Axes of tension : navigating craft, institution and industry as an art-researcher in film and new media

Detalhes bibliográficos
Autor(a) principal: Lipsyc, Nadia
Data de Publicação: 2020
Outros Autores: Jaller, Camila, Howard, Frederick
Tipo de documento: Artigo
Idioma: eng
Título da fonte: Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)
Texto Completo: http://hdl.handle.net/10437/11577
Resumo: Artistic Research (AR) in collective, industrial arts can find itself to be an intense balancing act: film and new media are expensive forms that rely on commercial expectations and industrial integration, while artistic experimentation flourishes in independence and creative freedom. Transposing the model of the independent artist to large-scale collective productions challenges our vision of art, affiliation and integrity. AR researchers in film and new media can have radically different practices: from industrial creative producers to one-person camera documentarists, from VR designers to screenwriters and 3D artists. While our potential for creation and innovation is similar, our expectations and abilities are as diverse as the cost of our projects. Our contribution spans questions of affiliation, authorship, production and speculation, with the aim to bring clarification on what can be expected for and of diverse AR researchers in film and new media, and to promote the concrete establishment of appropriate support and supervision
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spelling Axes of tension : navigating craft, institution and industry as an art-researcher in film and new mediaAUDIOVISUALPRODUÇÃO CINEMATOGRÁFICAINDÚSTRIA AUDIOVISUALCRIAÇÃO ARTÍSTICANOVOS MEDIAAUDIOVISUALFILM PRODUCTIONAUDIOVISUAL INDUSTRYARTISTIC CREATIONNEW MEDIAArtistic Research (AR) in collective, industrial arts can find itself to be an intense balancing act: film and new media are expensive forms that rely on commercial expectations and industrial integration, while artistic experimentation flourishes in independence and creative freedom. Transposing the model of the independent artist to large-scale collective productions challenges our vision of art, affiliation and integrity. AR researchers in film and new media can have radically different practices: from industrial creative producers to one-person camera documentarists, from VR designers to screenwriters and 3D artists. While our potential for creation and innovation is similar, our expectations and abilities are as diverse as the cost of our projects. Our contribution spans questions of affiliation, authorship, production and speculation, with the aim to bring clarification on what can be expected for and of diverse AR researchers in film and new media, and to promote the concrete establishment of appropriate support and supervisionEdições Universitárias Lusófonas2020-12-17T12:57:46Z2020-01-01T00:00:00Z2020info:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/articleapplication/pdfhttp://hdl.handle.net/10437/11577eng2183-9271Lipsyc, NadiaJaller, CamilaHoward, Frederick,info:eu-repo/semantics/openAccessreponame:Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)instname:Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãoinstacron:RCAAP2023-03-09T14:11:07Zoai:recil.ensinolusofona.pt:10437/11577Portal AgregadorONGhttps://www.rcaap.pt/oai/openaireopendoar:71602024-03-19T17:17:41.489547Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) - Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãofalse
dc.title.none.fl_str_mv Axes of tension : navigating craft, institution and industry as an art-researcher in film and new media
title Axes of tension : navigating craft, institution and industry as an art-researcher in film and new media
spellingShingle Axes of tension : navigating craft, institution and industry as an art-researcher in film and new media
Lipsyc, Nadia
AUDIOVISUAL
PRODUÇÃO CINEMATOGRÁFICA
INDÚSTRIA AUDIOVISUAL
CRIAÇÃO ARTÍSTICA
NOVOS MEDIA
AUDIOVISUAL
FILM PRODUCTION
AUDIOVISUAL INDUSTRY
ARTISTIC CREATION
NEW MEDIA
title_short Axes of tension : navigating craft, institution and industry as an art-researcher in film and new media
title_full Axes of tension : navigating craft, institution and industry as an art-researcher in film and new media
title_fullStr Axes of tension : navigating craft, institution and industry as an art-researcher in film and new media
title_full_unstemmed Axes of tension : navigating craft, institution and industry as an art-researcher in film and new media
title_sort Axes of tension : navigating craft, institution and industry as an art-researcher in film and new media
author Lipsyc, Nadia
author_facet Lipsyc, Nadia
Jaller, Camila
Howard, Frederick,
author_role author
author2 Jaller, Camila
Howard, Frederick,
author2_role author
author
dc.contributor.author.fl_str_mv Lipsyc, Nadia
Jaller, Camila
Howard, Frederick,
dc.subject.por.fl_str_mv AUDIOVISUAL
PRODUÇÃO CINEMATOGRÁFICA
INDÚSTRIA AUDIOVISUAL
CRIAÇÃO ARTÍSTICA
NOVOS MEDIA
AUDIOVISUAL
FILM PRODUCTION
AUDIOVISUAL INDUSTRY
ARTISTIC CREATION
NEW MEDIA
topic AUDIOVISUAL
PRODUÇÃO CINEMATOGRÁFICA
INDÚSTRIA AUDIOVISUAL
CRIAÇÃO ARTÍSTICA
NOVOS MEDIA
AUDIOVISUAL
FILM PRODUCTION
AUDIOVISUAL INDUSTRY
ARTISTIC CREATION
NEW MEDIA
description Artistic Research (AR) in collective, industrial arts can find itself to be an intense balancing act: film and new media are expensive forms that rely on commercial expectations and industrial integration, while artistic experimentation flourishes in independence and creative freedom. Transposing the model of the independent artist to large-scale collective productions challenges our vision of art, affiliation and integrity. AR researchers in film and new media can have radically different practices: from industrial creative producers to one-person camera documentarists, from VR designers to screenwriters and 3D artists. While our potential for creation and innovation is similar, our expectations and abilities are as diverse as the cost of our projects. Our contribution spans questions of affiliation, authorship, production and speculation, with the aim to bring clarification on what can be expected for and of diverse AR researchers in film and new media, and to promote the concrete establishment of appropriate support and supervision
publishDate 2020
dc.date.none.fl_str_mv 2020-12-17T12:57:46Z
2020-01-01T00:00:00Z
2020
dc.type.status.fl_str_mv info:eu-repo/semantics/publishedVersion
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv http://hdl.handle.net/10437/11577
url http://hdl.handle.net/10437/11577
dc.language.iso.fl_str_mv eng
language eng
dc.relation.none.fl_str_mv 2183-9271
dc.rights.driver.fl_str_mv info:eu-repo/semantics/openAccess
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv Edições Universitárias Lusófonas
publisher.none.fl_str_mv Edições Universitárias Lusófonas
dc.source.none.fl_str_mv reponame:Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)
instname:Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informação
instacron:RCAAP
instname_str Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informação
instacron_str RCAAP
institution RCAAP
reponame_str Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)
collection Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)
repository.name.fl_str_mv Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) - Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informação
repository.mail.fl_str_mv
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