Perspectives on the Future for Sonic Writers
Autor(a) principal: | |
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Data de Publicação: | 2021 |
Tipo de documento: | Artigo |
Idioma: | eng |
Título da fonte: | Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) |
Texto Completo: | https://doi.org/10.34632/jsta.2021.9789 |
Resumo: | This article intends to provide a holistic review of Thor Magnusson’s Sonic Writing, presenting the authors’ historically-informed views about sound and music technologies. It starts by addressing the distinctions between the three categories of music-related inscriptions, in material, symbolic and signal form. It then reflects upon the parallelism this categorization has with the scope and topics within different conferences from the field of sound and music technology. Furthermore, it recounts the contributions of recent deep learning approaches in musical development, expanding on the books’ notions and offering an updated view concerning the specific purpose of automated music generation. Moreover, a contrast between the recent wave of AI-related technological developments and older scientific advances is discussed. Finally, driven by considerations about computational creativity in the field of music stated on Sonic Writing, this review propels a reflection regarding the role of machines in artistic creation. |
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Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) |
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Perspectives on the Future for Sonic WritersThis article intends to provide a holistic review of Thor Magnusson’s Sonic Writing, presenting the authors’ historically-informed views about sound and music technologies. It starts by addressing the distinctions between the three categories of music-related inscriptions, in material, symbolic and signal form. It then reflects upon the parallelism this categorization has with the scope and topics within different conferences from the field of sound and music technology. Furthermore, it recounts the contributions of recent deep learning approaches in musical development, expanding on the books’ notions and offering an updated view concerning the specific purpose of automated music generation. Moreover, a contrast between the recent wave of AI-related technological developments and older scientific advances is discussed. Finally, driven by considerations about computational creativity in the field of music stated on Sonic Writing, this review propels a reflection regarding the role of machines in artistic creation.Universidade Católica Portuguesa2021-04-01T00:00:00Zinfo:eu-repo/semantics/articleinfo:eu-repo/semantics/otherinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://doi.org/10.34632/jsta.2021.9789oai:ojs.revistas.ucp.pt:article/9789Journal of Science and Technology of the Arts; Vol 13 No 1 (2021): Audible (Art): The Invisible Connections Between Sound, Music, and Sound Art; 110-114Journal of Science and Technology of the Arts; v. 13 n. 1 (2021): Audible (Art): The Invisible Connections Between Sound, Music, and Sound Art; 110-1142183-00881646-979810.34632/jsta.2021.13.1reponame:Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)instname:Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãoinstacron:RCAAPenghttps://revistas.ucp.pt/index.php/jsta/article/view/9789https://doi.org/10.34632/jsta.2021.9789https://revistas.ucp.pt/index.php/jsta/article/view/9789/9725Copyright (c) 2021 Pedro Pereira Sarmentohttp://creativecommons.org/licenses/by/4.0info:eu-repo/semantics/openAccessSarmento, Pedro2022-09-22T16:19:28Zoai:ojs.revistas.ucp.pt:article/9789Portal AgregadorONGhttps://www.rcaap.pt/oai/openaireopendoar:71602024-03-19T15:59:07.007325Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) - Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãofalse |
dc.title.none.fl_str_mv |
Perspectives on the Future for Sonic Writers |
title |
Perspectives on the Future for Sonic Writers |
spellingShingle |
Perspectives on the Future for Sonic Writers Sarmento, Pedro |
title_short |
Perspectives on the Future for Sonic Writers |
title_full |
Perspectives on the Future for Sonic Writers |
title_fullStr |
Perspectives on the Future for Sonic Writers |
title_full_unstemmed |
Perspectives on the Future for Sonic Writers |
title_sort |
Perspectives on the Future for Sonic Writers |
author |
Sarmento, Pedro |
author_facet |
Sarmento, Pedro |
author_role |
author |
dc.contributor.author.fl_str_mv |
Sarmento, Pedro |
description |
This article intends to provide a holistic review of Thor Magnusson’s Sonic Writing, presenting the authors’ historically-informed views about sound and music technologies. It starts by addressing the distinctions between the three categories of music-related inscriptions, in material, symbolic and signal form. It then reflects upon the parallelism this categorization has with the scope and topics within different conferences from the field of sound and music technology. Furthermore, it recounts the contributions of recent deep learning approaches in musical development, expanding on the books’ notions and offering an updated view concerning the specific purpose of automated music generation. Moreover, a contrast between the recent wave of AI-related technological developments and older scientific advances is discussed. Finally, driven by considerations about computational creativity in the field of music stated on Sonic Writing, this review propels a reflection regarding the role of machines in artistic creation. |
publishDate |
2021 |
dc.date.none.fl_str_mv |
2021-04-01T00:00:00Z |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article info:eu-repo/semantics/other |
dc.type.status.fl_str_mv |
info:eu-repo/semantics/publishedVersion |
format |
article |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
https://doi.org/10.34632/jsta.2021.9789 oai:ojs.revistas.ucp.pt:article/9789 |
url |
https://doi.org/10.34632/jsta.2021.9789 |
identifier_str_mv |
oai:ojs.revistas.ucp.pt:article/9789 |
dc.language.iso.fl_str_mv |
eng |
language |
eng |
dc.relation.none.fl_str_mv |
https://revistas.ucp.pt/index.php/jsta/article/view/9789 https://doi.org/10.34632/jsta.2021.9789 https://revistas.ucp.pt/index.php/jsta/article/view/9789/9725 |
dc.rights.driver.fl_str_mv |
Copyright (c) 2021 Pedro Pereira Sarmento http://creativecommons.org/licenses/by/4.0 info:eu-repo/semantics/openAccess |
rights_invalid_str_mv |
Copyright (c) 2021 Pedro Pereira Sarmento http://creativecommons.org/licenses/by/4.0 |
eu_rights_str_mv |
openAccess |
dc.format.none.fl_str_mv |
application/pdf |
dc.publisher.none.fl_str_mv |
Universidade Católica Portuguesa |
publisher.none.fl_str_mv |
Universidade Católica Portuguesa |
dc.source.none.fl_str_mv |
Journal of Science and Technology of the Arts; Vol 13 No 1 (2021): Audible (Art): The Invisible Connections Between Sound, Music, and Sound Art; 110-114 Journal of Science and Technology of the Arts; v. 13 n. 1 (2021): Audible (Art): The Invisible Connections Between Sound, Music, and Sound Art; 110-114 2183-0088 1646-9798 10.34632/jsta.2021.13.1 reponame:Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) instname:Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informação instacron:RCAAP |
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Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informação |
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RCAAP |
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RCAAP |
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Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) |
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Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) |
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Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) - Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informação |
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