A Question of Mastery. Defects and Layers

Detalhes bibliográficos
Autor(a) principal: Frolova, Nadezda
Data de Publicação: 2022
Tipo de documento: Dissertação
Idioma: eng
Título da fonte: Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)
Texto Completo: http://hdl.handle.net/10362/150300
Resumo: This work began with a topic that was interesting and exciting to me: the technology of multiple firing in ceramics and defective glazes. Almost immediately, I thought I knew how to build a testing and scientific research process. My goal was to collect an extensive library of effects and techniques that would meet my expectations, and using this palette, as a painter move directly to the very process of creating art objects. For the study, I chose one defect of my interest - the appearance of craters in the glaze driven by Silicon Carbide (SiC) and the dependence of the characters of the craters on the amount of SiC. The project was undertaken to evaluate how crater glazes work with other glazes such as copper red and crystalline glazes in layers, which will provide a variety of glazing textures. In the process of working with defects in glazes, there was an encounter with control, a desire to conform to the outlined plan, followed by the attempt to free myself and follow a more organic process. "Two" fundamental questions emerged on which to base the study of my art practice: 1. What are the layers of process that make up my artistic practice? Who are the participants in this process: the inner values, intuition, the material with which I interact, fire, chance...something else? 2. What role do 'chance and control’ play in my art practice? Trying to find answers to these questions brought me closer to personal understanding about my artistic practice: ● Dealing with uncertainty ● Failure and disappointment ● Empathy for the material ● Trust of fire ● Acting, not just planning
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spelling A Question of Mastery. Defects and LayersDefectsLayersChanceControlGlazesSurfaceDomínio/Área Científica::Engenharia e Tecnologia::Outras Engenharias e TecnologiasThis work began with a topic that was interesting and exciting to me: the technology of multiple firing in ceramics and defective glazes. Almost immediately, I thought I knew how to build a testing and scientific research process. My goal was to collect an extensive library of effects and techniques that would meet my expectations, and using this palette, as a painter move directly to the very process of creating art objects. For the study, I chose one defect of my interest - the appearance of craters in the glaze driven by Silicon Carbide (SiC) and the dependence of the characters of the craters on the amount of SiC. The project was undertaken to evaluate how crater glazes work with other glazes such as copper red and crystalline glazes in layers, which will provide a variety of glazing textures. In the process of working with defects in glazes, there was an encounter with control, a desire to conform to the outlined plan, followed by the attempt to free myself and follow a more organic process. "Two" fundamental questions emerged on which to base the study of my art practice: 1. What are the layers of process that make up my artistic practice? Who are the participants in this process: the inner values, intuition, the material with which I interact, fire, chance...something else? 2. What role do 'chance and control’ play in my art practice? Trying to find answers to these questions brought me closer to personal understanding about my artistic practice: ● Dealing with uncertainty ● Failure and disappointment ● Empathy for the material ● Trust of fire ● Acting, not just planningEste trabalho começou com um tópico que era interessante e entusiasmante para mim: a tecnologia de múltiplas cozeduras em cerâmica e vidrados com “defeitos”. Quase imediatamente, consegui imaginar um protocolo para testar estes processos de forma científica. O meu objetivo foi recolher uma extensa biblioteca de efeitos e técnicas que fossem ao encontro das minhas expectativas, usando esta paleta diretamente no processo de criação de obras de arte. Para o estudo, escolhi um dos defeitos que me interessavam – o aparecimento de crateras (ou pústulas) no vidrado por efeito do carboneto de silício (SiC) e a relação entre as características das crateras e quantidade de SiC. O estudo incluiu ainda a avaliação da interação entre os vidrados de crateras (crater glaze) e outros – tais como o vidrado vermelho de cobre e os vidrados cristalinos – quando aplicados em camadas, originando uma variedade de texturas e cores. No processo de trabalhar com os defeitos em vidrados, deparei-me com a questão do controlo, com o desejo de corresponder a um plano delineado, a que se seguiu a tentativa de me libertar e seguir um processo mais orgânico. Surgiram “duas” questões fundamentais nas quais basear o estudo da minha prática artística: 1. Quais são as camadas do processo que constituem a minha prática artística? Quem são os participantes neste processo: os valores intrínsecos, a intuição, o material com que interajo, o fogo, o acaso... algo diferente? 