THE ABSTRACTION OF ARABIC CALLIGRAPHY IN THE MAKING OF MODERN SUDANESE ART

Detalhes bibliográficos
Autor(a) principal: Salles, Sandra Mara
Data de Publicação: 2019
Tipo de documento: Artigo
Idioma: por
Título da fonte: Palíndromo (Online)
Texto Completo: https://www.revistas.udesc.br/index.php/palindromo/article/view/15208
Resumo: This paper aims to analyze the use of Arabic calligraphy by pioneering art-ists of modern painting in Sudan in the 1950s and 1960s and its relationship to the country’s modernization process. The central role assigned to calligraphy in the curriculum of the Khartoum School, one of the main artistic movements on the African continent in the post-colonial period, will be problematized. The criti-cal debate led by Sudanese artists Has-san Musa and Abdallah Bashir (Bola) in the early 1970s, who saw the abstraction of Arabic calligraphy as a mechanism of essentialization of Sudanese art and cul-ture, will also be examined.
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spelling THE ABSTRACTION OF ARABIC CALLIGRAPHY IN THE MAKING OF MODERN SUDANESE ARTA abstração da caligrafia árabe na fabricação da arte moderna sudanesaarte moderna sudanesacaligrafia árabeescola de CartumEl SalahiHurufiyyamodern sudanese artarabic calligraphyKhartoum schoolEl SalahiHurufiyyaThis paper aims to analyze the use of Arabic calligraphy by pioneering art-ists of modern painting in Sudan in the 1950s and 1960s and its relationship to the country’s modernization process. The central role assigned to calligraphy in the curriculum of the Khartoum School, one of the main artistic movements on the African continent in the post-colonial period, will be problematized. The criti-cal debate led by Sudanese artists Has-san Musa and Abdallah Bashir (Bola) in the early 1970s, who saw the abstraction of Arabic calligraphy as a mechanism of essentialization of Sudanese art and cul-ture, will also be examined.A proposta deste artigo é analisar o uso da caligrafia árabe por artistas pioneiros da pintura moderna no Sudão nas décadas de 1950 e 1960 e sua relação com o processo de modernização do país. Será problematizado o papel central atribuído à caligrafia no currículo da Escola de Cartum, um dos principais movimentos artísticos no continente africano no período pós-colonial. O debate crítico encabeçado pelos artistas sudaneses Hassan Musa e Abdallah Bashir (Bola), no início dos anos 1970, que viam a abstração da caligrafia árabe como um dos mecanismos de essencialização da arte e da cultura sudanesa também será examinado.Universidade do Estado de Santa Catarina2019-06-06info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://www.revistas.udesc.br/index.php/palindromo/article/view/1520810.5965/2175234611242019059Palíndromo; Vol. 11 No. 24 (2019): Palíndromo; 59-72Palíndromo; v. 11 n. 24 (2019): Palíndromo; 59-722175-23461984-953210.5965/2175234611242019reponame:Palíndromo (Online)instname:Universidade do Estado de Santa Catarina (UDESC)instacron:UDESCporhttps://www.revistas.udesc.br/index.php/palindromo/article/view/15208/10127Copyright (c) 2019 Palíndromohttp://creativecommons.org/licenses/by/4.0info:eu-repo/semantics/openAccessSalles, Sandra Mara2020-09-09T16:38:33Zoai:ojs.revistas.udesc.br:article/15208Revistahttps://www.revistas.udesc.br/index.php/palindromoPUBhttps://www.revistas.udesc.br/index.php/palindromo/oaipalindromorevista@gmail.com || revistapalindromo@udesc.br2175-23461984-9532opendoar:2020-09-09T16:38:33Palíndromo (Online) - Universidade do Estado de Santa Catarina (UDESC)false
