Poaching museum collections using digital 3D technologies
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Data de Publicação: | 2015 |
Tipo de documento: | Artigo |
Idioma: | eng |
Título da fonte: | Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) |
Texto Completo: | https://doi.org/10.7559/citarj.v7i2.152 |
Resumo: | This paper investigates the creative engagement with digital 3D models of museum artefacts and gives insight into new uses of museum collections enabled by digital scanning, editing and 3D printing technologies. Digital 3D models of museum artefacts are malleable and increasingly easy to use. Additionally, freely available 3D software has made 3D scanning, editing and manufacturing possible for non-specialists. These technologies allow users to create new artworks through the creation and transformation of digital replicas of museum artefacts. Examples of creative works, taken from two case studies that involve the creative use of digital reproductions of museum artefacts are presented in this paper. These projects are illustrative of a larger trend: the digital ‘poaching’ of heritage artefacts. This paper examines how digital 3D technologies can foster creative forms of museum engagement, democratise access to museum collections and engage users with personal forms of museum experience. |
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Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) |
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Poaching museum collections using digital 3D technologiesThis paper investigates the creative engagement with digital 3D models of museum artefacts and gives insight into new uses of museum collections enabled by digital scanning, editing and 3D printing technologies. Digital 3D models of museum artefacts are malleable and increasingly easy to use. Additionally, freely available 3D software has made 3D scanning, editing and manufacturing possible for non-specialists. These technologies allow users to create new artworks through the creation and transformation of digital replicas of museum artefacts. Examples of creative works, taken from two case studies that involve the creative use of digital reproductions of museum artefacts are presented in this paper. These projects are illustrative of a larger trend: the digital ‘poaching’ of heritage artefacts. This paper examines how digital 3D technologies can foster creative forms of museum engagement, democratise access to museum collections and engage users with personal forms of museum experience.Universidade Católica Portuguesa2015-07-01T00:00:00Zjournal articleinfo:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfapplication/ziphttps://doi.org/10.7559/citarj.v7i2.152oai:ojs.revistas.ucp.pt:article/7241Journal of Science and Technology of the Arts; Vol 7 No 2 (2015); 25-32Journal of Science and Technology of the Arts; v. 7 n. 2 (2015); 25-322183-00881646-979810.34632/citarj.2015.7.2reponame:Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)instname:Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãoinstacron:RCAAPenghttps://revistas.ucp.pt/index.php/jsta/article/view/7241https://doi.org/10.7559/citarj.v7i2.152https://revistas.ucp.pt/index.php/jsta/article/view/7241/7030https://revistas.ucp.pt/index.php/jsta/article/view/7241/7031Copyright (c) 2015 Sarah Younanhttp://creativecommons.org/licenses/by/4.0info:eu-repo/semantics/openAccessYounan, Sarah2022-09-22T16:19:19Zoai:ojs.revistas.ucp.pt:article/7241Portal AgregadorONGhttps://www.rcaap.pt/oai/openaireopendoar:71602024-03-19T15:59:00.711510Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) - Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãofalse |
dc.title.none.fl_str_mv |
Poaching museum collections using digital 3D technologies |
title |
Poaching museum collections using digital 3D technologies |
spellingShingle |
Poaching museum collections using digital 3D technologies Younan, Sarah |
title_short |
Poaching museum collections using digital 3D technologies |
title_full |
Poaching museum collections using digital 3D technologies |
title_fullStr |
Poaching museum collections using digital 3D technologies |
title_full_unstemmed |
Poaching museum collections using digital 3D technologies |
title_sort |
Poaching museum collections using digital 3D technologies |
author |
Younan, Sarah |
author_facet |
Younan, Sarah |
author_role |
author |
dc.contributor.author.fl_str_mv |
Younan, Sarah |
description |
This paper investigates the creative engagement with digital 3D models of museum artefacts and gives insight into new uses of museum collections enabled by digital scanning, editing and 3D printing technologies. Digital 3D models of museum artefacts are malleable and increasingly easy to use. Additionally, freely available 3D software has made 3D scanning, editing and manufacturing possible for non-specialists. These technologies allow users to create new artworks through the creation and transformation of digital replicas of museum artefacts. Examples of creative works, taken from two case studies that involve the creative use of digital reproductions of museum artefacts are presented in this paper. These projects are illustrative of a larger trend: the digital ‘poaching’ of heritage artefacts. This paper examines how digital 3D technologies can foster creative forms of museum engagement, democratise access to museum collections and engage users with personal forms of museum experience. |
publishDate |
2015 |
dc.date.none.fl_str_mv |
2015-07-01T00:00:00Z |
dc.type.driver.fl_str_mv |
journal article info:eu-repo/semantics/article |
dc.type.status.fl_str_mv |
info:eu-repo/semantics/publishedVersion |
format |
article |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
https://doi.org/10.7559/citarj.v7i2.152 oai:ojs.revistas.ucp.pt:article/7241 |
url |
https://doi.org/10.7559/citarj.v7i2.152 |
identifier_str_mv |
oai:ojs.revistas.ucp.pt:article/7241 |
dc.language.iso.fl_str_mv |
eng |
language |
eng |
dc.relation.none.fl_str_mv |
https://revistas.ucp.pt/index.php/jsta/article/view/7241 https://doi.org/10.7559/citarj.v7i2.152 https://revistas.ucp.pt/index.php/jsta/article/view/7241/7030 https://revistas.ucp.pt/index.php/jsta/article/view/7241/7031 |
dc.rights.driver.fl_str_mv |
Copyright (c) 2015 Sarah Younan http://creativecommons.org/licenses/by/4.0 info:eu-repo/semantics/openAccess |
rights_invalid_str_mv |
Copyright (c) 2015 Sarah Younan http://creativecommons.org/licenses/by/4.0 |
eu_rights_str_mv |
openAccess |
dc.format.none.fl_str_mv |
application/pdf application/zip |
dc.publisher.none.fl_str_mv |
Universidade Católica Portuguesa |
publisher.none.fl_str_mv |
Universidade Católica Portuguesa |
dc.source.none.fl_str_mv |
Journal of Science and Technology of the Arts; Vol 7 No 2 (2015); 25-32 Journal of Science and Technology of the Arts; v. 7 n. 2 (2015); 25-32 2183-0088 1646-9798 10.34632/citarj.2015.7.2 reponame:Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) instname:Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informação instacron:RCAAP |
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Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informação |
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RCAAP |
institution |
RCAAP |
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Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) |
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Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) |
repository.name.fl_str_mv |
Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) - Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informação |
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