Mimicking elements of the arts’ system to discuss it?
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Publication Date: | 2014 |
Format: | Article |
Language: | por |
Source: | Palíndromo (Online) |
Download full: | https://www.revistas.udesc.br/index.php/palindromo/article/view/2175234606112014050 |
Summary: | Contemporary artists, aiming launching provocations, play with ambiguity and alterity in their production to discuss elements of the visual arts’ system itself - the figure of the artist, the museum, the cultural journalism, etc. In dialogue, we analyze the projects of artists such as Yuri Firmness (with his “invented artist” Souzousareta Geijutsuka) and Bruno Moreschi (with his project ART BOOK, where he creates an encyclopedia of art with 50 fictional artists designed by him). In this context, the research involves the practical development of the persona of a “technological artist” - a chatbot that pretends to be an artist acting in a “teleperformance” on the Internet - supposedly introducing a “direct” relationship between artist and audience. |
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Mimicking elements of the arts’ system to discuss it?Mimetizar elementos do sistema das artes para discuti-lo?mimicrycontemporary art digital artmimetismo arte contemporânea arte digital Contemporary artists, aiming launching provocations, play with ambiguity and alterity in their production to discuss elements of the visual arts’ system itself - the figure of the artist, the museum, the cultural journalism, etc. In dialogue, we analyze the projects of artists such as Yuri Firmness (with his “invented artist” Souzousareta Geijutsuka) and Bruno Moreschi (with his project ART BOOK, where he creates an encyclopedia of art with 50 fictional artists designed by him). In this context, the research involves the practical development of the persona of a “technological artist” - a chatbot that pretends to be an artist acting in a “teleperformance” on the Internet - supposedly introducing a “direct” relationship between artist and audience.Artistas contemporâneos, com o intuito de lançar provocações, jogam com regimes de ambiguidade e alteridade em suas produções para discutir elementos do próprio sistema das artes visuais – a figura do artista, o museu, o jornalismo cultural etc. Em diálogo, consideram-se os projetos de artistas como Yuri Firmeza (com seu “artista inventado” Souzousareta Geijutsuka) e Bruno Moreschi (com seu projeto ART BOOK, onde cria uma enciclopédia de arte com 50 artistas ficcionais concebidos por ele). Neste contexto, a pesquisa envolve o desenvolvimento prático da persona de um “artista tecnológico” – um robô de conversação que se passa por artista atuando ininterruptamente em uma “teleperformance” via Internet – supostamente instaurando uma relação “direta” entre artista e público.Universidade do Estado de Santa Catarina2014-07-31info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://www.revistas.udesc.br/index.php/palindromo/article/view/217523460611201405010.5965/2175234606112014050Palíndromo; Vol. 6 No. 11 (2014): Palíndromo nº11; 50 - 63Palíndromo; v. 6 n. 11 (2014): Palíndromo nº11; 50 - 632175-23461984-9532reponame:Palíndromo (Online)instname:Universidade do Estado de Santa Catarina (UDESC)instacron:UDESCporhttps://www.revistas.udesc.br/index.php/palindromo/article/view/2175234606112014050/3692Copyright (c) 2014 Fabio Oliveira Nuneshttp://creativecommons.org/licenses/by/4.0info:eu-repo/semantics/openAccessNunes, Fabio Oliveira2023-03-24T14:37:35Zoai:ojs.revistas.udesc.br:article/4551Revistahttps://www.revistas.udesc.br/index.php/palindromoPUBhttps://www.revistas.udesc.br/index.php/palindromo/oaipalindromorevista@gmail.com || revistapalindromo@udesc.br2175-23461984-9532opendoar:2023-03-24T14:37:35Palíndromo (Online) - Universidade do Estado de Santa Catarina (UDESC)false |
dc.title.none.fl_str_mv |
Mimicking elements of the arts’ system to discuss it? Mimetizar elementos do sistema das artes para discuti-lo? |
title |
Mimicking elements of the arts’ system to discuss it? |
spellingShingle |
Mimicking elements of the arts’ system to discuss it? Nunes, Fabio Oliveira mimicry contemporary art digital art mimetismo arte contemporânea arte digital |
title_short |
Mimicking elements of the arts’ system to discuss it? |
title_full |
Mimicking elements of the arts’ system to discuss it? |
title_fullStr |
Mimicking elements of the arts’ system to discuss it? |
title_full_unstemmed |
Mimicking elements of the arts’ system to discuss it? |
title_sort |
Mimicking elements of the arts’ system to discuss it? |
author |
Nunes, Fabio Oliveira |
author_facet |
Nunes, Fabio Oliveira |
author_role |
author |
dc.contributor.author.fl_str_mv |
Nunes, Fabio Oliveira |
dc.subject.por.fl_str_mv |
mimicry contemporary art digital art mimetismo arte contemporânea arte digital |
topic |
mimicry contemporary art digital art mimetismo arte contemporânea arte digital |
description |
Contemporary artists, aiming launching provocations, play with ambiguity and alterity in their production to discuss elements of the visual arts’ system itself - the figure of the artist, the museum, the cultural journalism, etc. In dialogue, we analyze the projects of artists such as Yuri Firmness (with his “invented artist” Souzousareta Geijutsuka) and Bruno Moreschi (with his project ART BOOK, where he creates an encyclopedia of art with 50 fictional artists designed by him). In this context, the research involves the practical development of the persona of a “technological artist” - a chatbot that pretends to be an artist acting in a “teleperformance” on the Internet - supposedly introducing a “direct” relationship between artist and audience. |
publishDate |
2014 |
dc.date.none.fl_str_mv |
2014-07-31 |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion |
format |
article |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
https://www.revistas.udesc.br/index.php/palindromo/article/view/2175234606112014050 10.5965/2175234606112014050 |
url |
https://www.revistas.udesc.br/index.php/palindromo/article/view/2175234606112014050 |
identifier_str_mv |
10.5965/2175234606112014050 |
dc.language.iso.fl_str_mv |
por |
language |
por |
dc.relation.none.fl_str_mv |
https://www.revistas.udesc.br/index.php/palindromo/article/view/2175234606112014050/3692 |
dc.rights.driver.fl_str_mv |
Copyright (c) 2014 Fabio Oliveira Nunes http://creativecommons.org/licenses/by/4.0 info:eu-repo/semantics/openAccess |
rights_invalid_str_mv |
Copyright (c) 2014 Fabio Oliveira Nunes http://creativecommons.org/licenses/by/4.0 |
eu_rights_str_mv |
openAccess |
dc.format.none.fl_str_mv |
application/pdf |
dc.publisher.none.fl_str_mv |
Universidade do Estado de Santa Catarina |
publisher.none.fl_str_mv |
Universidade do Estado de Santa Catarina |
dc.source.none.fl_str_mv |
Palíndromo; Vol. 6 No. 11 (2014): Palíndromo nº11; 50 - 63 Palíndromo; v. 6 n. 11 (2014): Palíndromo nº11; 50 - 63 2175-2346 1984-9532 reponame:Palíndromo (Online) instname:Universidade do Estado de Santa Catarina (UDESC) instacron:UDESC |
instname_str |
Universidade do Estado de Santa Catarina (UDESC) |
instacron_str |
UDESC |
institution |
UDESC |
reponame_str |
Palíndromo (Online) |
collection |
Palíndromo (Online) |
repository.name.fl_str_mv |
Palíndromo (Online) - Universidade do Estado de Santa Catarina (UDESC) |
repository.mail.fl_str_mv |
palindromorevista@gmail.com || revistapalindromo@udesc.br |
_version_ |
1797041814210871296 |