Hélio Oiticica's auto-teatro: provocations of an environmental art
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Data de Publicação: | 2020 |
Tipo de documento: | Artigo |
Idioma: | por |
Título da fonte: | Urdimento (Online) |
Texto Completo: | https://www.revistas.udesc.br/index.php/urdimento/article/view/18092 |
Resumo: | This article proposes a current debate on scenic space. The Brazilian artist Hélio Oiticica treated the space and the notion of environmental art in his inventions, through the approximation of the performance, with attention to the body and the social life. The artist subverted the limits of artistic languages in order to experience the conflicts between art and reality. By coining the notion of self-theater, it is possible to conclude, along with other authors, that Oiticica built a path from screens to bodies, considering the establishment of the environment through the architectural dimension that was triggered by his interest in three-dimensionality. Then he will deal with the liberation of color from static supports until the understanding of space as a social phenomenon along with the radical opening for the invention of other participants in his propositions, going beyond participation. |
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Hélio Oiticica's auto-teatro: provocations of an environmental artO auto-teatro de Hélio Oiticica: provocações de uma arte ambientalArte ambiental CorpoEspaçoPerformanceConvívioEnvironmental artBodySpacePerformanceConvivialityThis article proposes a current debate on scenic space. The Brazilian artist Hélio Oiticica treated the space and the notion of environmental art in his inventions, through the approximation of the performance, with attention to the body and the social life. The artist subverted the limits of artistic languages in order to experience the conflicts between art and reality. By coining the notion of self-theater, it is possible to conclude, along with other authors, that Oiticica built a path from screens to bodies, considering the establishment of the environment through the architectural dimension that was triggered by his interest in three-dimensionality. Then he will deal with the liberation of color from static supports until the understanding of space as a social phenomenon along with the radical opening for the invention of other participants in his propositions, going beyond participation.Este artigo propõe um debate atual sobre espaço cênico a partir do artista brasileiro Hélio Oiticica e de suas contribuições para a ampla noção de arte ambiental em suas invenções, através da aproximação da performance, com atenção ao corpo e ao convívio. O artista subverte os limites das linguagens artísticas, a fim de experimentar os conflitos evidenciados entre arte e realidade. Ao cunhar a noção de auto-teatro, é possível concluir, junto de outros autores, que Oiticica construiu um caminho das telas aos corpos, considerando a instauração do ambiente através da dimensão arquitetural que foi acionada por seu interesse pela tridimensionalidade. Em seguida ele tratará da libertação da cor de suportes estáticos até a compreensão do espaço enquanto fenômeno social junto da abertura radical para a invenção de outros participantes em suas proposições, indo além da participação.Universidade do Estado de Santa Catarina (UDESC)2020-09-24info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://www.revistas.udesc.br/index.php/urdimento/article/view/1809210.5965/14145731023820200007Urdimento; Vol. 2 Núm. 38 (2020): Espaços: Configurações na cena brasileira e latino-americana; 1-18Urdimento - Revista de Estudos em Artes Cênicas; v. 2 n. 38 (2020): Espaços: Configurações na cena brasileira e latino-americana; 1-18Urdimento - Revista de Estudos em Artes Cênicas; Vol. 2 No. 38 (2020): Espaços: Configurações na cena brasileira e latino-americana; 1-182358-695810.5965/1414573102382020reponame:Urdimento (Online)instname:Universidade do Estado de Santa Catarina (UDESC)instacron:UDESCporhttps://www.revistas.udesc.br/index.php/urdimento/article/view/18092/11911Copyright (c) 2020 Urdimento - Revista de Estudos em Artes Cênicashttps://creativecommons.org/licenses/by/4.0info:eu-repo/semantics/openAccess Araujo, Everton Lampe de2020-09-27T02:15:50Zoai:ojs.revistas.udesc.br:article/18092Revistahttps://www.revistas.udesc.br/index.php/urdimentoPUBhttps://www.revistas.udesc.br/index.php/urdimento/oaiverareginacollaco@gmail.com2358-69581414-5731opendoar:2020-09-27T02:15:50Urdimento (Online) - Universidade do Estado de Santa Catarina (UDESC)false |
