The astonishment of the actress: ethical and aesthetic effects in the encounter with indigenous Guarani Mbya women, in the Cia Livre scene

Detalhes bibliográficos
Autor(a) principal: Romano, Lucia Regina Vieira
Data de Publicação: 2022
Tipo de documento: Artigo
Idioma: por
Título da fonte: Urdimento (Online)
Texto Completo: https://www.revistas.udesc.br/index.php/urdimento/article/view/21595
Resumo: This article analyzes two productions by Cia Livre, presented in 2019, based on the learning play The Horatians and the Curiatians (1933), by Brecht, and which thematize the struggle for land in Brazil today. This confrontation was synthesized, in Death and Dependence in the Land of Pau-Brasil and The One and the Others, as a dispute between the people of the One (people who consider themselves universal) and the people of the Others (all other peoples, with their human, extra-human, animal, plant and mineral cultures.) The critique of the aesthetic-philosophical model of Euro-Western theater carried out here observes the contradictions created by the presence of indigenous and non-indigenous interpreters, which mirror the dissensions and coalitions between different perspectives of emancipatory struggles. How were their experiences translated into the scene? What kind of sociability was projected there? What theatrical form can emerge from the experience of decentralization of the western subject that the group indicates in these works?
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spelling The astonishment of the actress: ethical and aesthetic effects in the encounter with indigenous Guarani Mbya women, in the Cia Livre sceneEl asombro de la actriz: efectos éticos y estéticos en el encuentro con mujeres indígenas Guaraníes Mbya, en el escenario de Cia LivreO espanto da atriz: efeitos éticos e estéticos no encontro com mulheres indígenas Guarani Mbya, na cena da Cia LivreCena contemporânea brasileiraProcessos de criaçãoEpistemologias ameríndiasTeatro anti-especistaBrazilian contemporary sceneCreative processesAmerindian epistemologiesAnti-speciesist theatreEscena contemporánea brasileñaProcesos de creaciónEpistemologías ameríndiasTeatro antiespecista This article analyzes two productions by Cia Livre, presented in 2019, based on the learning play The Horatians and the Curiatians (1933), by Brecht, and which thematize the struggle for land in Brazil today. This confrontation was synthesized, in Death and Dependence in the Land of Pau-Brasil and The One and the Others, as a dispute between the people of the One (people who consider themselves universal) and the people of the Others (all other peoples, with their human, extra-human, animal, plant and mineral cultures.) The critique of the aesthetic-philosophical model of Euro-Western theater carried out here observes the contradictions created by the presence of indigenous and non-indigenous interpreters, which mirror the dissensions and coalitions between different perspectives of emancipatory struggles. How were their experiences translated into the scene? What kind of sociability was projected there? What theatrical form can emerge from the experience of decentralization of the western subject that the group indicates in these works? Este artículo analiza dos producciones de Cia Livre, presentadas en 2019, basadas en la obra didácticaOs Horácios e os Curiácios (1933), de Brecht, y que tematizan la lucha por la tierra en el Brasil actual. Ese enfrentamiento fue sintetizado, en Muerte y Dependencia en la Tierra de Pau-Brasil y Os Um e os Outros, como una disputa entre el pueblo del Uno (pueblo que se considera universal) y el pueblo de los Otros (todos los demás pueblos, con sus , extrahumanas, animales, vegetales y minerales.) La crítica al modelo estético-filosófico del teatro euro-occidental realizada aquí observa las contradicciones creadas por la presencia de intérpretes indígenas y no indígenas, que reflejan las disensiones y coaliciones entre diferentes perspectivas de luchas emancipatorias. ¿Cómo se tradujeron sus experiencias en la escena? ¿Qué tipo de sociabilidad