From conception to exhibition: the ‘iNTERFACES’ competition

Detalhes bibliográficos
Autor(a) principal: Sá, Cristina
Data de Publicação: 2013
Tipo de documento: Artigo
Idioma: eng
Título da fonte: Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)
Texto Completo: https://doi.org/10.7559/citarj.v5i1.101
Resumo: This spring the Research Center for Science and Technology of the Arts (CITAR) hosted iNTERFACES’ competition first edition. This competition was created to foment the development of digital and interactive art, by valuing contemporary artistic practice. I have had the opportunity of following the development process and the privilege of being a jury member of iNTERFACES. In this article I’ll review the process of creating this first edition, from its genesis to the final exhibition, placing special emphasis on the submitted pieces, and, of course, on the winners.
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spelling From conception to exhibition: the ‘iNTERFACES’ competitionThis spring the Research Center for Science and Technology of the Arts (CITAR) hosted iNTERFACES’ competition first edition. This competition was created to foment the development of digital and interactive art, by valuing contemporary artistic practice. I have had the opportunity of following the development process and the privilege of being a jury member of iNTERFACES. In this article I’ll review the process of creating this first edition, from its genesis to the final exhibition, placing special emphasis on the submitted pieces, and, of course, on the winners.Universidade Católica Portuguesa2013-01-01T00:00:00Zinfo:eu-repo/semantics/articleinfo:eu-repo/semantics/otherinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://doi.org/10.7559/citarj.v5i1.101oai:ojs.revistas.ucp.pt:article/7206Journal of Science and Technology of the Arts; Vol 5 No 1 (2013); 95-100Journal of Science and Technology of the Arts; v. 5 n. 1 (2013); 95-1002183-00881646-979810.34632/citarj.2013.5.1reponame:Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)instname:Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãoinstacron:RCAAPenghttps://revistas.ucp.pt/index.php/jsta/article/view/7206https://doi.org/10.7559/citarj.v5i1.101https://revistas.ucp.pt/index.php/jsta/article/view/7206/7002Copyright (c) 2013 Cristina Sáhttp://creativecommons.org/licenses/by/4.0info:eu-repo/semantics/openAccessSá, Cristina2022-09-22T16:19:18Zoai:ojs.revistas.ucp.pt:article/7206Portal AgregadorONGhttps://www.rcaap.pt/oai/openaireopendoar:71602024-03-19T15:58:59.832411Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) - Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãofalse
dc.title.none.fl_str_mv From conception to exhibition: the ‘iNTERFACES’ competition
title From conception to exhibition: the ‘iNTERFACES’ competition
spellingShingle From conception to exhibition: the ‘iNTERFACES’ competition
Sá, Cristina
title_short From conception to exhibition: the ‘iNTERFACES’ competition
title_full From conception to exhibition: the ‘iNTERFACES’ competition
title_fullStr From conception to exhibition: the ‘iNTERFACES’ competition
title_full_unstemmed From conception to exhibition: the ‘iNTERFACES’ competition
title_sort From conception to exhibition: the ‘iNTERFACES’ competition
author Sá, Cristina
author_facet Sá, Cristina
author_role author
dc.contributor.author.fl_str_mv Sá, Cristina
description This spring the Research Center for Science and Technology of the Arts (CITAR) hosted iNTERFACES’ competition first edition. This competition was created to foment the development of digital and interactive art, by valuing contemporary artistic practice. I have had the opportunity of following the development process and the privilege of being a jury member of iNTERFACES. In this article I’ll review the process of creating this first edition, from its genesis to the final exhibition, placing special emphasis on the submitted pieces, and, of course, on the winners.
publishDate 2013
dc.date.none.fl_str_mv 2013-01-01T00:00:00Z
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dc.identifier.uri.fl_str_mv https://doi.org/10.7559/citarj.v5i1.101
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url https://doi.org/10.7559/citarj.v5i1.101
identifier_str_mv oai:ojs.revistas.ucp.pt:article/7206
dc.language.iso.fl_str_mv eng
language eng
dc.relation.none.fl_str_mv https://revistas.ucp.pt/index.php/jsta/article/view/7206
https://doi.org/10.7559/citarj.v5i1.101
https://revistas.ucp.pt/index.php/jsta/article/view/7206/7002
dc.rights.driver.fl_str_mv Copyright (c) 2013 Cristina Sá
http://creativecommons.org/licenses/by/4.0
info:eu-repo/semantics/openAccess
rights_invalid_str_mv Copyright (c) 2013 Cristina Sá
http://creativecommons.org/licenses/by/4.0
eu_rights_str_mv openAccess
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dc.publisher.none.fl_str_mv Universidade Católica Portuguesa
publisher.none.fl_str_mv Universidade Católica Portuguesa
dc.source.none.fl_str_mv Journal of Science and Technology of the Arts; Vol 5 No 1 (2013); 95-100
Journal of Science and Technology of the Arts; v. 5 n. 1 (2013); 95-100
2183-0088
1646-9798
10.34632/citarj.2013.5.1
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