dc.title.none.fl_str_mv |
Hélio Oiticica's auto-teatro: provocations of an environmental art O auto-teatro de Hélio Oiticica: provocações de uma arte ambiental |
title |
Hélio Oiticica's auto-teatro: provocations of an environmental art |
spellingShingle |
Hélio Oiticica's auto-teatro: provocations of an environmental art Araujo, Everton Lampe de Arte ambiental Corpo Espaço Performance Convívio Environmental art Body Space Performance Conviviality |
title_short |
Hélio Oiticica's auto-teatro: provocations of an environmental art |
title_full |
Hélio Oiticica's auto-teatro: provocations of an environmental art |
title_fullStr |
Hélio Oiticica's auto-teatro: provocations of an environmental art |
title_full_unstemmed |
Hélio Oiticica's auto-teatro: provocations of an environmental art |
title_sort |
Hélio Oiticica's auto-teatro: provocations of an environmental art |
author |
Araujo, Everton Lampe de |
author_facet |
Araujo, Everton Lampe de |
author_role |
author |
dc.contributor.author.fl_str_mv |
Araujo, Everton Lampe de |
dc.subject.por.fl_str_mv |
Arte ambiental Corpo Espaço Performance Convívio Environmental art Body Space Performance Conviviality |
topic |
Arte ambiental Corpo Espaço Performance Convívio Environmental art Body Space Performance Conviviality |
description |
This article proposes a current debate on scenic space. The Brazilian artist Hélio Oiticica treated the space and the notion of environmental art in his inventions, through the approximation of the performance, with attention to the body and the social life. The artist subverted the limits of artistic languages in order to experience the conflicts between art and reality. By coining the notion of self-theater, it is possible to conclude, along with other authors, that Oiticica built a path from screens to bodies, considering the establishment of the environment through the architectural dimension that was triggered by his interest in three-dimensionality. Then he will deal with the liberation of color from static supports until the understanding of space as a social phenomenon along with the radical opening for the invention of other participants in his propositions, going beyond participation. |
publishDate |
2020 |
dc.date.none.fl_str_mv |
2020-09-24 |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion |
format |
article |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
https://www.revistas.udesc.br/index.php/urdimento/article/view/18092 10.5965/14145731023820200007 |
url |
https://www.revistas.udesc.br/index.php/urdimento/article/view/18092 |
identifier_str_mv |
10.5965/14145731023820200007 |
dc.language.iso.fl_str_mv |
por |
language |
por |
dc.relation.none.fl_str_mv |
https://www.revistas.udesc.br/index.php/urdimento/article/view/18092/11911 |
dc.rights.driver.fl_str_mv |
Copyright (c) 2020 Urdimento - Revista de Estudos em Artes Cênicas https://creativecommons.org/licenses/by/4.0 info:eu-repo/semantics/openAccess |
rights_invalid_str_mv |
Copyright (c) 2020 Urdimento - Revista de Estudos em Artes Cênicas https://creativecommons.org/licenses/by/4.0 |
eu_rights_str_mv |
openAccess |
dc.format.none.fl_str_mv |
application/pdf |
dc.publisher.none.fl_str_mv |
Universidade do Estado de Santa Catarina (UDESC) |
publisher.none.fl_str_mv |
Universidade do Estado de Santa Catarina (UDESC) |
dc.source.none.fl_str_mv |
Urdimento; Vol. 2 Núm. 38 (2020): Espaços: Configurações na cena brasileira e latino-americana; 1-18 Urdimento - Revista de Estudos em Artes Cênicas; v. 2 n. 38 (2020): Espaços: Configurações na cena brasileira e latino-americana; 1-18 Urdimento - Revista de Estudos em Artes Cênicas; Vol. 2 No. 38 (2020): Espaços: Configurações na cena brasileira e latino-americana; 1-18 2358-6958 10.5965/1414573102382020 reponame:Urdimento (Online) instname:Universidade do Estado de Santa Catarina (UDESC) instacron:UDESC |
instname_str |
Universidade do Estado de Santa Catarina (UDESC) |
instacron_str |
UDESC |
institution |
UDESC |
reponame_str |
Urdimento (Online) |
collection |
Urdimento (Online) |
repository.name.fl_str_mv |
Urdimento (Online) - Universidade do Estado de Santa Catarina (UDESC) |
repository.mail.fl_str_mv |
verareginacollaco@gmail.com |
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