Research on the First Musique Concrète: The Case of Xenakis’s First Electroacoustic Pieces
Autor(a) principal: | |
---|---|
Data de Publicação: | 2014 |
Outros Autores: | |
Tipo de documento: | Artigo |
Idioma: | eng |
Título da fonte: | Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) |
Texto Completo: | http://hdl.handle.net/10174/20289 |
Resumo: | Xenakis’s first electroacoustic pieces (Diamorphoses, 1957; Concret PH, 1958; Analogique B, 1959; Orient-Occident, 1960; and Bohor, 1962) can be called musique concrète. Indeed, these works use the concrète musique tape techniques. But their spirit and aesthetic is very different from those set forth in Pierre Schaeffer’s theories. In fact, these works are quite particular in their whole conception. The two authors of this article are researching this period of Xenakis’s electroacoustic music. In this article, they offer a brief survey of the issues these works raised. To illustrate some of these issues, they use Diamorphoses and Bohor as examples. |
id |
RCAP_8c794f884b97914e8126ee97353ccf87 |
---|---|
oai_identifier_str |
oai:dspace.uevora.pt:10174/20289 |
network_acronym_str |
RCAP |
network_name_str |
Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) |
repository_id_str |
7160 |
spelling |
Research on the First Musique Concrète: The Case of Xenakis’s First Electroacoustic PiecesIannis Xenakismusique concrèteXenakis’s first electroacoustic pieces (Diamorphoses, 1957; Concret PH, 1958; Analogique B, 1959; Orient-Occident, 1960; and Bohor, 1962) can be called musique concrète. Indeed, these works use the concrète musique tape techniques. But their spirit and aesthetic is very different from those set forth in Pierre Schaeffer’s theories. In fact, these works are quite particular in their whole conception. The two authors of this article are researching this period of Xenakis’s electroacoustic music. In this article, they offer a brief survey of the issues these works raised. To illustrate some of these issues, they use Diamorphoses and Bohor as examples.Electroacoustic Music Studies Conference2017-01-30T12:53:13Z2017-01-302014-01-01T00:00:00Zinfo:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/articlehttp://hdl.handle.net/10174/20289http://hdl.handle.net/10174/20289engGIBSON Benoît, SOLOMOS, Makis, "Research on the First Musique Concrète: The Case of Xenakis’s First Electroacoustic Pieces". Proceedings of the Electroacoustic Music Studies Conference. Electroacoustic Music in the Context of Interactive Approaches and Networks, Lisbon, June 2013. http://www.ems-network.org/spip.php?article410http://www.ems-network.org/spip.php?article410bg@uevora.ptmakis.solomos@univ-paris8.fr203Gibson, BenoîtSolomos, Makisinfo:eu-repo/semantics/openAccessreponame:Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)instname:Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãoinstacron:RCAAP2024-01-03T19:10:10Zoai:dspace.uevora.pt:10174/20289Portal AgregadorONGhttps://www.rcaap.pt/oai/openaireopendoar:71602024-03-20T01:11:50.832040Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) - Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãofalse |
dc.title.none.fl_str_mv |
Research on the First Musique Concrète: The Case of Xenakis’s First Electroacoustic Pieces |
title |
Research on the First Musique Concrète: The Case of Xenakis’s First Electroacoustic Pieces |
spellingShingle |
Research on the First Musique Concrète: The Case of Xenakis’s First Electroacoustic Pieces Gibson, Benoît Iannis Xenakis musique concrète |
title_short |
Research on the First Musique Concrète: The Case of Xenakis’s First Electroacoustic Pieces |
title_full |
Research on the First Musique Concrète: The Case of Xenakis’s First Electroacoustic Pieces |
title_fullStr |
Research on the First Musique Concrète: The Case of Xenakis’s First Electroacoustic Pieces |
title_full_unstemmed |
Research on the First Musique Concrète: The Case of Xenakis’s First Electroacoustic Pieces |
title_sort |
Research on the First Musique Concrète: The Case of Xenakis’s First Electroacoustic Pieces |
author |
Gibson, Benoît |
author_facet |
Gibson, Benoît Solomos, Makis |
author_role |
author |
author2 |
Solomos, Makis |
author2_role |
author |
dc.contributor.author.fl_str_mv |
Gibson, Benoît Solomos, Makis |
dc.subject.por.fl_str_mv |
Iannis Xenakis musique concrète |
topic |
Iannis Xenakis musique concrète |
description |
Xenakis’s first electroacoustic pieces (Diamorphoses, 1957; Concret PH, 1958; Analogique B, 1959; Orient-Occident, 1960; and Bohor, 1962) can be called musique concrète. Indeed, these works use the concrète musique tape techniques. But their spirit and aesthetic is very different from those set forth in Pierre Schaeffer’s theories. In fact, these works are quite particular in their whole conception. The two authors of this article are researching this period of Xenakis’s electroacoustic music. In this article, they offer a brief survey of the issues these works raised. To illustrate some of these issues, they use Diamorphoses and Bohor as examples. |
publishDate |
2014 |
dc.date.none.fl_str_mv |
2014-01-01T00:00:00Z 2017-01-30T12:53:13Z 2017-01-30 |
dc.type.status.fl_str_mv |
info:eu-repo/semantics/publishedVersion |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article |
format |
article |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
http://hdl.handle.net/10174/20289 http://hdl.handle.net/10174/20289 |
url |
http://hdl.handle.net/10174/20289 |
dc.language.iso.fl_str_mv |
eng |
language |
eng |
dc.relation.none.fl_str_mv |
GIBSON Benoît, SOLOMOS, Makis, "Research on the First Musique Concrète: The Case of Xenakis’s First Electroacoustic Pieces". Proceedings of the Electroacoustic Music Studies Conference. Electroacoustic Music in the Context of Interactive Approaches and Networks, Lisbon, June 2013. http://www.ems-network.org/spip.php?article410 http://www.ems-network.org/spip.php?article410 bg@uevora.pt makis.solomos@univ-paris8.fr 203 |
dc.rights.driver.fl_str_mv |
info:eu-repo/semantics/openAccess |
eu_rights_str_mv |
openAccess |
dc.publisher.none.fl_str_mv |
Electroacoustic Music Studies Conference |
publisher.none.fl_str_mv |
Electroacoustic Music Studies Conference |
dc.source.none.fl_str_mv |
reponame:Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) instname:Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informação instacron:RCAAP |
instname_str |
Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informação |
instacron_str |
RCAAP |
institution |
RCAAP |
reponame_str |
Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) |
collection |
Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) |
repository.name.fl_str_mv |
Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) - Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informação |
repository.mail.fl_str_mv |
|
_version_ |
1799136600240685056 |