se proyectó allí? ¿Qué forma teatral puede emerger de la experiencia de descentralización del sujeto occidental que el grupo señala en estas obras? Este artigo analisa duas produções da Cia Livre, apresentadas em 2019, baseadas na peça de aprendizado Os Horácios e os Curiácios (1933), de Brecht, e que tematizam a luta pela terra no Brasil hoje. Esse confronto foi sintetizado, em Morte e Dependência na Terra do Pau-Brasil e Os Um e Os Outros, como uma disputa entre o povo dos Um (povo que considera a si mesmo como universal) e o povo dos Outros (todos os outros povos, com suas culturas humanas, extra-humanas, animais, vegetais e minerais). A crítica ao modelo estético-filosófico do teatro Euro-ocidental aqui efetivada observa as contradições urdidas pelas presenças de intérpretes indígenas e não-indígenas, que espelham os dissensos e coalizões entre diferentes perspectivas das lutas emancipatórias. Como as experiências delas foram traduzidas na cena? Que tipo de sociabilidade foi ali projetada? Que forma teatral pode emergir da experiência de descentralização do sujeito ocidental que o grupo indica nesses trabalhos? Universidade do Estado de Santa Catarina (UDESC)2022-04-06info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdftext/htmlhttps://www.revistas.udesc.br/index.php/urdimento/article/view/2159510.5965/1414573101432022e0118Urdimento: Revista de Estudos em Artes Cênicas; Vol. 1 No. 43 (2022): Corpo e(n)cena e (des)educação | As artes da cena dos e com os povos indigenas; 1-21Urdimento; Vol. 1 Núm. 43 (2022): Corpo e(n)cena e (des)educação | As artes da cena dos e com os povos indigenas; 1-21Urdimento - Revista de Estudos em Artes Cênicas; v. 1 n. 43 (2022): Corpo e(n)cena e (des)educação | As artes da cena dos e com os povos indigenas; 1-212358-695810.5965/1414573101432022reponame:Urdimento (Online)instname:Universidade do Estado de Santa Catarina (UDESC)instacron:UDESCporhttps://www.revistas.udesc.br/index.php/urdimento/article/view/21595/14172https://www.revistas.udesc.br/index.php/urdimento/article/view/21595/14173Copyright (c) 2022 Urdimento - Revista de Estudos em Artes Cênicashttps://creativecommons.org/licenses/by/4.0info:eu-repo/semantics/openAccessRomano, Lucia Regina Vieira2024-02-29T15:03:29Zoai::article/21595Revistahttps://www.revistas.udesc.br/index.php/urdimentoPUBhttps://www.revistas.udesc.br/index.php/urdimento/oaiverareginacollaco@gmail.com2358-69581414-5731opendoar:2024-02-29T15:03:29Urdimento (Online) - Universidade do Estado de Santa Catarina (UDESC)false
dc.title.none.fl_str_mv The astonishment of the actress: ethical and aesthetic effects in the encounter with indigenous Guarani Mbya women, in the Cia Livre scene
El asombro de la actriz: efectos éticos y estéticos en el encuentro con mujeres indígenas Guaraníes Mbya, en el escenario de Cia Livre
O espanto da atriz: efeitos éticos e estéticos no encontro com mulheres indígenas Guarani Mbya, na cena da Cia Livre
title The astonishment of the actress: ethical and aesthetic effects in the encounter with indigenous Guarani Mbya women, in the Cia Livre scene
spellingShingle The astonishment of the actress: ethical and aesthetic effects in the encounter with indigenous Guarani Mbya women, in the Cia Livre scene
Romano, Lucia Regina Vieira
Cena contemporânea brasileira
Processos de criação
Epistemologias ameríndias
Teatro anti-especista
Brazilian contemporary scene
Creative processes
Amerindian epistemologies
Anti-speciesist theatre
Escena contemporánea brasileña
Procesos de creación
Epistemologías ameríndias
Teatro antiespecista
title_short The astonishment of the actress: ethical and aesthetic effects in the encounter with indigenous Guarani Mbya women, in the Cia Livre scene
title_full The astonishment of the actress: ethical and aesthetic effects in the encounter with indigenous Guarani Mbya women, in the Cia Livre scene
title_fullStr The astonishment of the actress: ethical and aesthetic effects in the encounter with indigenous Guarani Mbya women, in the Cia Livre scene
