Os Santos d'Afurada: arte, devoção e comunidade: dimensão artística, devocional e antropológica
Autor(a) principal: | |
---|---|
Data de Publicação: | 2022 |
Outros Autores: | , |
Tipo de documento: | Artigo |
Idioma: | por |
Título da fonte: | Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) |
Texto Completo: | https://hdl.handle.net/10216/144024 |
Resumo: | This paper is a reflection on a set of ten images and a Via Sacra conceived by the sculptor Altino Maia (1911-1988), between 1955 and 1957, for the new parish church of São Pedro da Afurada (Vila Nova de Gaia). The study addresses the images in several dimensions: artistic and iconographic, including ordering processes and creation; the anthropological, detailing the community's reception and reaction to these sculptures. Nine of the images were «hidden» in cabinets for long years, removed from the eyes of the faithful, received the popular and derogatory names of «Santos Pretos» or «Santos das Rodilhas» and were even victims of aggression attempts. The sculpture of the Crucified Christ was exhibited on the apse's back wall until 2021 and the Via Sacra continues to be displayed on the north wall of the parish church of São Pedro da Afurada. Based on the documentary and visual sources of the time and the testimony of some inhabitants of Afurada, this paper intends to analyze the circumstances of commissioning and artistic creation, developing an iconographic study of the images, contextualizing them in their time and to understand these object-images (in line with Jérôme Baschet) from an anthropological perspective. |
id |
RCAP_c2837d4ffa0d8b6f3399a4f8d42365ec |
---|---|
oai_identifier_str |
oai:repositorio-aberto.up.pt:10216/144024 |
network_acronym_str |
RCAP |
network_name_str |
Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) |
repository_id_str |
7160 |
spelling |
Os Santos d'Afurada: arte, devoção e comunidade: dimensão artística, devocional e antropológicaHumanidadesHumanitiesThis paper is a reflection on a set of ten images and a Via Sacra conceived by the sculptor Altino Maia (1911-1988), between 1955 and 1957, for the new parish church of São Pedro da Afurada (Vila Nova de Gaia). The study addresses the images in several dimensions: artistic and iconographic, including ordering processes and creation; the anthropological, detailing the community's reception and reaction to these sculptures. Nine of the images were «hidden» in cabinets for long years, removed from the eyes of the faithful, received the popular and derogatory names of «Santos Pretos» or «Santos das Rodilhas» and were even victims of aggression attempts. The sculpture of the Crucified Christ was exhibited on the apse's back wall until 2021 and the Via Sacra continues to be displayed on the north wall of the parish church of São Pedro da Afurada. Based on the documentary and visual sources of the time and the testimony of some inhabitants of Afurada, this paper intends to analyze the circumstances of commissioning and artistic creation, developing an iconographic study of the images, contextualizing them in their time and to understand these object-images (in line with Jérôme Baschet) from an anthropological perspective.20222022-01-01T00:00:00Zinfo:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/articleapplication/pdfhttps://hdl.handle.net/10216/144024por2182-109710.21747/2182-1097/14a14Oliveira, CátiaSousa, Ana CristinaBotelho, Maria Leonorinfo:eu-repo/semantics/openAccessreponame:Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)instname:Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãoinstacron:RCAAP2023-11-29T14:42:03Zoai:repositorio-aberto.up.pt:10216/144024Portal AgregadorONGhttps://www.rcaap.pt/oai/openaireopendoar:71602024-03-20T00:07:05.228430Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) - Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãofalse |
dc.title.none.fl_str_mv |
Os Santos d'Afurada: arte, devoção e comunidade: dimensão artística, devocional e antropológica |
title |
Os Santos d'Afurada: arte, devoção e comunidade: dimensão artística, devocional e antropológica |
spellingShingle |
Os Santos d'Afurada: arte, devoção e comunidade: dimensão artística, devocional e antropológica Oliveira, Cátia Humanidades Humanities |
title_short |
Os Santos d'Afurada: arte, devoção e comunidade: dimensão artística, devocional e antropológica |
title_full |
Os Santos d'Afurada: arte, devoção e comunidade: dimensão artística, devocional e antropológica |
title_fullStr |
Os Santos d'Afurada: arte, devoção e comunidade: dimensão artística, devocional e antropológica |
title_full_unstemmed |
Os Santos d'Afurada: arte, devoção e comunidade: dimensão artística, devocional e antropológica |
title_sort |
Os Santos d'Afurada: arte, devoção e comunidade: dimensão artística, devocional e antropológica |
author |
Oliveira, Cátia |
author_facet |
Oliveira, Cátia Sousa, Ana Cristina Botelho, Maria Leonor |
author_role |
author |
author2 |
Sousa, Ana Cristina Botelho, Maria Leonor |
author2_role |
author author |
dc.contributor.author.fl_str_mv |
Oliveira, Cátia Sousa, Ana Cristina Botelho, Maria Leonor |
dc.subject.por.fl_str_mv |
Humanidades Humanities |
topic |
Humanidades Humanities |
description |
This paper is a reflection on a set of ten images and a Via Sacra conceived by the sculptor Altino Maia (1911-1988), between 1955 and 1957, for the new parish church of São Pedro da Afurada (Vila Nova de Gaia). The study addresses the images in several dimensions: artistic and iconographic, including ordering processes and creation; the anthropological, detailing the community's reception and reaction to these sculptures. Nine of the images were «hidden» in cabinets for long years, removed from the eyes of the faithful, received the popular and derogatory names of «Santos Pretos» or «Santos das Rodilhas» and were even victims of aggression attempts. The sculpture of the Crucified Christ was exhibited on the apse's back wall until 2021 and the Via Sacra continues to be displayed on the north wall of the parish church of São Pedro da Afurada. Based on the documentary and visual sources of the time and the testimony of some inhabitants of Afurada, this paper intends to analyze the circumstances of commissioning and artistic creation, developing an iconographic study of the images, contextualizing them in their time and to understand these object-images (in line with Jérôme Baschet) from an anthropological perspective. |
publishDate |
2022 |
dc.date.none.fl_str_mv |
2022 2022-01-01T00:00:00Z |
dc.type.status.fl_str_mv |
info:eu-repo/semantics/publishedVersion |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article |
format |
article |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
https://hdl.handle.net/10216/144024 |
url |
https://hdl.handle.net/10216/144024 |
dc.language.iso.fl_str_mv |
por |
language |
por |
dc.relation.none.fl_str_mv |
2182-1097 10.21747/2182-1097/14a14 |
dc.rights.driver.fl_str_mv |
info:eu-repo/semantics/openAccess |
eu_rights_str_mv |
openAccess |
dc.format.none.fl_str_mv |
application/pdf |
dc.source.none.fl_str_mv |
reponame:Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) instname:Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informação instacron:RCAAP |
instname_str |
Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informação |
instacron_str |
RCAAP |
institution |
RCAAP |
reponame_str |
Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) |
collection |
Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) |
repository.name.fl_str_mv |
Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) - Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informação |
repository.mail.fl_str_mv |
|
_version_ |
1799135996385689601 |