area; Sílvia Martinez (Universidad Autonoma de Barcelona) presented the communication “Listening to voices, weaving networks: notes on feminism and popular music” after a little concert of the indian singer and researcher Baishali Sarkar. Ana Fávia Miguel (INET-md/Universidade de Aveiro) presented the documentary “Kola San Jon”, which won the “Intangible Heritage Documentation” on 6th Folk Music Film Festival, in Nepal in 2016. After that, she presented the communication “Ways of seeing and making the documentary Kola San Jon”. During three days, participants saw presentations in different formats, like communications, recital-conference, round tables and documentaries. As occurred in the last editions, participants were post-graduate students, so there weren’t doctors between them. The chairs were mainly recent doctors. We emphasized the concerts occurred during the conference, starting from the presentation of the project “Paluí: Viagens por histórias sonoras que a lingua portuguesa conta” from Helena Caspurro, José Geraldo, António Miguel e Pedro Carvalho de Almeida, in the first day of the conference. In the second day we listened an electroacoustic music concert with pieces written by post-graduate students Túlio Augusto and Tiago Lestre and another concert by Alfonso Bennetti (piano) and Jaroslav Mikus (cello). In 7th December, we emphasize also the round table about artistic research, which had an informal carcater and as invitees Rubén López-Cano and Úrsula San Cristóbal. That discussion was chaired by Alfonso Bennetti and participants said that it was relevant and useful. In all days of conference it was constructed a space of share of experiences and mutual apprenticeship, which facilitated the contact betwee participants and invitees. The present book is constituted by 24 articles, selected between all the presentations of Post-ip’17 conference. The revision was made by the editorial Committee and by the Consultant Committee of Acts of Congress of Post-ip’17. It contains articles inserted in various studies about music and dance, so the book reflects what was the congress. The articles are written in Portuguese or English and they are organized by name of the authors. Editorial Committee of Post-ip’17 appreciates very much the support gave by the Consultant Committee on the articles revision and also thanks to the authors and participants of Post-ip’17. Besides them, many other researchers and members of the university helped on the organization, in order to maintain this international and academic meeting and this fruitful experience. Thank you for all of them! Aveiro, 12 de Setembro de 2019 Journal of the 4rd International of Studies in Music and Dance’s Editorial Committee Amanda Carpenedo, Ana Margarida Cardoso, António Ventura, Julieta Silva and Mónica Chambel |
publishDate |
2019 |
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2019-09-25 |
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info:eu-repo/semantics/publishedVersion |
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info:eu-repo/semantics/article |
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publishedVersion |
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https://doi.org/10.34624/postip.v4i4.4879 oai:proa.ua.pt:article/4879 |
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https://doi.org/10.34624/postip.v4i4.4879 |
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oai:proa.ua.pt:article/4879 |
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https://proa.ua.pt/index.php/postip/article/view/4879 https://doi.org/10.34624/postip.v4i4.4879 https://proa.ua.pt/index.php/postip/article/view/4879/3649 |
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info:eu-repo/semantics/openAccess |
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openAccess |
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UA Editora |
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UA Editora |
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Post-ip: Journal of the International Forum for Studies in Music and Dance; Vol 4 No 4 (2017): Post-ip: Journal of the International Forum for Studies in Music and Dance; 1-8 Post-ip: Revista do Fórum Internacional de Estudos em Música e Dança; vol. 4 n.º 4 (2017): Post-ip: Revista do Fórum Internacional de Estudos em Música e Dança; 1-8 2184-6138 reponame:Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) instname:Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informação instacron:RCAAP |
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Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informação |
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RCAAP |
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RCAAP |
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Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) |
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Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) |
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Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) - Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informação |
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