dc.title.none.fl_str_mv THE ABSTRACTION OF ARABIC CALLIGRAPHY IN THE MAKING OF MODERN SUDANESE ART
A abstração da caligrafia árabe na fabricação da arte moderna sudanesa
title THE ABSTRACTION OF ARABIC CALLIGRAPHY IN THE MAKING OF MODERN SUDANESE ART
spellingShingle THE ABSTRACTION OF ARABIC CALLIGRAPHY IN THE MAKING OF MODERN SUDANESE ART
Salles, Sandra Mara
arte moderna sudanesa
caligrafia árabe
escola de Cartum
El Salahi
Hurufiyya
modern sudanese art
arabic calligraphy
Khartoum school
El Salahi
Hurufiyya
title_short THE ABSTRACTION OF ARABIC CALLIGRAPHY IN THE MAKING OF MODERN SUDANESE ART
title_full THE ABSTRACTION OF ARABIC CALLIGRAPHY IN THE MAKING OF MODERN SUDANESE ART
title_fullStr THE ABSTRACTION OF ARABIC CALLIGRAPHY IN THE MAKING OF MODERN SUDANESE ART
title_full_unstemmed THE ABSTRACTION OF ARABIC CALLIGRAPHY IN THE MAKING OF MODERN SUDANESE ART
title_sort THE ABSTRACTION OF ARABIC CALLIGRAPHY IN THE MAKING OF MODERN SUDANESE ART
author Salles, Sandra Mara
author_facet Salles, Sandra Mara
author_role author
dc.contributor.author.fl_str_mv Salles, Sandra Mara
dc.subject.por.fl_str_mv arte moderna sudanesa
caligrafia árabe
escola de Cartum
El Salahi
Hurufiyya
modern sudanese art
arabic calligraphy
Khartoum school
El Salahi
Hurufiyya
topic arte moderna sudanesa
caligrafia árabe
escola de Cartum
El Salahi
Hurufiyya
modern sudanese art
arabic calligraphy
Khartoum school
El Salahi
Hurufiyya
description This paper aims to analyze the use of Arabic calligraphy by pioneering art-ists of modern painting in Sudan in the 1950s and 1960s and its relationship to the country’s modernization process. The central role assigned to calligraphy in the curriculum of the Khartoum School, one of the main artistic movements on the African continent in the post-colonial period, will be problematized. The criti-cal debate led by Sudanese artists Has-san Musa and Abdallah Bashir (Bola) in the early 1970s, who saw the abstraction of Arabic calligraphy as a mechanism of essentialization of Sudanese art and cul-ture, will also be examined.
publishDate 2019
dc.date.none.fl_str_mv 2019-06-06
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://www.revistas.udesc.br/index.php/palindromo/article/view/15208
10.5965/2175234611242019059
url https://www.revistas.udesc.br/index.php/palindromo/article/view/15208
identifier_str_mv 10.5965/2175234611242019059
dc.language.iso.fl_str_mv por
language por
dc.relation.none.fl_str_mv https://www.revistas.udesc.br/index.php/palindromo/article/view/15208/10127
dc.rights.driver.fl_str_mv Copyright (c) 2019 Palíndromo
http://creativecommons.org/licenses/by/4.0
info:eu-repo/semantics/openAccess
rights_invalid_str_mv Copyright (c) 2019 Palíndromo
http://creativecommons.org/licenses/by/4.0
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv Universidade do Estado de Santa Catarina
publisher.none.fl_str_mv Universidade do Estado de Santa Catarina
dc.source.none.fl_str_mv Palíndromo; Vol. 11 No. 24 (2019): Palíndromo; 59-72
Palíndromo; v. 11 n. 24 (2019): Palíndromo; 59-72
2175-2346
1984-9532
10.5965/2175234611242019
reponame:Palíndromo (Online)
instname:Universidade do Estado de Santa Catarina (UDESC)
instacron:UDESC
instname_str Universidade do Estado de Santa Catarina (UDESC)
instacron_str UDESC
institution UDESC
reponame_str Palíndromo (Online)
collection Palíndromo (Online)
repository.name.fl_str_mv Palíndromo (Online) - Universidade do Estado de Santa Catarina (UDESC)
repository.mail.fl_str_mv palindromorevista@gmail.com || revistapalindromo@udesc.br
_version_ 1797041815378984960

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