Recognition scenes in Daphnis and Chloe novel

Detalhes bibliográficos
Autor(a) principal: Silva, Luiz Carlos André Mangia
Data de Publicação: 2022
Tipo de documento: Artigo
Idioma: por
Título da fonte: Classica (Sociedade Brasileira de Estudos Clássicos. Online)
Texto Completo: https://revista.classica.org.br/classica/article/view/1012
Resumo: Greek epic, tragedy, and comedy all contain several recognition scenes, as do ancient novels, which “devoured” this formal resource, generously incorporating it into their works: the five remaining novels, labeled “The Big Five,” all contain numerous recognition scenes. Using Aristotle’s Poetics, this essay analyses two of these events from Daphnis and Chloe, demonstrating how the anagnorisis is interrelated to several narrative characteristics. Thus, the concepts of peripeteia, pathos, and hamartia are also quite valuable when it comes to the relationships of recognition that lend complexity to the identities of the narrative’s characters.
id SBEC_b8317ae2c2084cac5734bb6ee6921270
oai_identifier_str oai:ojs.emnuvens.com.br:article/1012
network_acronym_str SBEC
network_name_str Classica (Sociedade Brasileira de Estudos Clássicos. Online)
repository_id_str
spelling Recognition scenes in Daphnis and Chloe novelAs cenas de reconhecimento no romance Dáfnis e CloéDaphnis and Chloe ancient novel Poetics recognition scenes reversal of the actionsDáfnis e Cloé romance antigo Poética reconhecimento peripéciaGreek epic, tragedy, and comedy all contain several recognition scenes, as do ancient novels, which “devoured” this formal resource, generously incorporating it into their works: the five remaining novels, labeled “The Big Five,” all contain numerous recognition scenes. Using Aristotle’s Poetics, this essay analyses two of these events from Daphnis and Chloe, demonstrating how the anagnorisis is interrelated to several narrative characteristics. Thus, the concepts of peripeteia, pathos, and hamartia are also quite valuable when it comes to the relationships of recognition that lend complexity to the identities of the narrative’s characters.Cenas de reconhecimento estão presentes na épica, no drama (tragédia e comédia) e, como não podia deixar de ser, no romance antigo, que “devorou” o recurso e fez largo uso dele: temos cenas de reconhecimento nos cinco romances idealizados que nos chegaram (os chamados Big Five). Neste artigo, analisamos as duas cenas de reconhecimento em Dáfnis e Cloé, tomando por base os apontamentos da Poética de Aristóteles e demonstrando como os reconhecimentos se articulam a diferentes elementos narrativos. Por isso, focalizamos também os usos da peripécia, do páthos e da hamartía, que na obra trabalham em relação aos reconhecimentos e conferem complexidade à questão das identidades dos protagonistas dentro desta narrativa.Sociedade Brasileira de Estudos Clássicos (SBEC)2022-08-05info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdftext/htmlhttps://revista.classica.org.br/classica/article/view/1012Classica; Vol. 35 No. 2 (2022): Publicação contínua; 1-27Classica - Revista Brasileira de Estudos Clássicos; v. 35 n. 2 (2022): Publicação contínua; 1-272176-64360103-431610.24277/classica.v35i2reponame:Classica (Sociedade Brasileira de Estudos Clássicos. Online)instname:Sociedade Brasileira de Estudos Clássicos (SBEC)instacron:SBECporhttps://revista.classica.org.br/classica/article/view/1012/1017https://revista.classica.org.br/classica/article/view/1012/1034Copyright (c) 2022 Luiz Carlos André Mangia Silvahttp://creativecommons.org/licenses/by/4.0info:eu-repo/semantics/openAccessSilva, Luiz Carlos André Mangia 2022-08-13T12:13:55Zoai:ojs.emnuvens.com.br:article/1012Revistahttps://revista.classica.org.br/classicaPUBhttps://revista.classica.org.br/classica/oaieditor@classica.org.br||revistaclassica@classica.org.br2176-64360103-4316opendoar:2022-08-13T12:13:55Classica (Sociedade Brasileira de Estudos Clássicos. Online) - Sociedade Brasileira de Estudos Clássicos (SBEC)false