2. Que papel desempenham o “acaso e o controlo” na minha prática artística? Tentar responder as estas questões aproximou-me de uma compreensão pessoal acerca da minha arte: · Lidar com a incerteza · Fracasso e desilusão · Empatia pelo material · Confiar no fogo · Agir, não planear apenas.Meitner, RichardCoentro, SusanaCastelo, MartaRUNFrolova, Nadezda2023-03-10T18:04:29Z2022-022022-02-01T00:00:00Zinfo:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/masterThesisapplication/pdfhttp://hdl.handle.net/10362/150300enginfo:eu-repo/semantics/openAccessreponame:Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)instname:Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãoinstacron:RCAAP2024-03-11T05:32:13Zoai:run.unl.pt:10362/150300Portal AgregadorONGhttps://www.rcaap.pt/oai/openaireopendoar:71602024-03-20T03:54:02.695300Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) - Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãofalse
dc.title.none.fl_str_mv A Question of Mastery. Defects and Layers
title A Question of Mastery. Defects and Layers
spellingShingle A Question of Mastery. Defects and Layers
Frolova, Nadezda
Defects
Layers
Chance
Control
Glazes
Surface
Domínio/Área Científica::Engenharia e Tecnologia::Outras Engenharias e Tecnologias
title_short A Question of Mastery. Defects and Layers
title_full A Question of Mastery. Defects and Layers
title_fullStr A Question of Mastery. Defects and Layers
title_full_unstemmed A Question of Mastery. Defects and Layers
title_sort A Question of Mastery. Defects and Layers
author Frolova, Nadezda
author_facet Frolova, Nadezda
author_role author
dc.contributor.none.fl_str_mv Meitner, Richard
Coentro, Susana
Castelo, Marta
RUN
dc.contributor.author.fl_str_mv Frolova, Nadezda
dc.subject.por.fl_str_mv Defects
Layers
Chance
Control
Glazes
Surface
Domínio/Área Científica::Engenharia e Tecnologia::Outras Engenharias e Tecnologias
topic Defects
Layers
Chance
Control
Glazes
Surface
Domínio/Área Científica::Engenharia e Tecnologia::Outras Engenharias e Tecnologias
description This work began with a topic that was interesting and exciting to me: the technology of multiple firing in ceramics and defective glazes. Almost immediately, I thought I knew how to build a testing and scientific research process. My goal was to collect an extensive library of effects and techniques that would meet my expectations, and using this palette, as a painter move directly to the very process of creating art objects. For the study, I chose one defect of my interest - the appearance of craters in the glaze driven by Silicon Carbide (SiC) and the dependence of the characters of the craters on the amount of SiC. The project was undertaken to evaluate how crater glazes work with other glazes such as copper red and crystalline glazes in layers, which will provide a variety of glazing textures. In the process of working with defects in glazes, there was an encounter with control, a desire to conform to the outlined plan, followed by the attempt to free myself and follow a more organic process. "Two" fundamental questions emerged on which to base the study of my art practice: 1. What are the layers of process that make up my artistic practice? Who are the participants in this process: the inner values, intuition, the material with which I interact, fire, chance...something else? 2. What role do 'chance and control’ play in my art practice? Trying to find answers to these questions brought me closer to personal understanding about my artistic practice: ● Dealing with uncertainty ● Failure and disappointment ● Empathy for the material ● Trust of fire ● Acting, not just planning
publishDate 2022
dc.date.none.fl_str_mv 2022-02
2022-02-01T00:00:00Z
2023-03-10T18:04:29Z
dc.type.status.fl_str_mv info:eu-repo/semantics/publishedVersion
dc.type.driver.fl_str_mv info:eu-repo/semantics/masterThesis
format masterThesis
status_str publishedVersion
dc.identifier.uri.fl_str_mv http://hdl.handle.net/10362/150300
url http://hdl.handle.net/10362/150300
dc.language.iso.fl_str_mv eng
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dc.format.none.fl_str_mv application/pdf
dc.source.none.fl_str_mv reponame:Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)
instname:Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informação
instacron:RCAAP
instname_str Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informação
instacron_str RCAAP
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reponame_str Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)
collection Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)
repository.name.fl_str_mv Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) - Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informação
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