The experience of the religious through silent moving image and the silence of Bill Viola’s Passions

Detalhes bibliográficos
Autor(a) principal: Gil, Inês
Data de Publicação: 2009
Tipo de documento: Artigo
Idioma: eng
Título da fonte: Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)
Texto Completo: https://doi.org/10.34632/didaskalia.2009.1903
Resumo: With the creation of the moving image at the end of the 19th Century a new way of representing and expressing the Religious was born. The cinema industry rapidly understood that film has a powerful way to attract new audiences and transformed the explicit religious message into an implicit theological discourse of the fictional film. Today, the concept of “cinema” needs to be rethought and expanded, as well as the notion of “Transcendental” since the strong reality effect of the film image can allow a true religious experience for the spectator.
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spelling The experience of the religious through silent moving image and the silence of Bill Viola’s PassionsWith the creation of the moving image at the end of the 19th Century a new way of representing and expressing the Religious was born. The cinema industry rapidly understood that film has a powerful way to attract new audiences and transformed the explicit religious message into an implicit theological discourse of the fictional film. Today, the concept of “cinema” needs to be rethought and expanded, as well as the notion of “Transcendental” since the strong reality effect of the film image can allow a true religious experience for the spectator.Com a descoberta do cinema no fim do século 19, novas formas de representar e de exprimir o Religioso nasceram. A indústria cinematográfica percebeu rapidamente que o filme tinha o poder de atrair novas audiências e transformou a mensagem religiosa explícita num discurso teológico implícito no cinema de ficção. Hoje, o conceito de “cinema” tem que ser repensado e alargado, tal como a noção de “Transcendental” porque a forte impressão de realidade da imagem fílmica pode mergulhar o espectador numa verdadeira experiência religiosa.Universidade Católica Portuguesa2009-01-01T00:00:00Zjournal articleinfo:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://doi.org/10.34632/didaskalia.2009.1903oai:ojs.revistas.ucp.pt:article/1903Didaskalia; Vol 39 No 1 (2009): Cartografias do silêncio; 147-157Didaskalia; v. 39 n. 1 (2009): Cartografias do silêncio; 147-1570253-167410.34632/didaskalia.2009.39.1reponame:Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)instname:Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãoinstacron:RCAAPenghttps://revistas.ucp.pt/index.php/didaskalia/article/view/1903https://doi.org/10.34632/didaskalia.2009.1903https://revistas.ucp.pt/index.php/didaskalia/article/view/1903/1825Direitos de Autor (c) 2009 Inês Gilhttp://creativecommons.org/licenses/by/4.0info:eu-repo/semantics/openAccessGil, Inês2022-09-26T10:57:37Zoai:ojs.revistas.ucp.pt:article/1903Portal AgregadorONGhttps://www.rcaap.pt/oai/openaireopendoar:71602024-03-19T16:06:50.694483Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) - Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãofalse
dc.title.none.fl_str_mv The experience of the religious through silent moving image and the silence of Bill Viola’s Passions
title The experience of the religious through silent moving image and the silence of Bill Viola’s Passions
spellingShingle The experience of the religious through silent moving image and the silence of Bill Viola’s Passions
Gil, Inês
title_short The experience of the religious through silent moving image and the silence of Bill Viola’s Passions
title_full The experience of the religious through silent moving image and the silence of Bill Viola’s Passions
title_fullStr The experience of the religious through silent moving image and the silence of Bill Viola’s Passions
title_full_unstemmed The experience of the religious through silent moving image and the silence of Bill Viola’s Passions
title_sort The experience of the religious through silent moving image and the silence of Bill Viola’s Passions
author Gil, Inês
author_facet Gil, Inês
author_role author
dc.contributor.author.fl_str_mv Gil, Inês
description With the creation of the moving image at the end of the 19th Century a new way of representing and expressing the Religious was born. The cinema industry rapidly understood that film has a powerful way to attract new audiences and transformed the explicit religious message into an implicit theological discourse of the fictional film. Today, the concept of “cinema” needs to be rethought and expanded, as well as the notion of “Transcendental” since the strong reality effect of the film image can allow a true religious experience for the spectator.
publishDate 2009
dc.date.none.fl_str_mv 2009-01-01T00:00:00Z
dc.type.driver.fl_str_mv journal article
info:eu-repo/semantics/article
dc.type.status.fl_str_mv info:eu-repo/semantics/publishedVersion
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://doi.org/10.34632/didaskalia.2009.1903
oai:ojs.revistas.ucp.pt:article/1903
url https://doi.org/10.34632/didaskalia.2009.1903
identifier_str_mv oai:ojs.revistas.ucp.pt:article/1903
dc.language.iso.fl_str_mv eng
language eng
dc.relation.none.fl_str_mv https://revistas.ucp.pt/index.php/didaskalia/article/view/1903
https://doi.org/10.34632/didaskalia.2009.1903
https://revistas.ucp.pt/index.php/didaskalia/article/view/1903/1825
dc.rights.driver.fl_str_mv Direitos de Autor (c) 2009 Inês Gil
http://creativecommons.org/licenses/by/4.0
info:eu-repo/semantics/openAccess
rights_invalid_str_mv Direitos de Autor (c) 2009 Inês Gil
http://creativecommons.org/licenses/by/4.0
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv Universidade Católica Portuguesa
publisher.none.fl_str_mv Universidade Católica Portuguesa
dc.source.none.fl_str_mv Didaskalia; Vol 39 No 1 (2009): Cartografias do silêncio; 147-157
Didaskalia; v. 39 n. 1 (2009): Cartografias do silêncio; 147-157
0253-1674
10.34632/didaskalia.2009.39.1
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