dc.title.none.fl_str_mv Recognition scenes in Daphnis and Chloe novel
As cenas de reconhecimento no romance Dáfnis e Cloé
title Recognition scenes in Daphnis and Chloe novel
spellingShingle Recognition scenes in Daphnis and Chloe novel
Silva, Luiz Carlos André Mangia
Daphnis and Chloe
ancient novel
Poetics
recognition scenes
reversal of the actions
Dáfnis e Cloé
romance antigo
Poética
reconhecimento
peripécia
title_short Recognition scenes in Daphnis and Chloe novel
title_full Recognition scenes in Daphnis and Chloe novel
title_fullStr Recognition scenes in Daphnis and Chloe novel
title_full_unstemmed Recognition scenes in Daphnis and Chloe novel
title_sort Recognition scenes in Daphnis and Chloe novel
author Silva, Luiz Carlos André Mangia
author_facet Silva, Luiz Carlos André Mangia
author_role author
dc.contributor.author.fl_str_mv Silva, Luiz Carlos André Mangia
dc.subject.por.fl_str_mv Daphnis and Chloe
ancient novel
Poetics
recognition scenes
reversal of the actions
Dáfnis e Cloé
romance antigo
Poética
reconhecimento
peripécia
topic Daphnis and Chloe
ancient novel
Poetics
recognition scenes
reversal of the actions
Dáfnis e Cloé
romance antigo
Poética
reconhecimento
peripécia
description Greek epic, tragedy, and comedy all contain several recognition scenes, as do ancient novels, which “devoured” this formal resource, generously incorporating it into their works: the five remaining novels, labeled “The Big Five,” all contain numerous recognition scenes. Using Aristotle’s Poetics, this essay analyses two of these events from Daphnis and Chloe, demonstrating how the anagnorisis is interrelated to several narrative characteristics. Thus, the concepts of peripeteia, pathos, and hamartia are also quite valuable when it comes to the relationships of recognition that lend complexity to the identities of the narrative’s characters.
publishDate 2022
dc.date.none.fl_str_mv 2022-08-05
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://revista.classica.org.br/classica/article/view/1012
url https://revista.classica.org.br/classica/article/view/1012
dc.language.iso.fl_str_mv por
language por
dc.relation.none.fl_str_mv https://revista.classica.org.br/classica/article/view/1012/1017
https://revista.classica.org.br/classica/article/view/1012/1034
dc.rights.driver.fl_str_mv Copyright (c) 2022 Luiz Carlos André Mangia Silva
http://creativecommons.org/licenses/by/4.0
info:eu-repo/semantics/openAccess
rights_invalid_str_mv Copyright (c) 2022 Luiz Carlos André Mangia Silva
http://creativecommons.org/licenses/by/4.0
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
text/html
dc.publisher.none.fl_str_mv Sociedade Brasileira de Estudos Clássicos (SBEC)
publisher.none.fl_str_mv Sociedade Brasileira de Estudos Clássicos (SBEC)
dc.source.none.fl_str_mv Classica; Vol. 35 No. 2 (2022): Publicação contínua; 1-27
Classica - Revista Brasileira de Estudos Clássicos; v. 35 n. 2 (2022): Publicação contínua; 1-27
2176-6436
0103-4316
10.24277/classica.v35i2
reponame:Classica (Sociedade Brasileira de Estudos Clássicos. Online)
instname:Sociedade Brasileira de Estudos Clássicos (SBEC)
instacron:SBEC
instname_str Sociedade Brasileira de Estudos Clássicos (SBEC)
instacron_str SBEC
institution SBEC
reponame_str Classica (Sociedade Brasileira de Estudos Clássicos. Online)
collection Classica (Sociedade Brasileira de Estudos Clássicos. Online)
repository.name.fl_str_mv Classica (Sociedade Brasileira de Estudos Clássicos. Online) - Sociedade Brasileira de Estudos Clássicos (SBEC)
repository.mail.fl_str_mv editor@classica.org.br||revistaclassica@classica.org.br
_version_ 1797239840091144192

Registros relacionados