Choreographing as doing historiography. The representation of 1980’s New York in Trisha Brown’s Set and Reset (1983)
| Autor(a) principal: | |
|---|---|
| Data de Publicação: | 2020 |
| Tipo de documento: | Artigo |
| Idioma: | eng |
| Título da fonte: | Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) |
| Texto Completo: | http://hdl.handle.net/10451/56078 |
Resumo: | In this paper, I offer an interpretation of Trisha Brown’s Set and Reset (1983) that focuses on the temporal structure of the choreography and unveils it as a representation of 1980’s New York. If, as Godfrey (2007) believes, the methodological freedom accorded to art permits it to find a language capable of representing reality in a way that differs from traditional historiography, then Set and Reset offers a perfect example of this alternative historiography and of dance as a means of accessing history in synchronic and synesthetic fashion. |
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Choreographing as doing historiography. The representation of 1980’s New York in Trisha Brown’s Set and Reset (1983)choreography; historiography; Trisha Brown; postmodern dance; New YorkIn this paper, I offer an interpretation of Trisha Brown’s Set and Reset (1983) that focuses on the temporal structure of the choreography and unveils it as a representation of 1980’s New York. If, as Godfrey (2007) believes, the methodological freedom accorded to art permits it to find a language capable of representing reality in a way that differs from traditional historiography, then Set and Reset offers a perfect example of this alternative historiography and of dance as a means of accessing history in synchronic and synesthetic fashion.UniorPress - Università degli Studi di Napoli l'OrientaleRepositório da Universidade de LisboaMontesi, Vanessa2023-01-31T13:04:52Z2020-12-232020-12-23T00:00:00Zinfo:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/articleapplication/pdfhttp://hdl.handle.net/10451/56078eng978-88-6719-213-72724-5519https://doi.org/10.6093/978-88-6719-213-7info:eu-repo/semantics/openAccessreponame:Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)instname:Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãoinstacron:RCAAP2023-11-08T17:00:33Zoai:repositorio.ul.pt:10451/56078Portal AgregadorONGhttps://www.rcaap.pt/oai/openaireopendoar:71602024-03-19T22:05:07.023905Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) - Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãofalse |
| dc.title.none.fl_str_mv |
Choreographing as doing historiography. The representation of 1980’s New York in Trisha Brown’s Set and Reset (1983) |
| title |
Choreographing as doing historiography. The representation of 1980’s New York in Trisha Brown’s Set and Reset (1983) |
| spellingShingle |
Choreographing as doing historiography. The representation of 1980’s New York in Trisha Brown’s Set and Reset (1983) Montesi, Vanessa choreography; historiography; Trisha Brown; postmodern dance; New York |
| title_short |
Choreographing as doing historiography. The representation of 1980’s New York in Trisha Brown’s Set and Reset (1983) |
| title_full |
Choreographing as doing historiography. The representation of 1980’s New York in Trisha Brown’s Set and Reset (1983) |
| title_fullStr |
Choreographing as doing historiography. The representation of 1980’s New York in Trisha Brown’s Set and Reset (1983) |
| title_full_unstemmed |
Choreographing as doing historiography. The representation of 1980’s New York in Trisha Brown’s Set and Reset (1983) |
| title_sort |
Choreographing as doing historiography. The representation of 1980’s New York in Trisha Brown’s Set and Reset (1983) |
| author |
Montesi, Vanessa |
| author_facet |
Montesi, Vanessa |
| author_role |
author |
| dc.contributor.none.fl_str_mv |
Repositório da Universidade de Lisboa |
| dc.contributor.author.fl_str_mv |
Montesi, Vanessa |
| dc.subject.por.fl_str_mv |
choreography; historiography; Trisha Brown; postmodern dance; New York |
| topic |
choreography; historiography; Trisha Brown; postmodern dance; New York |
| description |
In this paper, I offer an interpretation of Trisha Brown’s Set and Reset (1983) that focuses on the temporal structure of the choreography and unveils it as a representation of 1980’s New York. If, as Godfrey (2007) believes, the methodological freedom accorded to art permits it to find a language capable of representing reality in a way that differs from traditional historiography, then Set and Reset offers a perfect example of this alternative historiography and of dance as a means of accessing history in synchronic and synesthetic fashion. |
| publishDate |
2020 |
| dc.date.none.fl_str_mv |
2020-12-23 2020-12-23T00:00:00Z 2023-01-31T13:04:52Z |
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info:eu-repo/semantics/publishedVersion |
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info:eu-repo/semantics/article |
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article |
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publishedVersion |
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http://hdl.handle.net/10451/56078 |
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http://hdl.handle.net/10451/56078 |
| dc.language.iso.fl_str_mv |
eng |
| language |
eng |
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978-88-6719-213-7 2724-5519 https://doi.org/10.6093/978-88-6719-213-7 |
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info:eu-repo/semantics/openAccess |
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openAccess |
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application/pdf |
| dc.publisher.none.fl_str_mv |
UniorPress - Università degli Studi di Napoli l'Orientale |
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UniorPress - Università degli Studi di Napoli l'Orientale |
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reponame:Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) instname:Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informação instacron:RCAAP |
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Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informação |
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RCAAP |
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RCAAP |
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Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) |
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Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) |
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Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) - Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informação |
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