Writings: chewing letters, spitting out words
Autor(a) principal: | |
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Data de Publicação: | 2023 |
Tipo de documento: | Artigo |
Idioma: | por |
Título da fonte: | Palíndromo (Online) |
Texto Completo: | https://www.revistas.udesc.br/index.php/palindromo/article/view/24054 |
Resumo: | It is necessary to chew letters to feel sentences and spit out words to compose artistic practices with the text: based on this dynamic, the publication “e s c r i t a s” presents itself as an experimental compilation of texts in electronic format (e-book). The proposal was developed based on virtual meetings during the COVID-19 pandemic. They are “e s c r i t a s” with spaces, as they are “letters in social distancing” tensioning relationships between a slow return to post-pandemic “normality” and the desire to inhabit new art production platforms. This report aims to describe the experience of a collaborative creative process and disseminate how experimental proposals in writing can find support in public notices. The article follows a narrative approach when recalling the processes of making the work, using image reproductions of the publication itself. The concept of intercessors proposed by Deleuze is also aligned when relating the creation proposals in workshops and in the text to a multiplicity of agencies, glimpsing the other through the difference in their productions, through the unlikely ways of coming and going, creating a work composed of affections that pause in stories, poems, texts, in short, in writings. |
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Writings: chewing letters, spitting out wordsEscritas: masticando letras, escupiendo palabrasEscritas: mastigando letras, cuspindo palavraswritingintercessorsartistic practicespublicationArtsescritasintercessorespráticas artísticaspublicação eletrônicaArtesescritosintercesoresprácticas artísticaspublicación electrónicaArtesIt is necessary to chew letters to feel sentences and spit out words to compose artistic practices with the text: based on this dynamic, the publication “e s c r i t a s” presents itself as an experimental compilation of texts in electronic format (e-book). The proposal was developed based on virtual meetings during the COVID-19 pandemic. They are “e s c r i t a s” with spaces, as they are “letters in social distancing” tensioning relationships between a slow return to post-pandemic “normality” and the desire to inhabit new art production platforms. This report aims to describe the experience of a collaborative creative process and disseminate how experimental proposals in writing can find support in public notices. The article follows a narrative approach when recalling the processes of making the work, using image reproductions of the publication itself. The concept of intercessors proposed by Deleuze is also aligned when relating the creation proposals in workshops and in the text to a multiplicity of agencies, glimpsing the other through the difference in their productions, through the unlikely ways of coming and going, creating a work composed of affections that pause in stories, poems, texts, in short, in writings.Es necesario masticar letras para sentir frases y escupir palabras para componer prácticas artísticas con el texto: a partir de esta dinámica, la publicación “e s c r i t a s” se presenta como una recopilación experimental de textos en formato electrónico (e-book). La propuesta se desarrolló a partir de encuentros virtuales durante la pandemia de COVID-19. Son “e s c r i t a s” con espacios, como son “cartas en distanciamiento social” que tensan las relaciones entre un lento retorno a la “normalidad” pospandémica y el deseo de habitar nuevas plataformas de producción artística. Este informe tiene como objetivo describir la experiencia de un proceso creativo colaborativo y difundir cómo propuestas experimentales escritas pueden encontrar apoyo en avisos públicos. El artículo sigue un enfoque narrativo al recordar los procesos de realización de la obra, utilizando reproducciones de imágenes de la propia publicación. También se alinea el concepto de intercesores propuesto por Deleuze al relacionar las propuestas de creación en los talleres y en el texto con una multiplicidad de agencias, vislumbrando al otro a través de la diferencia en sus producciones, a través de las formas improbables de ir y venir, de crear una obra. compuesta de afectos que se detienen en cuentos, poemas, textos, en definitiva, en escritos.É preciso mastigar letras para sentir frases e cuspir palavras para compor práticas artísticas com o texto: a partir dessa dinâmica, a publicação “e s c r i t a s” apresenta-se como uma compilação experimental de textos em formato eletrônico (e-book). A proposta foi elaborada com base em encontros virtuais durante a pandemia de COVID-19. São “e s c r i t a s” com espaços, pois se tratam de “letras em distanciamento social” a tensionar relações entre um lento retorno à “normalidade” pós-pandemia e o desejo de habitar novas plataformas de produção em arte. Este relato tem como objetivo descrever a experiência de um processo criativo colaborativo e difundir como propostas experimentais em escrita podem encontrar apoio em editais públicos. O artigo segue uma abordagem narrativa ao rememorar os processos de feitura do trabalho, recorrendo ao uso de reproduções imagéticas da própria publicação. Alinha-se também o conceito de intercessores proposto por Deleuze ao relacionar as propostas de criação em oficinas e no texto a uma multiplicidade de agenciamentos, vislumbrando o outro pela diferença de suas produções, pelos modos improváveis de ir e vir, criando um trabalho composto