title_full_unstemmed The astonishment of the actress: ethical and aesthetic effects in the encounter with indigenous Guarani Mbya women, in the Cia Livre scene
title_sort The astonishment of the actress: ethical and aesthetic effects in the encounter with indigenous Guarani Mbya women, in the Cia Livre scene
author Romano, Lucia Regina Vieira
author_facet Romano, Lucia Regina Vieira
author_role author
dc.contributor.author.fl_str_mv Romano, Lucia Regina Vieira
dc.subject.por.fl_str_mv Cena contemporânea brasileira
Processos de criação
Epistemologias ameríndias
Teatro anti-especista
Brazilian contemporary scene
Creative processes
Amerindian epistemologies
Anti-speciesist theatre
Escena contemporánea brasileña
Procesos de creación
Epistemologías ameríndias
Teatro antiespecista
topic Cena contemporânea brasileira
Processos de criação
Epistemologias ameríndias
Teatro anti-especista
Brazilian contemporary scene
Creative processes
Amerindian epistemologies
Anti-speciesist theatre
Escena contemporánea brasileña
Procesos de creación
Epistemologías ameríndias
Teatro antiespecista
description This article analyzes two productions by Cia Livre, presented in 2019, based on the learning play The Horatians and the Curiatians (1933), by Brecht, and which thematize the struggle for land in Brazil today. This confrontation was synthesized, in Death and Dependence in the Land of Pau-Brasil and The One and the Others, as a dispute between the people of the One (people who consider themselves universal) and the people of the Others (all other peoples, with their human, extra-human, animal, plant and mineral cultures.) The critique of the aesthetic-philosophical model of Euro-Western theater carried out here observes the contradictions created by the presence of indigenous and non-indigenous interpreters, which mirror the dissensions and coalitions between different perspectives of emancipatory struggles. How were their experiences translated into the scene? What kind of sociability was projected there? What theatrical form can emerge from the experience of decentralization of the western subject that the group indicates in these works?
publishDate 2022
dc.date.none.fl_str_mv 2022-04-06
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://www.revistas.udesc.br/index.php/urdimento/article/view/21595
10.5965/1414573101432022e0118
url https://www.revistas.udesc.br/index.php/urdimento/article/view/21595
identifier_str_mv 10.5965/1414573101432022e0118
dc.language.iso.fl_str_mv por
language por
dc.relation.none.fl_str_mv https://www.revistas.udesc.br/index.php/urdimento/article/view/21595/14172
https://www.revistas.udesc.br/index.php/urdimento/article/view/21595/14173
dc.rights.driver.fl_str_mv Copyright (c) 2022 Urdimento - Revista de Estudos em Artes Cênicas
https://creativecommons.org/licenses/by/4.0
info:eu-repo/semantics/openAccess
rights_invalid_str_mv Copyright (c) 2022 Urdimento - Revista de Estudos em Artes Cênicas
https://creativecommons.org/licenses/by/4.0
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
text/html
dc.publisher.none.fl_str_mv Universidade do Estado de Santa Catarina (UDESC)
publisher.none.fl_str_mv Universidade do Estado de Santa Catarina (UDESC)
dc.source.none.fl_str_mv Urdimento: Revista de Estudos em Artes Cênicas; Vol. 1 No. 43 (2022): Corpo e(n)cena e (des)educação | As artes da cena dos e com os povos indigenas; 1-21
Urdimento; Vol. 1 Núm. 43 (2022): Corpo e(n)cena e (des)educação | As artes da cena dos e com os povos indigenas; 1-21
Urdimento - Revista de Estudos em Artes Cênicas; v. 1 n. 43 (2022): Corpo e(n)cena e (des)educação | As artes da cena dos e com os povos indigenas; 1-21
2358-6958
10.5965/1414573101432022
reponame:Urdimento (Online)
instname:Universidade do Estado de Santa Catarina (UDESC)
instacron:UDESC
instname_str Universidade do Estado de Santa Catarina (UDESC)
instacron_str UDESC
institution UDESC
reponame_str Urdimento (Online)
collection Urdimento (Online)
repository.name.fl_str_mv Urdimento (Online) - Universidade do Estado de Santa Catarina (UDESC)
repository.mail.fl_str_mv verareginacollaco@gmail.com
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