Collaborative composition for musical robots

Detalhes bibliográficos
Autor(a) principal: Kapur, Ajay
Data de Publicação: 2009
Outros Autores: Eigenfeldt, Arne, Bahn, Curtis, Schloss, W. Andrew
Tipo de documento: Artigo
Idioma: eng
Título da fonte: Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)
Texto Completo: https://doi.org/10.7559/citarj.v1i1.12
Resumo: The goal of this research is to collaborate with a number of different artists to explore the capabilities of robotic musical instruments to cultivate new music. This paper describes the challenges faced in using musical robotics in rehearsals and on the performance stage. It also describes the design of custom software frameworks and tools for the variety of composers and performers interacting with the new instruments. Details of how laboratory experiments and rehearsals moved to the concert hall in a variety of diverse performance scenarios are described. Finally, a paradigm for how to teach musical robotics as a multimedia composition course is discussed.
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spelling Collaborative composition for musical robotsThe goal of this research is to collaborate with a number of different artists to explore the capabilities of robotic musical instruments to cultivate new music. This paper describes the challenges faced in using musical robotics in rehearsals and on the performance stage. It also describes the design of custom software frameworks and tools for the variety of composers and performers interacting with the new instruments. Details of how laboratory experiments and rehearsals moved to the concert hall in a variety of diverse performance scenarios are described. Finally, a paradigm for how to teach musical robotics as a multimedia composition course is discussed.Universidade Católica Portuguesa2009-01-01T00:00:00Zjournal articleinfo:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://doi.org/10.7559/citarj.v1i1.12oai:ojs.revistas.ucp.pt:article/6958Journal of Science and Technology of the Arts; Vol 1 No 1 (2009); 48-52Journal of Science and Technology of the Arts; v. 1 n. 1 (2009); 48-522183-00881646-979810.34632/citarj.2009.1.1reponame:Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)instname:Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãoinstacron:RCAAPenghttps://revistas.ucp.pt/index.php/jsta/article/view/6958https://doi.org/10.7559/citarj.v1i1.12https://revistas.ucp.pt/index.php/jsta/article/view/6958/6987Copyright (c) 2009 Ajay Kapur; Arne Eigenfeldt, Curtis Bahn, W. Andrew Schlosshttp://creativecommons.org/licenses/by/4.0info:eu-repo/semantics/openAccessKapur, AjayEigenfeldt, ArneBahn, CurtisSchloss, W. Andrew2022-09-22T16:19:15Zoai:ojs.revistas.ucp.pt:article/6958Portal AgregadorONGhttps://www.rcaap.pt/oai/openaireopendoar:71602024-03-19T15:58:58.064574Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) - Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãofalse
dc.title.none.fl_str_mv Collaborative composition for musical robots
title Collaborative composition for musical robots
spellingShingle Collaborative composition for musical robots
Kapur, Ajay
title_short Collaborative composition for musical robots
title_full Collaborative composition for musical robots
title_fullStr Collaborative composition for musical robots
title_full_unstemmed Collaborative composition for musical robots
title_sort Collaborative composition for musical robots
author Kapur, Ajay
author_facet Kapur, Ajay
Eigenfeldt, Arne
Bahn, Curtis
Schloss, W. Andrew
author_role author
author2 Eigenfeldt, Arne
Bahn, Curtis
Schloss, W. Andrew
author2_role author
author
author
dc.contributor.author.fl_str_mv Kapur, Ajay
Eigenfeldt, Arne
Bahn, Curtis
Schloss, W. Andrew
description The goal of this research is to collaborate with a number of different artists to explore the capabilities of robotic musical instruments to cultivate new music. This paper describes the challenges faced in using musical robotics in rehearsals and on the performance stage. It also describes the design of custom software frameworks and tools for the variety of composers and performers interacting with the new instruments. Details of how laboratory experiments and rehearsals moved to the concert hall in a variety of diverse performance scenarios are described. Finally, a paradigm for how to teach musical robotics as a multimedia composition course is discussed.
publishDate 2009
dc.date.none.fl_str_mv 2009-01-01T00:00:00Z
dc.type.driver.fl_str_mv journal article
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dc.identifier.uri.fl_str_mv https://doi.org/10.7559/citarj.v1i1.12
oai:ojs.revistas.ucp.pt:article/6958
url https://doi.org/10.7559/citarj.v1i1.12
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dc.language.iso.fl_str_mv eng
language eng
dc.relation.none.fl_str_mv https://revistas.ucp.pt/index.php/jsta/article/view/6958
https://doi.org/10.7559/citarj.v1i1.12
https://revistas.ucp.pt/index.php/jsta/article/view/6958/6987
dc.rights.driver.fl_str_mv Copyright (c) 2009 Ajay Kapur; Arne Eigenfeldt, Curtis Bahn, W. Andrew Schloss
http://creativecommons.org/licenses/by/4.0
info:eu-repo/semantics/openAccess
rights_invalid_str_mv Copyright (c) 2009 Ajay Kapur; Arne Eigenfeldt, Curtis Bahn, W. Andrew Schloss
http://creativecommons.org/licenses/by/4.0
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv Universidade Católica Portuguesa
publisher.none.fl_str_mv Universidade Católica Portuguesa
dc.source.none.fl_str_mv Journal of Science and Technology of the Arts; Vol 1 No 1 (2009); 48-52
Journal of Science and Technology of the Arts; v. 1 n. 1 (2009); 48-52
2183-0088
1646-9798
10.34632/citarj.2009.1.1
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