por afetos que pausam em contos, poemas, textos, enfim, em escritas.Universidade do Estado de Santa Catarina2023-11-28info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://www.revistas.udesc.br/index.php/palindromo/article/view/2405410.5965/2175234615372023e0011Palíndromo; Vol. 15 No. 37 (2023): Publicações de artista: espaço e tempo do impresso ao virtual; 1-20Palíndromo; v. 15 n. 37 (2023): Publicações de artista: espaço e tempo do impresso ao virtual; 1-202175-23461984-953210.5965/10.5965/2175234615372023reponame:Palíndromo (Online)instname:Universidade do Estado de Santa Catarina (UDESC)instacron:UDESCporhttps://www.revistas.udesc.br/index.php/palindromo/article/view/24054/16240Copyright (c) 2023 Rafael Nunes Menezeshttp://creativecommons.org/licenses/by/4.0info:eu-repo/semantics/openAccessMenezes, Rafael Nunes2024-02-29T13:57:28Zoai::article/24054Revistahttps://www.revistas.udesc.br/index.php/palindromoPUBhttps://www.revistas.udesc.br/index.php/palindromo/oaipalindromorevista@gmail.com || revistapalindromo@udesc.br2175-23461984-9532opendoar:2024-02-29T13:57:28Palíndromo (Online) - Universidade do Estado de Santa Catarina (UDESC)false |
dc.title.none.fl_str_mv |
Writings: chewing letters, spitting out words Escritas: masticando letras, escupiendo palabras Escritas: mastigando letras, cuspindo palavras |
title |
Writings: chewing letters, spitting out words |
spellingShingle |
Writings: chewing letters, spitting out words Menezes, Rafael Nunes writing intercessors artistic practices publication Arts escritas intercessores práticas artísticas publicação eletrônica Artes escritos intercesores prácticas artísticas publicación electrónica Artes |
title_short |
Writings: chewing letters, spitting out words |
title_full |
Writings: chewing letters, spitting out words |
title_fullStr |
Writings: chewing letters, spitting out words |
title_full_unstemmed |
Writings: chewing letters, spitting out words |
title_sort |
Writings: chewing letters, spitting out words |
author |
Menezes, Rafael Nunes |
author_facet |
Menezes, Rafael Nunes |
author_role |
author |
dc.contributor.author.fl_str_mv |
Menezes, Rafael Nunes |
dc.subject.por.fl_str_mv |
writing intercessors artistic practices publication Arts escritas intercessores práticas artísticas publicação eletrônica Artes escritos intercesores prácticas artísticas publicación electrónica Artes |
topic |
writing intercessors artistic practices publication Arts escritas intercessores práticas artísticas publicação eletrônica Artes escritos intercesores prácticas artísticas publicación electrónica Artes |
description |
It is necessary to chew letters to feel sentences and spit out words to compose artistic practices with the text: based on this dynamic, the publication “e s c r i t a s” presents itself as an experimental compilation of texts in electronic format (e-book). The proposal was developed based on virtual meetings during the COVID-19 pandemic. They are “e s c r i t a s” with spaces, as they are “letters in social distancing” tensioning relationships between a slow return to post-pandemic “normality” and the desire to inhabit new art production platforms. This report aims to describe the experience of a collaborative creative process and disseminate how experimental proposals in writing can find support in public notices. The article follows a narrative approach when recalling the processes of making the work, using image reproductions of the publication itself. The concept of intercessors proposed by Deleuze is also aligned when relating the creation proposals in workshops and in the text to a multiplicity of agencies, glimpsing the other through the difference in their productions, through the unlikely ways of coming and going, creating a work composed of affections that pause in stories, poems, texts, in short, in writings. |
publishDate |
2023 |
dc.date.none.fl_str_mv |
2023-11-28 |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion |
format |
article |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
https://www.revistas.udesc.br/index.php/palindromo/article/view/24054 10.5965/2175234615372023e0011 |
url |
https://www.revistas.udesc.br/index.php/palindromo/article/view/24054 |
identifier_str_mv |
10.5965/2175234615372023e0011 |
dc.language.iso.fl_str_mv |
por |
language |
por |
dc.relation.none.fl_str_mv |
https://www.revistas.udesc.br/index.php/palindromo/article/view/24054/16240 |
dc.rights.driver.fl_str_mv |
Copyright (c) 2023 Rafael Nunes Menezes http://creativecommons.org/licenses/by/4.0 info:eu-repo/semantics/openAccess |
rights_invalid_str_mv |
Copyright (c) 2023 Rafael Nunes Menezes http://creativecommons.org/licenses/by/4.0 |
eu_rights_str_mv |
openAccess |
dc.format.none.fl_str_mv |
application/pdf |
dc.publisher.none.fl_str_mv |
Universidade do Estado de Santa Catarina |
publisher.none.fl_str_mv |
Universidade do Estado de Santa Catarina |
dc.source.none.fl_str_mv |
Palíndromo; Vol. 15 No. 37 (2023): Publicações de artista: espaço e tempo do impresso ao virtual; 1-20 Palíndromo; v. 15 n. 37 (2023): Publicações de artista: espaço e tempo do impresso ao virtual; 1-20 2175-2346 1984-9532 10.5965/10.5965/2175234615372023 reponame:Palíndromo (Online) instname:Universidade do Estado de Santa Catarina (UDESC) instacron:UDESC |
instname_str |
Universidade do Estado de Santa Catarina (UDESC) |
instacron_str |
UDESC |
institution |
UDESC |
reponame_str |
Palíndromo (Online) |
collection |
Palíndromo (Online) |
repository.name.fl_str_mv |
Palíndromo (Online) - Universidade do Estado de Santa Catarina (UDESC) |
repository.mail.fl_str_mv |
palindromorevista@gmail.com || revistapalindromo@udesc.br |
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