The “return” of performance art from a glocal perspective
Autor(a) principal: | |
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Data de Publicação: | 2012 |
Tipo de documento: | Artigo |
Idioma: | eng |
Título da fonte: | Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) |
Texto Completo: | http://hdl.handle.net/10451/7784 |
Resumo: | Various authors have characterized the contemporary world through the notion of "structural hybridization" (Pieterse 2001; Canclini 2001, among others). This notion refers to the mixing of different times and spaces that gives rise to "spatiotemporal" hybrid configurations. One of the factors of this process is usually translated by the term "hybrid cycles" (Stross 1999), through which a new cycle recovers historical and social characteristics of previous cycles, sometimes distant in time. Through this theoretical framework, which combines concepts such as hybridity, cyclicality, mimesis, reflexivity and performativity, this paper intends to problematize issues such as the so-called "social turn" (Bishop 2006)or "return to the real" (Foster 2001) in art or, more generally, the "performative turn" (Alexander 2006), with the aim of analyzing the cyclical dynamic of performance (social) art (an art that relies on notions of participation and even performative intervention in a public space) from a global perspective – from Portugal to the world and vice versa. |
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The “return” of performance art from a glocal perspectiveHibridismoPerformatividadeVarious authors have characterized the contemporary world through the notion of "structural hybridization" (Pieterse 2001; Canclini 2001, among others). This notion refers to the mixing of different times and spaces that gives rise to "spatiotemporal" hybrid configurations. One of the factors of this process is usually translated by the term "hybrid cycles" (Stross 1999), through which a new cycle recovers historical and social characteristics of previous cycles, sometimes distant in time. Through this theoretical framework, which combines concepts such as hybridity, cyclicality, mimesis, reflexivity and performativity, this paper intends to problematize issues such as the so-called "social turn" (Bishop 2006)or "return to the real" (Foster 2001) in art or, more generally, the "performative turn" (Alexander 2006), with the aim of analyzing the cyclical dynamic of performance (social) art (an art that relies on notions of participation and even performative intervention in a public space) from a global perspective – from Portugal to the world and vice versa.Repositório da Universidade de LisboaMadeira, Cláudia Maria Guerra, 1972-2013-02-18T18:17:21Z20122012-01-01T00:00:00Zinfo:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/articleapplication/pdfhttp://hdl.handle.net/10451/7784engMadeira, C. (2012). The “return” of performance art from a glocal perspective. Cadernos de arte & antropologia, 1(2), 87-102info:eu-repo/semantics/openAccessreponame:Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)instname:Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãoinstacron:RCAAP2023-11-08T15:51:15Zoai:repositorio.ul.pt:10451/7784Portal AgregadorONGhttps://www.rcaap.pt/oai/openaireopendoar:71602024-03-19T21:32:31.054955Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) - Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãofalse |
dc.title.none.fl_str_mv |
The “return” of performance art from a glocal perspective |
title |
The “return” of performance art from a glocal perspective |
spellingShingle |
The “return” of performance art from a glocal perspective Madeira, Cláudia Maria Guerra, 1972- Hibridismo Performatividade |
title_short |
The “return” of performance art from a glocal perspective |
title_full |
The “return” of performance art from a glocal perspective |
title_fullStr |
The “return” of performance art from a glocal perspective |
title_full_unstemmed |
The “return” of performance art from a glocal perspective |
title_sort |
The “return” of performance art from a glocal perspective |
author |
Madeira, Cláudia Maria Guerra, 1972- |
author_facet |
Madeira, Cláudia Maria Guerra, 1972- |
author_role |
author |
dc.contributor.none.fl_str_mv |
Repositório da Universidade de Lisboa |
dc.contributor.author.fl_str_mv |
Madeira, Cláudia Maria Guerra, 1972- |
dc.subject.por.fl_str_mv |
Hibridismo Performatividade |
topic |
Hibridismo Performatividade |
description |
Various authors have characterized the contemporary world through the notion of "structural hybridization" (Pieterse 2001; Canclini 2001, among others). This notion refers to the mixing of different times and spaces that gives rise to "spatiotemporal" hybrid configurations. One of the factors of this process is usually translated by the term "hybrid cycles" (Stross 1999), through which a new cycle recovers historical and social characteristics of previous cycles, sometimes distant in time. Through this theoretical framework, which combines concepts such as hybridity, cyclicality, mimesis, reflexivity and performativity, this paper intends to problematize issues such as the so-called "social turn" (Bishop 2006)or "return to the real" (Foster 2001) in art or, more generally, the "performative turn" (Alexander 2006), with the aim of analyzing the cyclical dynamic of performance (social) art (an art that relies on notions of participation and even performative intervention in a public space) from a global perspective – from Portugal to the world and vice versa. |
publishDate |
2012 |
dc.date.none.fl_str_mv |
2012 2012-01-01T00:00:00Z 2013-02-18T18:17:21Z |
dc.type.status.fl_str_mv |
info:eu-repo/semantics/publishedVersion |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article |
format |
article |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
http://hdl.handle.net/10451/7784 |
url |
http://hdl.handle.net/10451/7784 |
dc.language.iso.fl_str_mv |
eng |
language |
eng |
dc.relation.none.fl_str_mv |
Madeira, C. (2012). The “return” of performance art from a glocal perspective. Cadernos de arte & antropologia, 1(2), 87-102 |
dc.rights.driver.fl_str_mv |
info:eu-repo/semantics/openAccess |
eu_rights_str_mv |
openAccess |
dc.format.none.fl_str_mv |
application/pdf |
dc.source.none.fl_str_mv |
reponame:Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) instname:Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informação instacron:RCAAP |
instname_str |
Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informação |
instacron_str |
RCAAP |
institution |
RCAAP |
reponame_str |
Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) |
collection |
Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) |
repository.name.fl_str_mv |
Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) - Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informação |
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1799134218151788544 |