The artistic object, the handmade object and the design object

Detalhes bibliográficos
Autor(a) principal: Held, Maria Sílvia Barros de
Data de Publicação: 2021
Tipo de documento: Artigo
Idioma: por
Título da fonte: Revista de Ensino em Artes, Moda e Design
Texto Completo: https://www.revistas.udesc.br/index.php/ensinarmode/article/view/19854
Resumo: There are several intersections, in various aspects, between art, crafts, design and they contribute to the conceptual evolution of each of the sectors and, at the same time, to the interaction between them. In this study, there is a concern with the concepts related to art, handicrafts and design, their ambiguities, interrelationships, connections, in their respective updates during different times, which involve actions, technical and material terms, based on social and contextualizations. The methodology used opts for a synthesis and adaptation of the authors: Löbach, Munari and Baxter, in addition to Dijon De Moraes. The image, as visual communication, has different values, according to the context where they are inserted, and offer different information. In the same way that they will remain with greater or lesser intensity (condensing or diluting), for a greater or lesser time in people's repertoire of images. All these integrative possibilities are offered in relation to the already existing elements and the possibilities of "connections" that they will offer. Your permanence warning will be that of pregnancy in memory, that is, the real time of your true existence, not physical time, but, on the contrary, that of your psychophysical pregnancy, which gives consistency to the Gestalt laws, especially with regard to to its basic law of the pregnancy of form. The creator too. with his non-verbal communication in the artistic universe, he will use the same resource as his "archive of representative meanings" that he brings to memory, in accordance with the ethos of a collective body, as defined by Maffesoli.
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spelling The artistic object, the handmade object and the design objectEl objeto artístico, el objeto hecho a mano y el objeto de diseñoL’objet artistique, l’objet artisanal et l’objet de designO objeto artístico, o objeto artesanal e o objeto de design ArteArtesanatoDesign ArtDesignHandicraftArteArtesaníaDiseñoArtArtisanatConceptionThere are several intersections, in various aspects, between art, crafts, design and they contribute to the conceptual evolution of each of the sectors and, at the same time, to the interaction between them. In this study, there is a concern with the concepts related to art, handicrafts and design, their ambiguities, interrelationships, connections, in their respective updates during different times, which involve actions, technical and material terms, based on social and contextualizations. The methodology used opts for a synthesis and adaptation of the authors: Löbach, Munari and Baxter, in addition to Dijon De Moraes. The image, as visual communication, has different values, according to the context where they are inserted, and offer different information. In the same way that they will remain with greater or lesser intensity (condensing or diluting), for a greater or lesser time in people's repertoire of images. All these integrative possibilities are offered in relation to the already existing elements and the possibilities of "connections" that they will offer. Your permanence warning will be that of pregnancy in memory, that is, the real time of your true existence, not physical time, but, on the contrary, that of your psychophysical pregnancy, which gives consistency to the Gestalt laws, especially with regard to to its basic law of the pregnancy of form. The creator too. with his non-verbal communication in the artistic universe, he will use the same resource as his "archive of representative meanings" that he brings to memory, in accordance with the ethos of a collective body, as defined by Maffesoli.  Existen varias intersecciones, en diversos aspectos, entre arte, artesanía, diseño y contribuyen a la evolución conceptual de cada uno de los sectores y, al mismo tiempo, a la interacción entre ellos. En este estudio, existe una preocupación por los conceptos relacionados con el arte, la artesanía y el diseño, sus ambigüedades, conexiones de interrelaciones, en sus respectivas actualizaciones en diferentes momentos, que involucran acciones, términos técnicos y materiales, con base en lo social y contextualizaciones. La metodología utilizada opta por una síntesis y adaptación de los autores: Löbach, Munari y Baxter, además de Dijon De Moraes. La imagen, como comunicación visual, tiene valores diferentes, según el contexto donde se inserta, y ofrece información diferente. De la misma forma que permanecerán con mayor o menor intensidad (condensando o diluyendo), durante mayor o menor tiempo en el repertorio