Hélio Oiticica's auto-teatro: provocations of an environmental art

Detalhes bibliográficos
Autor(a) principal: Araujo, Everton Lampe de
Data de Publicação: 2020
Tipo de documento: Artigo
Idioma: por
Título da fonte: Urdimento (Online)
Texto Completo: https://www.revistas.udesc.br/index.php/urdimento/article/view/18092
Resumo: This article proposes a current debate on scenic space. The Brazilian artist Hélio Oiticica treated the space and the notion of environmental art in his inventions, through the approximation of the performance, with attention to the body and the social life. The artist subverted the limits of artistic languages in order to experience the conflicts between art and reality. By coining the notion of self-theater, it is possible to conclude, along with other authors, that Oiticica built a path from screens to bodies, considering the establishment of the environment through the architectural dimension that was triggered by his interest in three-dimensionality. Then he will deal with the liberation of color from static supports until the understanding of space as a social phenomenon along with the radical opening for the invention of other participants in his propositions, going beyond participation.
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spelling Hélio Oiticica's auto-teatro: provocations of an environmental artO auto-teatro de Hélio Oiticica: provocações de uma arte ambientalArte ambiental CorpoEspaçoPerformanceConvívioEnvironmental artBodySpacePerformanceConvivialityThis article proposes a current debate on scenic space. The Brazilian artist Hélio Oiticica treated the space and the notion of environmental art in his inventions, through the approximation of the performance, with attention to the body and the social life. The artist subverted the limits of artistic languages in order to experience the conflicts between art and reality. By coining the notion of self-theater, it is possible to conclude, along with other authors, that Oiticica built a path from screens to bodies, considering the establishment of the environment through the architectural dimension that was triggered by his interest in three-dimensionality. Then he will deal with the liberation of color from static supports until the understanding of space as a social phenomenon along with the radical opening for the invention of other participants in his propositions, going beyond participation.Este artigo propõe um debate atual sobre espaço cênico a partir do artista brasileiro Hélio Oiticica e de suas contribuições para a ampla noção de arte ambiental em suas invenções, através da aproximação da performance, com atenção ao corpo e ao convívio. O artista subverte os limites das linguagens artísticas, a fim de experimentar os conflitos evidenciados entre arte e realidade. Ao cunhar a noção de auto-teatro, é possível concluir, junto de outros autores, que Oiticica construiu um caminho das telas aos corpos, considerando a instauração do ambiente através da dimensão arquitetural que foi acionada por seu interesse pela tridimensionalidade. Em seguida ele tratará da libertação da cor de suportes estáticos até a compreensão do espaço enquanto fenômeno social junto da abertura radical para a invenção de outros participantes em suas proposições, indo além da participação.Universidade do Estado de Santa Catarina (UDESC)2020-09-24info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://www.revistas.udesc.br/index.php/urdimento/article/view/1809210.5965/14145731023820200007Urdimento; Vol. 2 Núm. 38 (2020): Espaços: Configurações na cena brasileira e latino-americana; 1-18Urdimento - Revista de Estudos em Artes Cênicas; v. 2 n. 38 (2020): Espaços: Configurações na cena brasileira e latino-americana; 1-18Urdimento - Revista de Estudos em Artes Cênicas; Vol. 2 No. 38 (2020): Espaços: Configurações na cena brasileira e latino-americana; 1-182358-695810.5965/1414573102382020reponame:Urdimento (Online)instname:Universidade do Estado de Santa Catarina (UDESC)instacron:UDESCporhttps://www.revistas.udesc.br/index.php/urdimento/article/view/18092/11911Copyright (c) 2020 Urdimento - Revista de Estudos em Artes Cênicashttps://creativecommons.org/licenses/by/4.0info:eu-repo/semantics/openAccess Araujo, Everton Lampe de2020-09-27T02:15:50Zoai:ojs.revistas.udesc.br:article/18092Revistahttps://www.revistas.udesc.br/index.php/urdimentoPUBhttps://www.revistas.udesc.br/index.php/urdimento/oaiverareginacollaco@gmail.com2358-69581414-5731opendoar:2020-09-27T02:15:50Urdimento (Online) - Universidade do Estado de Santa Catarina (UDESC)false