de imágenes de las personas. Todas estas posibilidades integradoras se ofrecen en relación con los elementos ya existentes y las posibilidades de "conexiones" que ofrecerán. Tu advertencia de permanencia será la del embarazo en la memoria, es decir, el tiempo real de tu verdadera existencia, no el tiempo físico, sino, por el contrario, el de tu embarazo psicofísico, lo que da consistencia a las leyes de la Gestalt, especialmente en lo que respecta a a su ley básica del embarazo de la forma. El creador también. con su comunicación no verbal en el universo artístico, utilizará el mismo recurso que su "archivo de significados representativos" que trae a la memoria, de acuerdo con el ethos de un cuerpo colectivo, tal como lo define Maffesoli.Plusieurs intersections, sous de nombreux aspects, entre l’art, l’artisanat et le design, contribuent à l’évolution conceptuelle de ces domaines et, en même temps, à leur interaction. Cette étude prend en compte les concepts liés à l’art, à l’artisanat et au design, leurs ambiguïtés, leurs corrélations et leurs connexions avec des mises à jour respectives à différentes époques, qui impliquent des actions, des termes techniques et matériels, bases sur la transformation sociale et la contextualisation. La méthodologie utilisée a choisi pour la synthèse et l’ajustement des auteurs Löbach, Munari et Baxter, en plus de Dijon De Moraes. L’image, en tant que communication visuelle, a des valeurs différentes, selon le contexte, et offre des informations différentes. De même, il restera plus ou moins intense, condensant ou diluant, plus ou moins longtemps dans le répertoire d’images des gens. Toutes ces possibilités intégratives s’offrent elles-mêmes concernant les éléments existants et les possibilités de connexions. L’avertissement de permanence sera le même avertissement de permanence de la mémoire, le temps réel de sa véritable existence, non le temps physique, mais au contraire la permanence psychophysique, donnant cohérence aux lois de la Gestalt, en particulier sur sa loi fondamentale de la permanence de façonner. Le créateur, avec as communication non verbale dans l’univers artistique, utilisera la même ressource que ses archives de significations représentatives qu’il apporte à la mémoire, suivant l’éthos d’um corps collectif, tel que défini par Maffesoli.Há várias interseções, em vários aspectos, entre arte, artesanato e design, as quais contribuem para a evolução conceitual de cada um dos setores e, ao mesmo tempo, para a interação entre eles. Neste estudo, levam-se em conta os conceitos referentes à arte, ao artesanato e ao design, suas ambiguidades, inter-relações e conexões em suas respectivas atualizações no decorrer de diferentes épocas, que envolvem ações, termos técnicos e materiais, a partir das transformações sociais e contextualizações. A metodologia utilizada opta por uma síntese e adaptação dos autores Löbach, Munari e Baxter, além de Dijon De Moraes. A imagem, como comunicação visual, tem valores diferentes, segundo o contexto onde ela está inserida, e oferece informações diferentes, da mesma forma que permanecerá com maior ou menor intensidade, condensando-se ou diluindo-se, por um tempo maior ou menor no repertório de imagens das pessoas. Todas essas possibilidades integrativas se oferecem em relação aos elementos já existentes e também às possibilidades de “conexões”. Seu aviso de permanência será aquele de pregnância na memória, ou seja, o tempo real de sua verdadeira existência, não o tempo físico, mas, pelo contrário, o de sua pregnância psicofísica, o que dá consistência às leis da Gestalt, sobretudo no tocante à sua lei básica da pregnância da forma. O criador, com sua comunicação não verbal no universo artístico, também irá utilizar o mesmo recurso como seu arquivo de significados representantativos que traz na memória, em conformidade com o ethos de um corpo coletivo, como define Maffesoli.Universidade do Estado de Santa Catarina2021-06-01info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfapplication/pdfhttps://www.revistas.udesc.br/index.php/ensinarmode/article/view/1985410.5965/25944630522021128Revista de Ensino em Artes, Moda e Design; v. 5 n. 2 (2021): Dossiê 9 - Arte, Design e Artesanato – Ressignificações e Relacionamentos em Rede; 128-1502594-463010.5965/25944630522021001reponame:Revista de Ensino em Artes, Moda e Designinstname:Universidade do Estado de Santa Catarina (UDESC)instacron:UDESCporhttps://www.revistas.udesc.br/index.php/ensinarmode/article/view/19854/13005https://www.revistas.udesc.br/index.php/ensinarmode/article/view/19854/13006Copyright (c) 2021 Maria Sílvia Barros de Heldhttps://creativecommons.org/licenses/by/4.0/deed.ptinfo:eu-repo/semantics/openAccessHeld, Maria Sílvia Barros de2024-02-29T12:41:32Zoai::article/19854Revistahttps://www.revistas.udesc.br/index.php/ensinarmode/indexPUBhttps://www.revistas.udesc.br/index.php/Ensinarmode/oaireamd.ceart@udesc.br || portal.periodicos@udesc.br2594-46302594-4630opendoar:2024-02-29T12:41:32Revista de Ensino em Artes, Moda e Design - Universidade do Estado de Santa Catarina (UDESC)false