dc.title.none.fl_str_mv Hélio Oiticica's auto-teatro: provocations of an environmental art
O auto-teatro de Hélio Oiticica: provocações de uma arte ambiental
title Hélio Oiticica's auto-teatro: provocations of an environmental art
spellingShingle Hélio Oiticica's auto-teatro: provocations of an environmental art
Araujo, Everton Lampe de
Arte ambiental
Corpo
Espaço
Performance
Convívio
Environmental art
Body
Space
Performance
Conviviality
title_short Hélio Oiticica's auto-teatro: provocations of an environmental art
title_full Hélio Oiticica's auto-teatro: provocations of an environmental art
title_fullStr Hélio Oiticica's auto-teatro: provocations of an environmental art
title_full_unstemmed Hélio Oiticica's auto-teatro: provocations of an environmental art
title_sort Hélio Oiticica's auto-teatro: provocations of an environmental art
author Araujo, Everton Lampe de
author_facet Araujo, Everton Lampe de
author_role author
dc.contributor.author.fl_str_mv Araujo, Everton Lampe de
dc.subject.por.fl_str_mv Arte ambiental
Corpo
Espaço
Performance
Convívio
Environmental art
Body
Space
Performance
Conviviality
topic Arte ambiental
Corpo
Espaço
Performance
Convívio
Environmental art
Body
Space
Performance
Conviviality
description This article proposes a current debate on scenic space. The Brazilian artist Hélio Oiticica treated the space and the notion of environmental art in his inventions, through the approximation of the performance, with attention to the body and the social life. The artist subverted the limits of artistic languages in order to experience the conflicts between art and reality. By coining the notion of self-theater, it is possible to conclude, along with other authors, that Oiticica built a path from screens to bodies, considering the establishment of the environment through the architectural dimension that was triggered by his interest in three-dimensionality. Then he will deal with the liberation of color from static supports until the understanding of space as a social phenomenon along with the radical opening for the invention of other participants in his propositions, going beyond participation.
publishDate 2020
dc.date.none.fl_str_mv 2020-09-24
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://www.revistas.udesc.br/index.php/urdimento/article/view/18092
10.5965/14145731023820200007
url https://www.revistas.udesc.br/index.php/urdimento/article/view/18092
identifier_str_mv 10.5965/14145731023820200007
dc.language.iso.fl_str_mv por
language por
dc.relation.none.fl_str_mv https://www.revistas.udesc.br/index.php/urdimento/article/view/18092/11911
dc.rights.driver.fl_str_mv Copyright (c) 2020 Urdimento - Revista de Estudos em Artes Cênicas
https://creativecommons.org/licenses/by/4.0
info:eu-repo/semantics/openAccess
rights_invalid_str_mv Copyright (c) 2020 Urdimento - Revista de Estudos em Artes Cênicas
https://creativecommons.org/licenses/by/4.0
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv Universidade do Estado de Santa Catarina (UDESC)
publisher.none.fl_str_mv Universidade do Estado de Santa Catarina (UDESC)
dc.source.none.fl_str_mv Urdimento; Vol. 2 Núm. 38 (2020): Espaços: Configurações na cena brasileira e latino-americana; 1-18
Urdimento - Revista de Estudos em Artes Cênicas; v. 2 n. 38 (2020): Espaços: Configurações na cena brasileira e latino-americana; 1-18
Urdimento - Revista de Estudos em Artes Cênicas; Vol. 2 No. 38 (2020): Espaços: Configurações na cena brasileira e latino-americana; 1-18
2358-6958
10.5965/1414573102382020
reponame:Urdimento (Online)
instname:Universidade do Estado de Santa Catarina (UDESC)
instacron:UDESC
instname_str Universidade do Estado de Santa Catarina (UDESC)
instacron_str UDESC
institution UDESC
reponame_str Urdimento (Online)
collection Urdimento (Online)
repository.name.fl_str_mv Urdimento (Online) - Universidade do Estado de Santa Catarina (UDESC)
repository.mail.fl_str_mv verareginacollaco@gmail.com
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