dc.title.none.fl_str_mv The artistic object, the handmade object and the design object
El objeto artístico, el objeto hecho a mano y el objeto de diseño
L’objet artistique, l’objet artisanal et l’objet de design
O objeto artístico, o objeto artesanal e o objeto de design
title The artistic object, the handmade object and the design object
spellingShingle The artistic object, the handmade object and the design object
Held, Maria Sílvia Barros de
Arte
Artesanato
Design
Art
Design
Handicraft
Arte
Artesanía
Diseño
Art
Artisanat
Conception
title_short The artistic object, the handmade object and the design object
title_full The artistic object, the handmade object and the design object
title_fullStr The artistic object, the handmade object and the design object
title_full_unstemmed The artistic object, the handmade object and the design object
title_sort The artistic object, the handmade object and the design object
author Held, Maria Sílvia Barros de
author_facet Held, Maria Sílvia Barros de
author_role author
dc.contributor.author.fl_str_mv Held, Maria Sílvia Barros de
dc.subject.por.fl_str_mv Arte
Artesanato
Design
Art
Design
Handicraft
Arte
Artesanía
Diseño
Art
Artisanat
Conception
topic Arte
Artesanato
Design
Art
Design
Handicraft
Arte
Artesanía
Diseño
Art
Artisanat
Conception
description There are several intersections, in various aspects, between art, crafts, design and they contribute to the conceptual evolution of each of the sectors and, at the same time, to the interaction between them. In this study, there is a concern with the concepts related to art, handicrafts and design, their ambiguities, interrelationships, connections, in their respective updates during different times, which involve actions, technical and material terms, based on social and contextualizations. The methodology used opts for a synthesis and adaptation of the authors: Löbach, Munari and Baxter, in addition to Dijon De Moraes. The image, as visual communication, has different values, according to the context where they are inserted, and offer different information. In the same way that they will remain with greater or lesser intensity (condensing or diluting), for a greater or lesser time in people's repertoire of images. All these integrative possibilities are offered in relation to the already existing elements and the possibilities of "connections" that they will offer. Your permanence warning will be that of pregnancy in memory, that is, the real time of your true existence, not physical time, but, on the contrary, that of your psychophysical pregnancy, which gives consistency to the Gestalt laws, especially with regard to to its basic law of the pregnancy of form. The creator too. with his non-verbal communication in the artistic universe, he will use the same resource as his "archive of representative meanings" that he brings to memory, in accordance with the ethos of a collective body, as defined by Maffesoli.
publishDate 2021
dc.date.none.fl_str_mv 2021-06-01
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://www.revistas.udesc.br/index.php/ensinarmode/article/view/19854
10.5965/25944630522021128
url https://www.revistas.udesc.br/index.php/ensinarmode/article/view/19854
identifier_str_mv 10.5965/25944630522021128
dc.language.iso.fl_str_mv por
language por
dc.relation.none.fl_str_mv https://www.revistas.udesc.br/index.php/ensinarmode/article/view/19854/13005
https://www.revistas.udesc.br/index.php/ensinarmode/article/view/19854/13006
dc.rights.driver.fl_str_mv Copyright (c) 2021 Maria Sílvia Barros de Held
https://creativecommons.org/licenses/by/4.0/deed.pt
info:eu-repo/semantics/openAccess
rights_invalid_str_mv Copyright (c) 2021 Maria Sílvia Barros de Held
https://creativecommons.org/licenses/by/4.0/deed.pt
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
application/pdf
dc.publisher.none.fl_str_mv Universidade do Estado de Santa Catarina
publisher.none.fl_str_mv Universidade do Estado de Santa Catarina
dc.source.none.fl_str_mv Revista de Ensino em Artes, Moda e Design; v. 5 n. 2 (2021): Dossiê 9 - Arte, Design e Artesanato – Ressignificações e Relacionamentos em Rede; 128-150
2594-4630
10.5965/25944630522021001
reponame:Revista de Ensino em Artes, Moda e Design
instname:Universidade do Estado de Santa Catarina (UDESC)
instacron:UDESC
instname_str Universidade do Estado de Santa Catarina (UDESC)
instacron_str UDESC
institution UDESC
reponame_str Revista de Ensino em Artes, Moda e Design
collection Revista de Ensino em Artes, Moda e Design
repository.name.fl_str_mv Revista de Ensino em Artes, Moda e Design - Universidade do Estado de Santa Catarina (UDESC)
repository.mail.fl_str_mv reamd.ceart@udesc.br || portal.periodicos@udesc.br
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